Mapping the Sensible : : Distribution, Inscription, Cinematic Thinking / / Erica Carter, Eileen Rositzka, Bettina Malcomess.
In academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural...
Saved in:
VerfasserIn: | |
---|---|
MitwirkendeR: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2022] ©2023 |
Year of Publication: | 2022 |
Language: | English |
Series: | Cinepoetics Essay ,
3 |
Physical Description: | 1 online resource (X, 157 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993580999304498 |
---|---|
ctrlnum |
(CKB)5850000000262582 (DE-B1597)609948 (DE-B1597)9783110769012 (EXLCZ)995850000000262582 |
collection |
bib_alma |
record_format |
marc |
spelling |
Carter, Erica, author. aut http://id.loc.gov/vocabulary/relators/aut Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / Erica Carter, Eileen Rositzka, Bettina Malcomess. Berlin ; Boston : De Gruyter, [2022] ©2023 1 online resource (X, 157 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cinepoetics Essay , 2626-9198 ; 3 Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) Issued also in print. This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy In academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds. In English. Frontmatter -- Preface and Acknowledgements -- Contents -- Introduction: Mapping the Sensible -- White Bodies in Motion: Mapping Cinema and Whiteness in the Postwar Bahamas -- The Illegible Field: The Journey of a Signal, a Soldier, and a Camera -- A Saturn State of Mind: PATIENCE (AFTER SEBALD) -- About the Authors SOCIAL SCIENCE / Media Studies. bisacsh Mapping. cinematic experience. embodied mobilities. postcolonialism. 3-11-076898-4 Carter, Erica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Malcomess, Bettina, author. aut http://id.loc.gov/vocabulary/relators/aut Malcomess, Bettina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rositzka, Eileen, author. aut http://id.loc.gov/vocabulary/relators/aut Rositzka, Eileen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb |
language |
English |
format |
eBook |
author |
Carter, Erica, Carter, Erica, Malcomess, Bettina, Rositzka, Eileen, |
spellingShingle |
Carter, Erica, Carter, Erica, Malcomess, Bettina, Rositzka, Eileen, Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / Cinepoetics Essay , Frontmatter -- Preface and Acknowledgements -- Contents -- Introduction: Mapping the Sensible -- White Bodies in Motion: Mapping Cinema and Whiteness in the Postwar Bahamas -- The Illegible Field: The Journey of a Signal, a Soldier, and a Camera -- A Saturn State of Mind: PATIENCE (AFTER SEBALD) -- About the Authors |
author_facet |
Carter, Erica, Carter, Erica, Malcomess, Bettina, Rositzka, Eileen, Carter, Erica, Carter, Erica, Malcomess, Bettina, Malcomess, Bettina, Malcomess, Bettina, Malcomess, Bettina, Rositzka, Eileen, Rositzka, Eileen, Rositzka, Eileen, Rositzka, Eileen, |
author_variant |
e c ec e c ec b m bm e r er |
author_role |
VerfasserIn VerfasserIn VerfasserIn VerfasserIn |
author2 |
Carter, Erica, Carter, Erica, Malcomess, Bettina, Malcomess, Bettina, Malcomess, Bettina, Malcomess, Bettina, Rositzka, Eileen, Rositzka, Eileen, Rositzka, Eileen, Rositzka, Eileen, |
author2_variant |
e c ec e c ec b m bm b m bm b m bm e r er e r er e r er |
author2_role |
MitwirkendeR MitwirkendeR VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR |
author_sort |
Carter, Erica, |
title |
Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / |
title_sub |
Distribution, Inscription, Cinematic Thinking / |
title_full |
Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / Erica Carter, Eileen Rositzka, Bettina Malcomess. |
title_fullStr |
Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / Erica Carter, Eileen Rositzka, Bettina Malcomess. |
title_full_unstemmed |
Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / Erica Carter, Eileen Rositzka, Bettina Malcomess. |
title_auth |
Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / |
title_alt |
Frontmatter -- Preface and Acknowledgements -- Contents -- Introduction: Mapping the Sensible -- White Bodies in Motion: Mapping Cinema and Whiteness in the Postwar Bahamas -- The Illegible Field: The Journey of a Signal, a Soldier, and a Camera -- A Saturn State of Mind: PATIENCE (AFTER SEBALD) -- About the Authors |
title_new |
Mapping the Sensible : |
title_sort |
mapping the sensible : distribution, inscription, cinematic thinking / |
series |
Cinepoetics Essay , |
series2 |
Cinepoetics Essay , |
publisher |
De Gruyter, |
publishDate |
2022 |
physical |
1 online resource (X, 157 p.) Issued also in print. |
contents |
Frontmatter -- Preface and Acknowledgements -- Contents -- Introduction: Mapping the Sensible -- White Bodies in Motion: Mapping Cinema and Whiteness in the Postwar Bahamas -- The Illegible Field: The Journey of a Signal, a Soldier, and a Camera -- A Saturn State of Mind: PATIENCE (AFTER SEBALD) -- About the Authors |
isbn |
3-11-076901-8 3-11-076898-4 |
issn |
2626-9198 ; |
illustrated |
Not Illustrated |
work_keys_str_mv |
AT cartererica mappingthesensibledistributioninscriptioncinematicthinking AT malcomessbettina mappingthesensibledistributioninscriptioncinematicthinking AT rositzkaeileen mappingthesensibledistributioninscriptioncinematicthinking |
status_str |
n |
ids_txt_mv |
(CKB)5850000000262582 (DE-B1597)609948 (DE-B1597)9783110769012 (EXLCZ)995850000000262582 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Mapping the Sensible : Distribution, Inscription, Cinematic Thinking / |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1764995726111145984 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04182nam a22006375i 4500</leader><controlfield tag="001">993580999304498</controlfield><controlfield tag="005">20221205051307.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">221205t20222023gw fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3-11-076901-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)5850000000262582</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)609948</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9783110769012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)995850000000262582</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Carter, Erica, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mapping the Sensible :</subfield><subfield code="b">Distribution, Inscription, Cinematic Thinking /</subfield><subfield code="c">Erica Carter, Eileen Rositzka, Bettina Malcomess.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ;</subfield><subfield code="a">Boston : </subfield><subfield code="b">De Gruyter, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (X, 157 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cinepoetics Essay ,</subfield><subfield code="x">2626-9198 ;</subfield><subfield code="v">3</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022)</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: </subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0 </subfield><subfield code="u">https://www.degruyter.com/dg/page/open-access-policy</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Preface and Acknowledgements -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction: Mapping the Sensible -- </subfield><subfield code="t">White Bodies in Motion: Mapping Cinema and Whiteness in the Postwar Bahamas -- </subfield><subfield code="t">The Illegible Field: The Journey of a Signal, a Soldier, and a Camera -- </subfield><subfield code="t">A Saturn State of Mind: PATIENCE (AFTER SEBALD) -- </subfield><subfield code="t">About the Authors</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Mapping.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cinematic experience.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">embodied mobilities.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">postcolonialism.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">3-11-076898-4</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Carter, Erica, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Malcomess, Bettina, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Malcomess, Bettina, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rositzka, Eileen, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rositzka, Eileen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-02-27 04:29:02 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2022-11-14 04:01:55 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343018860004498&Force_direct=true</subfield><subfield code="Z">5343018860004498</subfield><subfield code="8">5343018860004498</subfield></datafield></record></collection> |