Analytical variations - eight critical essays on applied music theory / / Bengt Edlund.
This book gives a critical account of various methods used in music analysis. In the first chapter, a number of current approaches such as semiotics, musical implications, Schenkerian analysis, and generative theory are demonstrated on Mozart’s K. 331 theme. Five essays deal with important concepts...
Saved in:
Superior document: | Methodology of music research ; 10 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Berlin : : Peter Lang,, [2020] ©2020 |
Year of Publication: | 2020 |
Language: | English |
Series: | Methodology of music research ;
10. |
Physical Description: | 1 online resource (618 pages). |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 02464nam a2200445 i 4500 | ||
---|---|---|---|
001 | 993568671404498 | ||
005 | 20240103222306.0 | ||
006 | m o d | | ||
007 | cr#cnu|||||||| | ||
008 | 200330s2020 gw ob 000 0 eng d | ||
020 | |a 3-631-79798-2 | ||
020 | |a 3-631-79797-4 | ||
024 | 7 | |a 10.3726/b15989 |2 doi | |
035 | |a (CKB)4100000010236872 | ||
035 | |a (MiAaPQ)EBC6038645 | ||
035 | |a (oapen)https://directory.doabooks.org/handle/20.500.12854/94242 | ||
035 | |a (EXLCZ)994100000010236872 | ||
040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
041 | 0 | |a eng | |
050 | 4 | |a MT90 |b .E358 2020 | |
082 | 0 | |a 781 |2 23 | |
100 | 1 | |a Edlund, Bengt, |e author. | |
245 | 1 | 0 | |a Analytical variations - eight critical essays on applied music theory / |c Bengt Edlund. |
260 | |a Bern |b Peter Lang International Academic Publishing Group |c 2020 | ||
264 | 1 | |a Berlin : |b Peter Lang, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (618 pages). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Methodology of music research ; |v 10 | |
588 | |a Description based on print version record. | ||
504 | |a Includes bibliographical references. | ||
520 | |a This book gives a critical account of various methods used in music analysis. In the first chapter, a number of current approaches such as semiotics, musical implications, Schenkerian analysis, and generative theory are demonstrated on Mozart’s K. 331 theme. Five essays deal with important concepts in music analysis: ambiguity, formal proportions, and similarity within and between works. A further chapter provides a discussion of probability, kinship, and influence – decisive criteria when judging musical plagiarism. The last essay, studying a piece by Schubert, sifts the prospects of deciphering a composer’s sexual leanings from his music. | ||
546 | |a English | ||
540 | |a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International |f CC BY-NC-ND 4.0 |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
506 | |a Online Resource |f Unrestricted online access |2 star | ||
650 | 0 | |a Musical analysis. | |
653 | |a Analytical;Analytical methods;Applied;Critical;Edlund;Essays;Golden section;Music;Musical ambiguity;Musical hermeneutics;Musical plagiarism;Musical similarity;Schenkerian analysis;Theory;Variations | ||
776 | |z 3-631-77065-0 | ||
830 | 0 | |a Methodology of music research ; |v 10. | |
906 | |a BOOK | ||
ADM | |b 2024-07-13 05:11:36 Europe/Vienna |f system |c marc21 |a 2020-02-29 22:30:01 Europe/Vienna |g false | ||
AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5341198990004498&Force_direct=true |Z 5341198990004498 |b Available |8 5341198990004498 |