Dynamics of Architecture in Late Baroque Rome : : Cardinal Pietro Ottoboni at the Cancelleria / / Edward Olszewski.

This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Com...

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Place / Publishing House:Warsaw ;, Berlin : : De Gruyter Open Poland, , [2015]
©2015
Year of Publication:2015
Language:English
Physical Description:1 online resource (155 pages) :; illustrations.
Notes:Bibliographic Level Mode of Issuance: Monograph
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100 1 |a Olszewski, Edward,   |e author. 
245 1 0 |a Dynamics of Architecture in Late Baroque Rome :  |b Cardinal Pietro Ottoboni at the Cancelleria /  |c Edward Olszewski. 
264 1 |a Warsaw ;  |a Berlin :   |b De Gruyter Open Poland,   |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (155 pages) :  |b illustrations. 
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504 |a Includes bibliographical references and index. 
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530 |a Also available in print form. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019) 
540 |a This eBook is made available Open Access. Unless otherwise specified individually in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:   |u https://creativecommons.org/licenses/by-nc-nd/3.0   |u https://www.degruyter.com/dg/page/open-access-policy 
520 |a This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Commercial and private theaters in the palace are located from archival data, room measurements, drawings, diary accounts, Correspondence of the French Academy, and palimpsests of architectural details. The size, shape, appearance, capacity, and location of Filippo Juvarra's theater are discussed. Archival documents are cited to reveal why, how, and when it vanished. Detailed analysis is devoted to Juvarra's stage construction with its elaborate sets and moving apparatus. In his official function as Vice-Chancellor of the Church, it is well known that Ottoboni was positioned as a major patron of music, theater, and painting in late Baroque Rome. He was a librettist for oratorios performed by his resident composer, Arcangelo Corelli, and by Alessandro Scarlatti in venues in the palace, and in his basilica of San Lorenzo in Damaso, located in the palace grounds. His resident painters included Francesco Trevisani and Sebastiano Conca. He completed the construction of Bernini's Confessione in the nave of his basilica. As the sponsor of the Arcadian Academy, Ottoboni dictated taste in Roman cultural circles. His involvement in the competition for the façade of St. John Lateran is amplified. A grand overview is provided for the cardinal's commission of devotional machine constructed to rival the Lenten carnivals. As ephemeral constructions, and normally ignored liturgical phenomena, these are explored in detail for the first time. Late Baroque architecture, architectural patronage, Roman palace architecture Edward J. Olszewski, Case Western Reserve University, Cleveland, Ohio, U.S.A. 
505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Abbreviation --   |t 1 Introduction --   |t 2 Architectural Beginnings --   |t 3 Theater Architecture --   |t 4 Other Cancelleria Spaces --   |t 5 Architectural Collaboration --   |t 6 Fugitive Architecture --   |t Appendix --   |t Bibliography --   |t List of Figures --   |t Index 
650 0 |a Architecture, Baroque  |z Italy  |z Rome. 
650 0 |a Architecture, Modern  |y 20th century. 
600 1 0 |a Ottoboni, Pietro,  |d 1667-1740. 
655 4 |b Electronic books. 
653 |a Late Baroque Rome. 
653 |a Patronage. 
653 |a Theater Architecture. 
776 0 8 |i Print version:  |z 9783110452457 
906 |a BOOK 
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