Literary coteries and the making of modern print culture, 1740-1790 / / Betty A. Schellenberg.

Literary Coteries and the Making of Modern Print Culture offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scriba...

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Bibliographic Details
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Place / Publishing House:Cambridge : : Cambridge University Press,, 2016.
Year of Publication:2016
Language:English
Series:Open Access e-Books
Knowledge Unlatched
Physical Description:1 online resource (xii, 308 pages) :; digital, PDF file(s).
Notes:
  • Title from publisher's bibliographic system (viewed on 20 Jul 2016).
  • Open Access title.
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Table of Contents:
  • Introduction: the literary coteries in the eighteenth-century media landscapes
  • 1. Wrest Park and North End: two mid-century coteries
  • 2. Formation, fame, and patronage: the Montagu-Lyttelton coterie
  • 3. Identity and influence from coterie to print: Carter, Chapone, and the Shenstone-Dodsley collaboration
  • 4. Memorializing a coterie life in print: the case of William Shenstone
  • 5. "This new species of mischief": Montagu, Johnson, and the quarrel over character
  • 6. Transmediations: marketing the coterie traveler
  • 7. Literary sociability in the eighteenth-century personal miscellany.