Poetic Images, Presence, and the Theater of Kenotic Rituals / / Enikő Sepsi, author ; Peter V. Czipott, translator.
"This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in w...
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| Place / Publishing House: | Abingdon, Oxon : : Routledge,, 2022. |
| Year of Publication: | 2022 |
| Edition: | 1st ed. |
| Language: | English |
| Physical Description: | 1 online resource :; illustrations |
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Table of Contents:
- Introduction
- PART I: Image and presence: two trends in contemporary French poetry
- 1.Predecessors: Contemporary French poets in the pages of Nyugat and Nouvelle Revue Francaise (NRF) Between 1909 and 1937
- 2. Yves Bonnefoy and the poetry of presence
- 3. The new lyricism
- 4. Conclusion PART II: Theatrical presence, poetic rituality, and the theater of kenotic rituals
- 5. Methodological considerations and the Hungarian Context of Reception
- 6. Kenosis in theology
- 7. Kenosis in Simone Weil's mysticism
- 8. Mysticism in the approach to theater: The "kenotic" theater
- 9. Figures and Disfigurations of the Human Face
- 10. On Bearing Witness to a Poetic Ritual. Robert Wilson's Deafman Glance as seen by Janos Pilinszky
- 11. Valere Novarina and Janos Pilinszky, or the Theater of Unselfed Poetry
- 12. Sacred or Holy? Dramaturgy in Valere Novarina's theater
- 13. Emptiness, Space, and time in Valere Novarina's theater
- 14. Rituals in Valere Novarina's works
- 15. The Imaginary Animal
- 16. Novarina's works produced in Hungary Summary
- 17. Appendix 1
- 18. Appendix 2
- 19. Appendix 3
- 20. Appendix 4.