Animals, Plants and Afterimages : : The Art and Science of Representing Extinction.
The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis...
Saved in:
: | |
---|---|
TeilnehmendeR: | |
Place / Publishing House: | New York, NY : : Berghahn Books, Incorporated,, 2022. ©2022. |
Year of Publication: | 2022 |
Language: | English |
Physical Description: | 1 online resource (460 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993580998504498 |
---|---|
ctrlnum |
(MiAaPQ)EBC6882402 (Au-PeEL)EBL6882402 (CKB)21069179100041 (DE-B1597)635816 (DE-B1597)9781800734265 (oapen)https://directory.doabooks.org/handle/20.500.12854/95976 (EXLCZ)9921069179100041 |
collection |
bib_alma |
record_format |
marc |
spelling |
Bienvenue, Valérie. Animals, Plants and Afterimages : The Art and Science of Representing Extinction. Berghahn Books 2022 New York, NY : Berghahn Books, Incorporated, 2022. ©2022. 1 online resource (460 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Description based on publisher supplied metadata and other sources. The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns. Frontmatter -- Contents -- List of Illustrations, Figures and Tables -- Acknowledgements -- Introduction. Representing Extinction: Art, Science and Afterimages -- Part I. Dialogues about Extinction -- Chapter 1. The Dinosaur as Cultural Symbol and Totem: W. J. T. Mitchell in Conversation -- Chapter 2. Visualizing Extinction: Harriet Ritvo in Conversation -- Chapter 3. ‘Putting Nature Back Together Again’: Stuart Pimm in Conversation -- Part II. Indigenous Peoples and Extinction -- Chapter 4. The Beothuk, the Great Auk and the Newfoundland Wolf: Animal and Human Genocide in Canada’s Easternmost Province -- Chapter 5. Cultural Memory of Recent Extinctions: A Chinese Perspective -- Chapter 6. Grief, Extinction and Bilhaa (Abalone) -- Part III. Representing Avian and Insect Extinctions -- Chapter 7. Sparrows with Teeth and Claws? Reconstructing the Cretaceous Enantiornithes (Aves: Ornithothoraces) -- Chapter 8. Rare Birds and Rare Books: The Species as Work of Art -- Chapter 9. Th e Species Revivalist Sublime: Encountering the Kaua‘i ‘Ō‘ō Bird in Jakob Kudsk Steensen’s Re-Animated -- Chapter 10. Insects, Spiders, Snails and Empathy: Representing Invertebrate Extinctions in Natural History Museums -- Part IV. Representing Extinct Plants and Fungi -- Chapter 11. Reconstructing Lycopsids Lost to the Deep Past -- Chapter 12. Ellis Rowan, Extinction and the Politics of Flower Painting -- Chapter 13. Towards Extinction: Mapping the Vulnerable, Th reatened and Critically Endangered Plant in ‘Moments of Friction’ -- Chapter 14. Sweetness, Power, Yeasts and Entomo-terroir -- Part V. Representing Extinct Mammals -- Chapter 15. Animal Extinction, Film and the Death Drive -- Chapter 16. Tasmanian Tiger: Precious Little Remains -- Chapter 17. From the General to the Particular: Piecing Together the Life and Afterlife of A544, Louis XVI’s Quagga -- Part VI. Exhibiting Extinction -- Chapter 18. Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion -- Chapter 19. The Exhibition of Extinct Species: A Critique -- Chapter 20. Exhibiting Extinction: Thylacines in Museum Display -- Afterword. After Extinction -- Notes on Contributors -- Index English Knowledge Unlatched Art and biology. Extinct animals in art. Extinct animals Exhibitions. Extinct plants in art. Extinct plants Exhibitions. Museum techniques Moral and ethical aspects. NATURE / Endangered Species. bisacsh Social Science Media Studies Science Environmental Science Nature Endangered Species Chare, Nicholas. Print version: Bienvenue, Valérie Animals, Plants and Afterimages New York, NY : Berghahn Books, Incorporated,c2022 9781800734258 |
language |
English |
format |
eBook |
author |
Bienvenue, Valérie. |
spellingShingle |
Bienvenue, Valérie. Animals, Plants and Afterimages : The Art and Science of Representing Extinction. Frontmatter -- Contents -- List of Illustrations, Figures and Tables -- Acknowledgements -- Introduction. Representing Extinction: Art, Science and Afterimages -- Part I. Dialogues about Extinction -- Chapter 1. The Dinosaur as Cultural Symbol and Totem: W. J. T. Mitchell in Conversation -- Chapter 2. Visualizing Extinction: Harriet Ritvo in Conversation -- Chapter 3. ‘Putting Nature Back Together Again’: Stuart Pimm in Conversation -- Part II. Indigenous Peoples and Extinction -- Chapter 4. The Beothuk, the Great Auk and the Newfoundland Wolf: Animal and Human Genocide in Canada’s Easternmost Province -- Chapter 5. Cultural Memory of Recent Extinctions: A Chinese Perspective -- Chapter 6. Grief, Extinction and Bilhaa (Abalone) -- Part III. Representing Avian and Insect Extinctions -- Chapter 7. Sparrows with Teeth and Claws? Reconstructing the Cretaceous Enantiornithes (Aves: Ornithothoraces) -- Chapter 8. Rare Birds and Rare Books: The Species as Work of Art -- Chapter 9. Th e Species Revivalist Sublime: Encountering the Kaua‘i ‘Ō‘ō Bird in Jakob Kudsk Steensen’s Re-Animated -- Chapter 10. Insects, Spiders, Snails and Empathy: Representing Invertebrate Extinctions in Natural History Museums -- Part IV. Representing Extinct Plants and Fungi -- Chapter 11. Reconstructing Lycopsids Lost to the Deep Past -- Chapter 12. Ellis Rowan, Extinction and the Politics of Flower Painting -- Chapter 13. Towards Extinction: Mapping the Vulnerable, Th reatened and Critically Endangered Plant in ‘Moments of Friction’ -- Chapter 14. Sweetness, Power, Yeasts and Entomo-terroir -- Part V. Representing Extinct Mammals -- Chapter 15. Animal Extinction, Film and the Death Drive -- Chapter 16. Tasmanian Tiger: Precious Little Remains -- Chapter 17. From the General to the Particular: Piecing Together the Life and Afterlife of A544, Louis XVI’s Quagga -- Part VI. Exhibiting Extinction -- Chapter 18. Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion -- Chapter 19. The Exhibition of Extinct Species: A Critique -- Chapter 20. Exhibiting Extinction: Thylacines in Museum Display -- Afterword. After Extinction -- Notes on Contributors -- Index |
author_facet |
Bienvenue, Valérie. Chare, Nicholas. |
author_variant |
v b vb |
author2 |
Chare, Nicholas. |
author2_variant |
n c nc |
author2_role |
TeilnehmendeR |
author_sort |
Bienvenue, Valérie. |
title |
Animals, Plants and Afterimages : The Art and Science of Representing Extinction. |
title_sub |
The Art and Science of Representing Extinction. |
title_full |
Animals, Plants and Afterimages : The Art and Science of Representing Extinction. |
title_fullStr |
Animals, Plants and Afterimages : The Art and Science of Representing Extinction. |
title_full_unstemmed |
Animals, Plants and Afterimages : The Art and Science of Representing Extinction. |
title_auth |
Animals, Plants and Afterimages : The Art and Science of Representing Extinction. |
title_alt |
Frontmatter -- Contents -- List of Illustrations, Figures and Tables -- Acknowledgements -- Introduction. Representing Extinction: Art, Science and Afterimages -- Part I. Dialogues about Extinction -- Chapter 1. The Dinosaur as Cultural Symbol and Totem: W. J. T. Mitchell in Conversation -- Chapter 2. Visualizing Extinction: Harriet Ritvo in Conversation -- Chapter 3. ‘Putting Nature Back Together Again’: Stuart Pimm in Conversation -- Part II. Indigenous Peoples and Extinction -- Chapter 4. The Beothuk, the Great Auk and the Newfoundland Wolf: Animal and Human Genocide in Canada’s Easternmost Province -- Chapter 5. Cultural Memory of Recent Extinctions: A Chinese Perspective -- Chapter 6. Grief, Extinction and Bilhaa (Abalone) -- Part III. Representing Avian and Insect Extinctions -- Chapter 7. Sparrows with Teeth and Claws? Reconstructing the Cretaceous Enantiornithes (Aves: Ornithothoraces) -- Chapter 8. Rare Birds and Rare Books: The Species as Work of Art -- Chapter 9. Th e Species Revivalist Sublime: Encountering the Kaua‘i ‘Ō‘ō Bird in Jakob Kudsk Steensen’s Re-Animated -- Chapter 10. Insects, Spiders, Snails and Empathy: Representing Invertebrate Extinctions in Natural History Museums -- Part IV. Representing Extinct Plants and Fungi -- Chapter 11. Reconstructing Lycopsids Lost to the Deep Past -- Chapter 12. Ellis Rowan, Extinction and the Politics of Flower Painting -- Chapter 13. Towards Extinction: Mapping the Vulnerable, Th reatened and Critically Endangered Plant in ‘Moments of Friction’ -- Chapter 14. Sweetness, Power, Yeasts and Entomo-terroir -- Part V. Representing Extinct Mammals -- Chapter 15. Animal Extinction, Film and the Death Drive -- Chapter 16. Tasmanian Tiger: Precious Little Remains -- Chapter 17. From the General to the Particular: Piecing Together the Life and Afterlife of A544, Louis XVI’s Quagga -- Part VI. Exhibiting Extinction -- Chapter 18. Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion -- Chapter 19. The Exhibition of Extinct Species: A Critique -- Chapter 20. Exhibiting Extinction: Thylacines in Museum Display -- Afterword. After Extinction -- Notes on Contributors -- Index |
title_new |
Animals, Plants and Afterimages : |
title_sort |
animals, plants and afterimages : the art and science of representing extinction. |
publisher |
Berghahn Books Berghahn Books, Incorporated, |
publishDate |
2022 |
physical |
1 online resource (460 pages) |
contents |
Frontmatter -- Contents -- List of Illustrations, Figures and Tables -- Acknowledgements -- Introduction. Representing Extinction: Art, Science and Afterimages -- Part I. Dialogues about Extinction -- Chapter 1. The Dinosaur as Cultural Symbol and Totem: W. J. T. Mitchell in Conversation -- Chapter 2. Visualizing Extinction: Harriet Ritvo in Conversation -- Chapter 3. ‘Putting Nature Back Together Again’: Stuart Pimm in Conversation -- Part II. Indigenous Peoples and Extinction -- Chapter 4. The Beothuk, the Great Auk and the Newfoundland Wolf: Animal and Human Genocide in Canada’s Easternmost Province -- Chapter 5. Cultural Memory of Recent Extinctions: A Chinese Perspective -- Chapter 6. Grief, Extinction and Bilhaa (Abalone) -- Part III. Representing Avian and Insect Extinctions -- Chapter 7. Sparrows with Teeth and Claws? Reconstructing the Cretaceous Enantiornithes (Aves: Ornithothoraces) -- Chapter 8. Rare Birds and Rare Books: The Species as Work of Art -- Chapter 9. Th e Species Revivalist Sublime: Encountering the Kaua‘i ‘Ō‘ō Bird in Jakob Kudsk Steensen’s Re-Animated -- Chapter 10. Insects, Spiders, Snails and Empathy: Representing Invertebrate Extinctions in Natural History Museums -- Part IV. Representing Extinct Plants and Fungi -- Chapter 11. Reconstructing Lycopsids Lost to the Deep Past -- Chapter 12. Ellis Rowan, Extinction and the Politics of Flower Painting -- Chapter 13. Towards Extinction: Mapping the Vulnerable, Th reatened and Critically Endangered Plant in ‘Moments of Friction’ -- Chapter 14. Sweetness, Power, Yeasts and Entomo-terroir -- Part V. Representing Extinct Mammals -- Chapter 15. Animal Extinction, Film and the Death Drive -- Chapter 16. Tasmanian Tiger: Precious Little Remains -- Chapter 17. From the General to the Particular: Piecing Together the Life and Afterlife of A544, Louis XVI’s Quagga -- Part VI. Exhibiting Extinction -- Chapter 18. Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion -- Chapter 19. The Exhibition of Extinct Species: A Critique -- Chapter 20. Exhibiting Extinction: Thylacines in Museum Display -- Afterword. After Extinction -- Notes on Contributors -- Index |
isbn |
1-80073-426-3 9781800734258 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N7663 |
callnumber-sort |
N 47663 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
704 - Special topics in fine & decorative arts |
dewey-full |
704.9/43 |
dewey-sort |
3704.9 243 |
dewey-raw |
704.9/43 |
dewey-search |
704.9/43 |
work_keys_str_mv |
AT bienvenuevalerie animalsplantsandafterimagestheartandscienceofrepresentingextinction AT charenicholas animalsplantsandafterimagestheartandscienceofrepresentingextinction |
status_str |
n |
ids_txt_mv |
(MiAaPQ)EBC6882402 (Au-PeEL)EBL6882402 (CKB)21069179100041 (DE-B1597)635816 (DE-B1597)9781800734265 (oapen)https://directory.doabooks.org/handle/20.500.12854/95976 (EXLCZ)9921069179100041 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Animals, Plants and Afterimages : The Art and Science of Representing Extinction. |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1764995726627045376 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01427nam a22003373i 4500</leader><controlfield tag="001">993580998504498</controlfield><controlfield tag="005">20220210080216.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">220210s2022 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-80073-426-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781800734265</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC6882402</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL6882402</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)21069179100041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)635816</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9781800734265</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/95976</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)9921069179100041</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">N7663</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N7663</subfield><subfield code="b">.A55 2022</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">NAT046000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">704.9/43</subfield><subfield code="2">23/eng/20220210</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bienvenue, Valérie.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Animals, Plants and Afterimages :</subfield><subfield code="b">The Art and Science of Representing Extinction.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="b">Berghahn Books</subfield><subfield code="c">2022</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY :</subfield><subfield code="b">Berghahn Books, Incorporated,</subfield><subfield code="c">2022.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (460 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations, Figures and Tables -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction. Representing Extinction: Art, Science and Afterimages -- </subfield><subfield code="t">Part I. Dialogues about Extinction -- </subfield><subfield code="t">Chapter 1. The Dinosaur as Cultural Symbol and Totem: W. J. T. Mitchell in Conversation -- </subfield><subfield code="t">Chapter 2. Visualizing Extinction: Harriet Ritvo in Conversation -- </subfield><subfield code="t">Chapter 3. ‘Putting Nature Back Together Again’: Stuart Pimm in Conversation -- </subfield><subfield code="t">Part II. Indigenous Peoples and Extinction -- </subfield><subfield code="t">Chapter 4. The Beothuk, the Great Auk and the Newfoundland Wolf: Animal and Human Genocide in Canada’s Easternmost Province -- </subfield><subfield code="t">Chapter 5. Cultural Memory of Recent Extinctions: A Chinese Perspective -- </subfield><subfield code="t">Chapter 6. Grief, Extinction and Bilhaa (Abalone) -- </subfield><subfield code="t">Part III. Representing Avian and Insect Extinctions -- </subfield><subfield code="t">Chapter 7. Sparrows with Teeth and Claws? Reconstructing the Cretaceous Enantiornithes (Aves: Ornithothoraces) -- </subfield><subfield code="t">Chapter 8. Rare Birds and Rare Books: The Species as Work of Art -- </subfield><subfield code="t">Chapter 9. Th e Species Revivalist Sublime: Encountering the Kaua‘i ‘Ō‘ō Bird in Jakob Kudsk Steensen’s Re-Animated -- </subfield><subfield code="t">Chapter 10. Insects, Spiders, Snails and Empathy: Representing Invertebrate Extinctions in Natural History Museums -- </subfield><subfield code="t">Part IV. Representing Extinct Plants and Fungi -- </subfield><subfield code="t">Chapter 11. Reconstructing Lycopsids Lost to the Deep Past -- </subfield><subfield code="t">Chapter 12. Ellis Rowan, Extinction and the Politics of Flower Painting -- </subfield><subfield code="t">Chapter 13. Towards Extinction: Mapping the Vulnerable, Th reatened and Critically Endangered Plant in ‘Moments of Friction’ -- </subfield><subfield code="t">Chapter 14. Sweetness, Power, Yeasts and Entomo-terroir -- </subfield><subfield code="t">Part V. Representing Extinct Mammals -- </subfield><subfield code="t">Chapter 15. Animal Extinction, Film and the Death Drive -- </subfield><subfield code="t">Chapter 16. Tasmanian Tiger: Precious Little Remains -- </subfield><subfield code="t">Chapter 17. From the General to the Particular: Piecing Together the Life and Afterlife of A544, Louis XVI’s Quagga -- </subfield><subfield code="t">Part VI. Exhibiting Extinction -- </subfield><subfield code="t">Chapter 18. Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion -- </subfield><subfield code="t">Chapter 19. The Exhibition of Extinct Species: A Critique -- </subfield><subfield code="t">Chapter 20. Exhibiting Extinction: Thylacines in Museum Display -- </subfield><subfield code="t">Afterword. After Extinction -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="536" ind1=" " ind2=" "><subfield code="a">Knowledge Unlatched</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and biology.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Extinct animals in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Extinct animals</subfield><subfield code="x">Exhibitions.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Extinct plants in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Extinct plants</subfield><subfield code="x">Exhibitions.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Museum techniques</subfield><subfield code="x">Moral and ethical aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">NATURE / Endangered Species.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Social Science</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Studies</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Science</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Environmental Science</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Nature</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Endangered Species</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chare, Nicholas.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Bienvenue, Valérie</subfield><subfield code="t">Animals, Plants and Afterimages</subfield><subfield code="d">New York, NY : Berghahn Books, Incorporated,c2022</subfield><subfield code="z">9781800734258</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-02-27 04:29:14 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2022-02-10 09:17:20 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343018600004498&Force_direct=true</subfield><subfield code="Z">5343018600004498</subfield><subfield code="8">5343018600004498</subfield></datafield></record></collection> |