The Lyon Terence : : its tradition and legacy / / Giulia Torello-Hill and Andrew J. Turner.

• Superior document: Drama and Theatre in Early Modern Europe ; 11
• VerfasserIn: Torello-Hill, Giulia,; Turner, Andrew J.,
• TeilnehmendeR: Turner, Andrew J.,
• Place / Publishing House: Leiden ;, Boston : : Brill,, [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Series: Drama and Theatre in Early Modern Europe ; 11.
• Physical Description: 1 online resource (xv, 296 pages) :; color illustrations

In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of Late-Antique and Medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its leg...

Table of Contents

• Preface
• List of Illustrations
• List of Abbreviations
• Note on Illustrations and the Use of Electronic Resources
• Introduction
• 1 The Lyon Terence and Its Initial Impact
• 1.1 Contents and mise-en-page
• 1.2 Publishing in Lyon
• 1.3 Composition, Printing, and Distribution
• 2 Terence’s Plays: Commentary and Illustration from Manuscript to Print
• 2.1 Terence as an Educational Classic: Text and Commentary from Antiquity to Medieval and Renaissance Europe
• 2.2 The Development of Manuscript Illustrations of Terence
• 2.3 The Impact of New Learning and Technologies: Donatus and the Advent of Printing
• The Editor of the Lyon Terence: Jodocus Badius Ascensius
• 3.1 Badius
• 3.2 Early Life and Literary Career to 1493
• 3.2.1 Flanders and Brabant
• 3.2.2 Italy
• 3.2.3 Lyon
• 3.3 Later Career to 1502
• 4 Text and Commentary in Badius’ Three Editions of Terence
• 4.1 The 1491 Edition and Donatus
• 4.2 The Lyon Terence: the Commentary of Guy Jouenneaux and Badius’ Revisions
• 4.2.1 The Commentary Edition of Guy Jouenneaux
• 4.2.2 Badius’ Re-edition of Guy
• 4.3 The 1502 Terence and Its Sources
• 5 The Illustrative Programme of the 1493 Edition
• 5.1 Badius’ Appropriation of the Carolingian Tradition
• 5.2 Gestures in Medieval and Early Modern Culture
• 5.3 Carolingian Gestures
• 5.4 Non-Carolingian Gestures
• 5.4.1 Manly Gestures
• 5.4.2 Female Gestures
• 5.4.3 Gestures of Despair
• 5.5 Characterization through Costuming
• 5.6 Gestures, Illustrations and Commentary Derivative of Donatus in the Lyon Terence
• 5.7 The Illustrator of the Lyon Terence
• Appendix: a Catalogue of Gestures
• Carolingian Gestures (after Dutsch 2007)
• Non-Carolingian Gestures
• 6 The Theatricality of the Lyon Terence
• 6.1 The Lyon Terence and Performance
• 6.2 Stage Design: the Lyon Terence and the Representation of Theatre Buildings
• 6.3 The Stage
• 6.4 Stage Conventions
• 6.4.1 Entrances and Exits
• 6.4.2 Asides, Eavesdropping, and Off-stage Scenes
• 6.5 Terence on Stage in Renaissance Italy and France
• The Legacy of the Lyon Terence in the Sixteenth Century
• 7.1 Terence in Print in Late Fifteenth and Sixteenth Century
• 7.2 The Venetian Illustrated Editions of Terence of Lazzaro de’ Soardi
• 7.3 The Italian Illustrated Editions of the Sixteenth Century
• 7.4 The Influence of the Lyon Terence in Germany: the Illustrated Terence of Johann Grüninger and Its Tradition
• 7.5 The French Tradition of Terence after 1493
• 7.6 Conclusion
• Conclusion
• Bibliography
• Indexes.