Expressionism and poster design in Germany 1905-1922 : : between spirit and commerce / / by Kathleen Chapman.

• Superior document: Brill's studies in intellectual history, Volume 288
• VerfasserIn: Chapman, Kathleen
• Place / Publishing House: Leiden ;, Boston : : Brill,, 2018.
• Year of Publication: 2018
• Language: English
• Series: Brill's studies in intellectual history ; v. 288.; Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 32.
• Physical Description: 1 online resource.
• Notes: Revision of the author's thesis (Ph.D.--University of Southern California, 2010) under the title: Expressionism multiplied : early twentieth-century German posters between art, commerce, and politics.
• Other title: Expressionism multiplied
• Bibliography: Includes bibliographical references and index.
• ISBN: 900438099X
• ISSN: 0920-8607
• Hierarchical level: Monograph
• Statement of Responsibility: by Kathleen Chapman.

In Expressionism and Poster Design in Germany 1905-1925 , Kathleen Chapman re-defines Expressionism by situating it in relation to the most common type of picture in public space during the Wilhelmine twentieth century, the commercial poster. Focusing equally on visual material and contemporaneous debates surrounding art, posters, and the image in general, this study reveals that conceptions of a “modern” image were characterized not so much by style or mode of production and distribution, but by a visual rhetoric designed to communicate more directly than words. As instances of such rhetoric, Expressionist art and posters emerge as equally significant examples of this modern image, demonstrating the interconnectedness of the aesthetic, the utilitarian, and the commercial in European modernism.