Opera, Society, and Politics in Modern China / / Hsiao-t'i Li.

Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin...

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Superior document:Harvard University Studies in East Asian Law ; 117
VerfasserIn:
Place / Publishing House:Boston : : Harvard University Asia Center,, 2019.
Leiden;, Boston : : BRILL,, 2019.
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Harvard University Studies in East Asian Law ; 117.
Physical Description:1 online resource (1 vol. X-365 p.) :; ill., cartes. ;
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spelling Li, Hsiao-t'i, author.
Opera, Society, and Politics in Modern China / Hsiao-t'i Li.
1st ed.
Boston : Harvard University Asia Center, 2019.
Leiden; Boston : BRILL, 2019.
1 online resource (1 vol. X-365 p.) : ill., cartes. ;
text txt rdacontent
computer c rdamedia
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Harvard University Studies in East Asian Law ; 117
Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi'an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward "politicization" was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda. Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi'an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera's omnipresence completely changed over time [Publisher description].
Description based on print version record.
Looking back at history in Late Imperial China -- Changing discourses on China's popular drama: 1900s to early 1930s -- The reformation of Beijing Opera in Shanghai -- Reformed opera performances on the Shanghai stage -- Reformed opera in Xi'an -- Legacy and transformation: politicization and radicalization from the 1910s to the 1960s.
Operas, Chinese History and criticism.
Operas, Chinese Political aspects.
Operas, Chinese Social aspects.
Opera Political aspects China.
Opera Social aspects China.
Opera China History 20th century.
0-674-98716-0
ebrary
Harvard University Studies in East Asian Law ; 117.
language English
format eBook
author Li, Hsiao-t'i,
spellingShingle Li, Hsiao-t'i,
Opera, Society, and Politics in Modern China /
Harvard University Studies in East Asian Law ;
Looking back at history in Late Imperial China -- Changing discourses on China's popular drama: 1900s to early 1930s -- The reformation of Beijing Opera in Shanghai -- Reformed opera performances on the Shanghai stage -- Reformed opera in Xi'an -- Legacy and transformation: politicization and radicalization from the 1910s to the 1960s.
author_facet Li, Hsiao-t'i,
author_variant h t l htl
author_role VerfasserIn
author_sort Li, Hsiao-t'i,
title Opera, Society, and Politics in Modern China /
title_full Opera, Society, and Politics in Modern China / Hsiao-t'i Li.
title_fullStr Opera, Society, and Politics in Modern China / Hsiao-t'i Li.
title_full_unstemmed Opera, Society, and Politics in Modern China / Hsiao-t'i Li.
title_auth Opera, Society, and Politics in Modern China /
title_new Opera, Society, and Politics in Modern China /
title_sort opera, society, and politics in modern china /
series Harvard University Studies in East Asian Law ;
series2 Harvard University Studies in East Asian Law ;
publisher Harvard University Asia Center,
publishDate 2019
physical 1 online resource (1 vol. X-365 p.) : ill., cartes. ;
edition 1st ed.
contents Looking back at history in Late Imperial China -- Changing discourses on China's popular drama: 1900s to early 1930s -- The reformation of Beijing Opera in Shanghai -- Reformed opera performances on the Shanghai stage -- Reformed opera in Xi'an -- Legacy and transformation: politicization and radicalization from the 1910s to the 1960s.
isbn 1-68417-101-6
0-674-98716-0
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML1751
callnumber-sort ML 41751 C5
geographic_facet China.
China
era_facet 20th century.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 782 - Vocal music
dewey-full 782.10951/0904
dewey-sort 3782.10951 3904
dewey-raw 782.10951/0904
dewey-search 782.10951/0904
work_keys_str_mv AT lihsiaoti operasocietyandpoliticsinmodernchina
status_str n
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hierarchy_parent_title Harvard University Studies in East Asian Law ; 117
hierarchy_sequence 117.
is_hierarchy_title Opera, Society, and Politics in Modern China /
container_title Harvard University Studies in East Asian Law ; 117
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