Fashion-wise / / Maria Vaccarella, Jacquelyn Foltyn.

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Place / Publishing House:Leiden : : Brill,, [2019]
©2019
Year of Publication:2019
Language:English
Physical Description:1 online resource.
Notes:Bibliographic Level Mode of Issuance: Monograph
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100 1 |a Vaccarella, Maria,  |e author. 
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505 0 0 |t Preliminary Material /  |r Maria Vaccarella and Jacque Lynn Foltyn --   |t Hoop Dreams: The Rise and Fall of the Crinoline in Second-Empire France /  |r Leonard R. Koos --   |t Art Nouveau and the Symbolic Blurring of Women’s Spatial and Corporeal Environments: The Contradiction of Organic Inspiration in Fashion and Interiors /  |r Angie G. Dowell and Denise Bertoncino --   |t The Fashion Revolution of Avant-Garde Japanese Designers: Issey Miyake, Rei Kawakubo, Yohji Yamamoto /  |r Flavia Loscialpo --   |t Standing Tall: The Stiletto Heel as Metamorphosis of the Self /  |r Francesca D’Angelo --   |t The Rationalisation of Consumption Reasons for Purchasing Outdoor Recreational Outfits /  |r Ingun Grimstad Klepp and Silje Elisabeth Skuland --   |t The Dog Walk: Canine Chic, Companion Animals and Consumer Culture /  |r Jacque Lynn Foltyn --   |t Fashions for Woman with a Future: Women, World War II and the Language of Uniforms /  |r Alexandra Elias --   |t ‘Glamazons’ of Pop: The Enigma of the Female Military-Styled Pop Star: Kate Bush and Madonna /  |r Michael A. Langkjær --   |t It is the Attitude: Fashion Designs for Women with Disabilities /  |r Elizabeth Kaino Hopper --   |t Developing ProAesthetics: Disability as Fashion Discourse /  |r Olga Vainshtein --   |t ‘But what do I Wear?’: A Study of Women’s Climbing Attire /  |r Claire Evans --   |t Vintage Clothing Cultures: The Comforts of History /  |r Sarah Lloyd --   |t Audrey Hepburn and the ‘Funny Face’ of Post-World War II Humanism /  |r Jayne Sheridan --   |t The Slut at School: Sex, Dress and Authenticity /  |r Felicity Grace Perry --   |t Humour as a Strategy in Contemporary Fashion /  |r Orna Ben-Meir --   |t Vintage Paperback Meets Vintage Couture: How Tom Ford Brought Christopher Isherwood out from behind the Lens /  |r Kathryn Franklin --   |t Fego DNA Schemas: The Projection of Schematic Constructed Non-Fictional Anxiety within the Styling Design of Fictional Character Dress /  |r Michael Ivy (Michiel Germishuys) --   |t Street-Style: Fashion Photography, Weblogs and the Urban Image /  |r Jess Berry --   |t On the Style Site: Face Hunter as Node and Prism /  |r Charlotte Bik Bandlien --   |t La Biaiseuse /  |r Susie Ralph --   |t Couture: Tool of Belonging /  |r Julie Thomas --   |t ‘Fashion in Auschwitz’: Concentration Camp Clothing during World War II: Heretofore Unknown Aspects of Personal Experiences /  |r Sofia Pantouvaki --   |t Schwarz Rot Gold is the New Black /  |r Karolina M. Burbach --   |t Nigerian Clothing Tradition: Preservation and Restoration of Used Alaari Fabrics among the Ondo People of South Western Nigeria /  |r Sunday Roberts Ogunduyile and Evelyn Omotunde Adepeko --   |t African Fashion from Dual Directions: Representing Self and Other /  |r Victoria L. Rovine --   |t The ‘It’ Factor: In Pursuit of the Commoditisation of Fashion /  |r Nathaniel Dafydd Beard --   |t ‘Fashionalisation’: Urban Development and the New-Rise Fashion Weeks /  |r Wessie Ling --   |t From Fashion Forecasting to Coolhunting: Previsional Models in Fashion and in Cultural Production /  |r Marco Pedroni --   |t Fashion Apps: Altering the ‘Fashionscape’ through Smartphone Technology /  |r Mario J. Roman --   |t Ecology and Fashion: Development Lines and Prospects /  |r Ines Weller and Sabine Walter --   |t Taste and the Rise of Branded Cult Items: Secondary Lines, Counterfeited and Look-Alike Luxury /  |r Cecilia Winterhalter --   |t Re-Framing Fashion: From Original and Copy to Adaptation /  |r Tiziana Ferrero-Regis --   |t The Lipperheide Costume Library: An Archive of Clothing and Fashion /  |r Susan Ingram. 
588 |a Description based on print version record. 
650 0 |a Fashion  |x Social aspects. 
776 |z 90-04-37196-6 
700 1 |a Foltyn, Jacquelyn,  |e author. 
906 |a BOOK 
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