Cinema as a Political Media : : Germany and Italy Compared, 1945-1950s / / Lutz Klinkhammer, Clemens Zimmermann.

Aus einem vergleichenden, transnationalen Ansatz heraus nimmt die internationale Autorengruppe die jeweiligen nationalen Interpretationen der Vergangenheit in Deutschland und Italien, wie sie sich im Medium des Films zwischen 1945 und etwa 1955 darstellen, in den Blick und thematisiert auch die wech...

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Superior document:Online-Schriften des DHI Rom
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TeilnehmendeR:
Place / Publishing House:Heidelberg : : Heidelberg University Publishing (heiUP),, 2021.
Year of Publication:2021
Language:English
Series:Online-Schriften des DHI Rom.
Physical Description:1 online resource (vi, 231 pages) :; illustrations.
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spelling Klinkhammer, Lutz, author.
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann.
Cinema as a Political Media
Heidelberg : Heidelberg University Publishing (heiUP), 2021.
1 online resource (vi, 231 pages) : illustrations.
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Online-Schriften des DHI Rom
Description based on publisher supplied metadata and other sources.
Aus einem vergleichenden, transnationalen Ansatz heraus nimmt die internationale Autorengruppe die jeweiligen nationalen Interpretationen der Vergangenheit in Deutschland und Italien, wie sie sich im Medium des Films zwischen 1945 und etwa 1955 darstellen, in den Blick und thematisiert auch die wechselseitige Wahrnehmung der Filme. In den 12 Beiträgen werden sowohl die filmischen Erzählmuster von wichtigen Einzelwerken analysiert als auch der zeitgenössische Kontext der Debatte über die Schrecken und Traumata der nationalsozialistischen wie faschistischen Vergangenheit in den beiden Ländern einbezogen.
Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles.
Politics in motion pictures.
Motion pictures.
3-96822-017-X
Zimmermann, Clemens, author.
Online-Schriften des DHI Rom.
language English
format eBook
author Klinkhammer, Lutz,
Zimmermann, Clemens,
spellingShingle Klinkhammer, Lutz,
Zimmermann, Clemens,
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s /
Online-Schriften des DHI Rom
Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles.
author_facet Klinkhammer, Lutz,
Zimmermann, Clemens,
Zimmermann, Clemens,
author_variant l k lk
c z cz
author_role VerfasserIn
VerfasserIn
author2 Zimmermann, Clemens,
author2_role TeilnehmendeR
author_sort Klinkhammer, Lutz,
title Cinema as a Political Media : Germany and Italy Compared, 1945-1950s /
title_sub Germany and Italy Compared, 1945-1950s /
title_full Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann.
title_fullStr Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann.
title_full_unstemmed Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann.
title_auth Cinema as a Political Media : Germany and Italy Compared, 1945-1950s /
title_alt Cinema as a Political Media
title_new Cinema as a Political Media :
title_sort cinema as a political media : germany and italy compared, 1945-1950s /
series Online-Schriften des DHI Rom
series2 Online-Schriften des DHI Rom
publisher Heidelberg University Publishing (heiUP),
publishDate 2021
physical 1 online resource (vi, 231 pages) : illustrations.
contents Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles.
isbn 3-96822-017-X
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1994
callnumber-sort PN 41994 K556 42021
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.43
dewey-sort 3791.43
dewey-raw 791.43
dewey-search 791.43
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