Gender, continuity, and the shaping of modernity in the arts of East Asia, 16th-20th centuries / / edited by Kristen L. Chiem, Lara C. W. Blanchard.

• Superior document: Gendering the trans-Pacific world ; Volume 2
• TeilnehmendeR: Chiem, Kristen L.,; Blanchard, Lara C. W.,
• Place / Publishing House: Leiden, The Netherlands ;, Boston : : Brill,, [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Gendering the trans-Pacific world ; Volume 2.
• Physical Description: 1 online resource (354 pages).
• Other title: Preliminary Material --; Introduction /; 1 Cartographies of Alterity: Shape-Shifting Women and Periaquatic Spaces in Late Seventeenth-Century Japan /; 2 Indoctrinating Female Virtue: The Social Use of Chosŏn Woodblock Prints /; 3 Beauty under the Willow Tree: Picturing Virtuous Women in Nineteenth-Century China /; 4 Skillful Means (upāya) of the Courtesan as Bodhisattva Fugen: Maruyama Ōkyo’s Lady Eguchi /; 5 The Artistic Legacy of Yōgen’in, A Mortuary Temple Sponsored by Women in Early Modern Kyoto /; 6 Reconfiguring Patriarchal Space: Empress Dowager Cixi (1835–1908) and the Reconstruction of the Gardens of Nurtured Harmony /; 7 Questioning Women’s Place in the Canon of Korean Art History /; 8 The Personal is Political: The Life and Death and Life of Na Hye-sŏk (1896–1948) /; 9 “Civilized” Men and “Superstitious” Women: Visualizing the Hokkaido Ainu in Isabella Bird’s Unbeaten Tracks in Japan, 1880 /; Index /
• Bibliography: Includes bibliographical references and index.
• ISBN: 9004348956
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Kristen L. Chiem, Lara C. W. Blanchard.

Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries explores women’s and men’s contributions to the arts and gendered visual representations in China, Korea, and Japan from the premodern through modern eras. A critical introduction and nine essays consider how threads of continuity and exchanges between the cultures of East Asia, Europe, and the United States helped to shape modernity in this region, in the process revealing East Asia as a vital component of the trans-Pacific world. The essays are organized into three themes: representations of femininity, women as makers, and constructions of gender, and they consider examples of architecture, painting, woodblock prints and illustrated books, photography, and textiles. Contributors are: Lara C. W. Blanchard, Kristen L. Chiem, Charlotte Horlyck, Ikumi Kaminishi, Nayeon Kim, Sunglim Kim, Radu Leca, Elizabeth Lillehoj, Ying-chen Peng, and Christina M. Spiker.