Flaubert, Beckett, NDiaye : : the aesthetics, emotions and politics of failure / / edited by Andrew Asibong and Aude Campmas.
Gustave Flaubert, Samuel Beckett and Marie NDiaye can be considered as visionaries of a peculiarly radical form of failure, their protagonists and texts alike sliding inexorably into unmanageable states of paradox, incompletion and disintegration. What are the implications of these authors’ experime...
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| Superior document: | Faux Titre ; 414 |
|---|---|
| TeilnehmendeR: | |
| Place / Publishing House: | Boston : : BRILL,, 2017. |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Faux Titre
414. |
| Physical Description: | 1 online resource (176 pages). |
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Table of Contents:
- Preliminary Material
- Introduction / Andrew Asibong and Aude Campmas
- Echoes of Terence: ‘Rien d’humain’ in the Friends and Neighbours of Flaubert, Beckett and NDiaye / Arthur Rose
- ‘Que prouve un insuccès?’ Re-cycling Failure in Flaubert and Beckett / Kate Rees
- Lieux communs en héritage: de Flaubert à Marie NDiaye, de quoi sont-ils le nom? / Chloé Brendlé
- L’idiotie en famille: Rhétorique et politique de l’idiot chez Flaubert et Beckett / Marie Berne
- ‘May I be Alive when I die!’ Dreaming of (re)animation in Flaubert, Beckett and NDiaye / Andrew Asibong
- Objet petit ‘Ah!’: Backstory Dramas and Sentimental Histories in Flaubert’s L’Éducation sentimentale and Beckett’s La Dernière bande / Mary Orr
- Failure and Impure Narcissism in Oh les beaux jours and ‘Une journée de Brulard’ / William McKenzie
- From Paradox to Excess: Flaubert’s Bouvard et Pécuchet and Beckett’s L’Innommable / Tobias Haberkorn
- L’échec comme attaque: les romans clastiques de Gustave Flaubert et Marie NDiaye / Aude Campmas
- Index.