Trending now : : new developments in fashion studies / / edited by Laura Petican [and three others].

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Bibliographic Details
TeilnehmendeR:
Place / Publishing House:Oxford, UK : : Inter-Disciplinary Press,, [2013]
©2013
Year of Publication:2013
Language:English
Physical Description:1 online resource
Notes:Bibliographic Level Mode of Issuance: Monograph
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505 0 0 |a Preliminary Material /  |r Laura Petican , Mariam Esseghaier , Angela Nurse and Damayanthie Eluwawalage -- Fashioning the Transatlantic: Accessorising Men: From Neckties to Bathers /  |r Sarah Heaton -- The Paradoxical Nature of ‘Pauperist’ Style as Haute Couture /  |r Llewellyn Negrin -- Percy Savage and His Role in Paris Couture 1951-1965: Issues of the Creation and Organisation of Public Relations Systems /  |r Sara Skillen -- Dressing for the Revolution: Fashion and Politics in the 1871 Paris Commune /  |r Leonard R. Koos -- Exaggerated Modesty: The Evolution and Acceptance of Showing the Navel in Swimwear and Other Clothing /  |r Patricia Hunt-Hurst and Amy Scarborough -- Wedding Dresses in Italy during the Twentieth Century /  |r Anna Balzarro -- ‘I Want to be Happy Looking at Myself’: Lolita Style and Its Embodied Practices between Resistance and Urban Fashion /  |r Laura Porzio -- Being Yourself: Dress as a Change Agent /  |r Linda Shearer -- The Ah Beng Subculture: The Influence of Consumption on Identity Formation among the Malaysian Chinese /  |r Rachel Chan Suet Kay -- Dress Theory: Exploring Critical Issues /  |r Damayanthie Eluwawalage -- Fashion, Possibility and Individual Agency: Theoretical Perspectives /  |r Anna-Mari Almila -- Dadaist Elements in the Works of Martin Margiela /  |r Jure Purgaj and Simona Jevšnik -- What Is Clothing Hiding, but Fashion Can Make Visible? The Connection between Deconstruction and Surrealism /  |r Agata Zborowska -- Trompe L’Oeil in Fashion /  |r Cassandra Gero -- ‘I Should Never Make Such a Fool of Myself as to Wear Them’: Fashioning Public/Private Identities in Jean Rhys’ Modernist Fiction /  |r Sarah Downes -- ‘Miniskirts Make Money’: Post-War British Fashion Promotion in Films by the COI /  |r Jo Stephenson -- Fashion and Contemporary Club Culture: Reciprocal Reaction between Fashion, Dance, and Music /  |r Dejan Agatonovic -- Dress as a Performing Object /  |r Ayşe Günay -- Hillbilly Deluxe: ‘Country Couture’ and the Performance of Masculinity in Country Music /  |r Janet Aspley -- Heritage: The Difficult Innovation of the Fashion System /  |r Cecilia Winterhalter -- Cultural Borrowing and Cultural Theft: Why Burberry and Other Luxury Brands Should Take Note of Hermès and Its 2011 Sari Collections When Taking Inspiration from Non-Western Cultures /  |r Donalea Scott -- Working in the Fashion World: A ‘Kind of Magic’ Precarity /  |r Giulia Mensitieri -- Chinese Fashion Designers in Shanghai: Identifying a Fresh Perspective about Their Role in the World Order of Fashion /  |r Tim Lindgren -- They Need to Step Up Their Fashion Game: Constructing and Policing New Femininities on a Nigerian Lifestyle Website /  |r Simidele Dosekun -- The Position of Brazilian Fashion in a Borderless Place /  |r Anamélia Fontana Valentim and Alessandra Brandão -- Changing Avatars of the Choli in India: Blouse to Hi-Fashion Garment /  |r Nilakshi Roy and Preeta Nilesh -- The Poetics and Pragmatics of Doing Sustainable Fashion /  |r Georgia McCorkill and Soumitri Varadarajan -- Design with a Conscience /  |r Deborah Emmett -- Social and Environmental Concerns in the Fashion Industry: A Portrait of Québec’s Ethical Fashion Industry /  |r Marie-Josée Hinse , Michèle Beaudoin , Caroline Boivin and Fabien Durif -- Consumable Ideologies: Designing Sustainable Behaviours in Kuwait /  |r Noura Al-Naggar. 
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650 0 |a Clothing and dress  |x History. 
650 0 |a Fashion  |x Social aspects. 
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700 1 |a Petican, Laura,  |e editor. 
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