Athens at the Margins : pottery and people in the Early Mediterranean World / Nathan T. Arrington
How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flo...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Princeton, NJ : Princeton University Press, [2021] ©2021 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 Online-Ressource (344 Seiten); Illustrationen |
Notes: | Enthält Literaturangaben |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993576577304498 |
---|---|
ctrlnum |
AC16739382 (AT-OBV)AC16739382 (DE-B1597)585059 (DE-B1597)9780691222660 (DE-599)OBVAC16739382 (EXLNZ-43ACC_NETWORK)99147149029303331 |
collection |
bib_alma |
record_format |
marc |
spelling |
Arrington, Nathan T., aut Athens at the Margins pottery and people in the Early Mediterranean World Nathan T. Arrington Princeton, NJ Princeton University Press [2021] ©2021 1 Online-Ressource (344 Seiten) Illustrationen txt c cr Textdatei PDF Enthält Literaturangaben How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean Pottery, Greek Greeceisbd Athens HISTORY / Ancient / General bisacsh Athens. Attica. Daidalos and the Origins of Greek Art. Early Archaic Greece. Greek archaeology. Greek art. Kerameikos. Levant. Orientalizing. Phaleron cemetery. Phaleron style. Proto-attic symposion. Proto-attic symposium. Protoattic pottery. Protoattic symposion. Protoattic symposium. S. P. Morris. The Black and White Style. Un art citoyen. ceramics. https://doi.org/10.1515/9780691222660 Resolving-System Volltext https://www.degruyter.com/isbn/9780691222660 Verlag Volltext https://www.degruyter.com/document/cover/isbn/9780691222660/original Cover |
language |
English |
format |
eBook |
author |
Arrington, Nathan T., |
spellingShingle |
Arrington, Nathan T., Athens at the Margins pottery and people in the Early Mediterranean World |
author_facet |
Arrington, Nathan T., |
author_variant |
n t a nt nta |
author_role |
VerfasserIn |
author_sort |
Arrington, Nathan T., |
title |
Athens at the Margins pottery and people in the Early Mediterranean World |
title_sub |
pottery and people in the Early Mediterranean World |
title_full |
Athens at the Margins pottery and people in the Early Mediterranean World Nathan T. Arrington |
title_fullStr |
Athens at the Margins pottery and people in the Early Mediterranean World Nathan T. Arrington |
title_full_unstemmed |
Athens at the Margins pottery and people in the Early Mediterranean World Nathan T. Arrington |
title_auth |
Athens at the Margins pottery and people in the Early Mediterranean World |
title_new |
Athens at the Margins |
title_sort |
athens at the margins pottery and people in the early mediterranean world |
publisher |
Princeton University Press |
publishDate |
2021 |
physical |
1 Online-Ressource (344 Seiten) Illustrationen |
isbn |
9780691222660 |
geographic_facet |
Greeceisbd Athens |
url |
https://doi.org/10.1515/9780691222660 https://www.degruyter.com/isbn/9780691222660 https://www.degruyter.com/document/cover/isbn/9780691222660/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
730 - Sculpture, ceramics & metalwork |
dewey-ones |
738 - Ceramic arts |
dewey-full |
738.30938/5 |
dewey-sort |
3738.30938 15 |
dewey-raw |
738.30938/5 |
dewey-search |
738.30938/5 |
doi_str_mv |
10.1515/9780691222660 |
work_keys_str_mv |
AT arringtonnathant athensatthemarginspotteryandpeopleintheearlymediterraneanworld |
status_str |
n |
ids_txt_mv |
(AT-OBV)AC16739382 (DE-B1597)585059 (DE-B1597)9780691222660 (DE-599)OBVAC16739382 (EXLNZ-43ACC_NETWORK)99147149029303331 |
carrierType_str_mv |
cr |
is_hierarchy_id |
AC16739382 |
is_hierarchy_title |
Athens at the Margins pottery and people in the Early Mediterranean World |
_version_ |
1796652732793225216 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03708nam a2200673 c 4500</leader><controlfield tag="001">993576577304498</controlfield><controlfield tag="005">20230123094208.0</controlfield><controlfield tag="007">cr#||#||||||||</controlfield><controlfield tag="008">220110s2022 ||| |o| | | eng c</controlfield><controlfield tag="009">AC16739382</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691222660</subfield><subfield code="q">Online</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691222660</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(AT-OBV)AC16739382</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)585059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9780691222660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)OBVAC16739382</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLNZ-43ACC_NETWORK)99147149029303331</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DeGruyter</subfield><subfield code="c">DeGruyter</subfield><subfield code="b">ger</subfield><subfield code="d">AT-OeAW</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XA-DE</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">738.30938/5</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Arrington, Nathan T.,</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Athens at the Margins</subfield><subfield code="b">pottery and people in the Early Mediterranean World</subfield><subfield code="c">Nathan T. Arrington</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (344 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">Textdatei</subfield><subfield code="b">PDF</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Enthält Literaturangaben</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Pottery, Greek</subfield><subfield code="z">Greeceisbd</subfield><subfield code="z">Athens</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Ancient / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Athens.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Attica.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Daidalos and the Origins of Greek Art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Early Archaic Greece.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Greek archaeology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Greek art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Kerameikos.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Levant.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Orientalizing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Phaleron cemetery.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Phaleron style.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Proto-attic symposion.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Proto-attic symposium.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Protoattic pottery.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Protoattic symposion.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Protoattic symposium.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">S. P. Morris.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Black and White Style.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Un art citoyen.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ceramics.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691222660</subfield><subfield code="x">Resolving-System</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780691222660</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780691222660/original</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGD</subfield></datafield><datafield tag="970" ind1="2" ind2=" "><subfield code="a">DeGruyter</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-01-23 09:42:08 Europe/Vienna</subfield><subfield code="d">20</subfield><subfield code="f">rsack@oeaw.ac.at######43ACC_OEAW</subfield><subfield code="c">marc21</subfield><subfield code="a">2023-01-23 09:39:22 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="P">De Gruyter Ebook Österreichische Akademie der Wissenschaften</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5342492890004498&Force_direct=true</subfield><subfield code="Z">5342492890004498</subfield><subfield code="8">5342492890004498</subfield></datafield></record></collection> |