Byzantium in Eastern European visual culture in the late Middle Ages / edited by Maria Alessia Rossi, Alice Isabella Sullivan ; 44th Byzantine Studies Conference
The Allegory of Wisdom in Chrelja's tower seen through Philotheos Kokkinos / Justin L. Willson -- An unexpected image of diplomacy in a Vatican panel / Marija Mihalovic-Shipley -- Rethinking the Veglia altar frontal from the Victoria and Albert Museum and its patron / Danijel Ciković and Iva Ja...
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Superior document: | East Central and Eastern Europe in the Middle Ages, 450-1450 volume 65 |
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VerfasserIn: | |
HerausgeberIn: | |
Place / Publishing House: | Leiden ; Boston : Brill, [2020] |
Year of Publication: | 2020 |
Language: | English |
Series: | East Central and Eastern Europe in the Middle Ages, 450-1450
volume 65 |
Subjects: | |
Physical Description: | XVII, 302 Seiten |
Notes: | Enthält Literaturverzeichnisse |
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245 | 1 | 0 | |a Byzantium in Eastern European visual culture in the late Middle Ages |c edited by Maria Alessia Rossi, Alice Isabella Sullivan ; 44th Byzantine Studies Conference |
264 | 1 | |a Leiden ; Boston |b Brill |c [2020] | |
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490 | 1 | |a East Central and Eastern Europe in the Middle Ages, 450-1450 |v volume 65 | |
520 | 3 | |a The Allegory of Wisdom in Chrelja's tower seen through Philotheos Kokkinos / Justin L. Willson -- An unexpected image of diplomacy in a Vatican panel / Marija Mihalovic-Shipley -- Rethinking the Veglia altar frontal from the Victoria and Albert Museum and its patron / Danijel Ciković and Iva Jazbec Tomaić | |
520 | 3 | |a "Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. Eastern Europe has been treated in scholarship within limited frameworks or excluded altogether from conversations. This volume instead encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic production of individual centers. These ought to be considered individually and as part of a larger network, thus revealing their shared heritage and indebtedness to artistic models adopted from elsewhere, and especially from Byzantium." | |
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