Schnittke Studies / / Gavin Dixon.

Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently div...

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Place / Publishing House:London : : Taylor & Francis,, 2017.
Year of Publication:2017
Language:English
Physical Description:1 online resource (xxvii, 273 pages) :; illustrations
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520 |a Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently diverse and vibrant, and this book demonstrates the range of academic approaches being applied to Schnittke's work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer's Christian faith, and detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer's career. This book has been prepared as a memorial to Professor Alexander Ivashkin, a leading scholar in the field, who died in 2014, and will be of interest not only to those studying Schnittke's music, but also those with an interest in late Soviet-era music in general. 
504 |a Includes bibliographical references and index. 
505 0 |a Contents -- Preface - Gavin Dixon -- PART I - INTERPRETATIVE STUDIES -- Chapter 1 'Crucifixus Etiam Pro Nobis': Representations of the Cross in Alfred Schnittke's Symphony No. 2 'St. Florian' - Ivan Medic -- Chapter 2 Alfred Schnittke and the Znamennyi Raspev - Emilia Ismael-Simental -- Chapter 3 Negative Spirituality and the Inversion of Christianity as Media of Social Criticism in Alfred Schnittke's Opera Life with an Idiot - Amrei Flechsig -- Chapter 4 Polystylism as Dialogue: Interpreting Schnittke through Bakhtin - Gavin Dixon -- PART II - THEORETICAL STUDIES -- Chapter 5 Schnittke's Polystylistic Schemata: Textural Progression in the Concerti grossi - Gordon E. Marsh -- Chapter 6 Symmetrical Constructions in the Fourth Movement of Alfred Schnittke's String Quartet No. 4 - Aaminah Durrani -- PART III - RUSSIAN PERSPECTIVES -- Chapter 7 'Faith through Scepticism': Desacralisation and Resacralisation in Schnittke's First Symphony - Victoria Adamenko -- Chapter 8 On the Late Style of Alfred Schnittke (The Instrumental Works) - Evgeniia Chigareva -- Chapter 9 The Schnittke Code - Alexander Ivashkin -- APPENDIX -- Revised Catalogue of Alfred Schnittke's Sketches in the Juilliard Manuscript Collection - Ivana Medic. 
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