Chinese Film : : Realism and Convention from the Silent Era to the Digital Age.
"In Chinese Film, Jason McGrath traces the varied claims to cinematic realism made by Chinese filmmakers, critics, and scholars. He presents realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real, envisioning it as more than just a cinematic questio...
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Place / Publishing House: | Piraí : : University of Minnesota Press,, 2023. ©2022. |
Year of Publication: | 2022 2023 |
Edition: | 1st ed. |
Language: | English |
Physical Description: | 1 online resource (416 pages) |
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100 | 1 | |a McGrath, Jason. | |
245 | 1 | 0 | |a Chinese Film : |b Realism and Convention from the Silent Era to the Digital Age. |
250 | |a 1st ed. | ||
260 | |b University of Minnesota Press |c 2022 | ||
264 | 1 | |a Piraí : |b University of Minnesota Press, |c 2023. | |
264 | 4 | |c ©2022. | |
300 | |a 1 online resource (416 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
588 | |a Description based on publisher supplied metadata and other sources. | ||
520 | |a "In Chinese Film, Jason McGrath traces the varied claims to cinematic realism made by Chinese filmmakers, critics, and scholars. He presents realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real, envisioning it as more than just a cinematic question and showing how the struggle for realism is central to the Chinese struggle for modernity itself."-- |c Provided by publisher. | ||
546 | |a English | ||
650 | 7 | |a PERFORMING ARTS / Film / History & Criticism. |2 bisacsh | |
650 | 0 | |a Realism in motion pictures. | |
650 | 0 | |a Motion pictures |z China |x History. | |
653 | |a Film history, theory & criticism | ||
776 | 0 | 8 | |i Print version: |a McGrath, Jason |t Chinese Film |d Piraí : University of Minnesota Press,c2023 |z 9781517914035 |
906 | |a BOOK | ||
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