Cinema as a Political Media : : Germany and Italy Compared, 1945-1950s / / Lutz Klinkhammer, Clemens Zimmermann.
Aus einem vergleichenden, transnationalen Ansatz heraus nimmt die internationale Autorengruppe die jeweiligen nationalen Interpretationen der Vergangenheit in Deutschland und Italien, wie sie sich im Medium des Films zwischen 1945 und etwa 1955 darstellen, in den Blick und thematisiert auch die wech...
Saved in:
Superior document: | Online-Schriften des DHI Rom |
---|---|
VerfasserIn: | |
TeilnehmendeR: | |
Place / Publishing House: | Heidelberg : : Heidelberg University Publishing (heiUP),, 2021. |
Year of Publication: | 2021 |
Language: | English |
Series: | Online-Schriften des DHI Rom.
|
Physical Description: | 1 online resource (vi, 231 pages) :; illustrations. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993562026304498 |
---|---|
ctrlnum |
(CKB)4920000001372457 (NjHacI)994920000001372457 (EXLCZ)994920000001372457 |
collection |
bib_alma |
record_format |
marc |
spelling |
Klinkhammer, Lutz, author. Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann. Cinema as a Political Media Heidelberg : Heidelberg University Publishing (heiUP), 2021. 1 online resource (vi, 231 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Online-Schriften des DHI Rom Description based on publisher supplied metadata and other sources. Aus einem vergleichenden, transnationalen Ansatz heraus nimmt die internationale Autorengruppe die jeweiligen nationalen Interpretationen der Vergangenheit in Deutschland und Italien, wie sie sich im Medium des Films zwischen 1945 und etwa 1955 darstellen, in den Blick und thematisiert auch die wechselseitige Wahrnehmung der Filme. In den 12 Beiträgen werden sowohl die filmischen Erzählmuster von wichtigen Einzelwerken analysiert als auch der zeitgenössische Kontext der Debatte über die Schrecken und Traumata der nationalsozialistischen wie faschistischen Vergangenheit in den beiden Ländern einbezogen. Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles. Politics in motion pictures. Motion pictures. 3-96822-017-X Zimmermann, Clemens, author. Online-Schriften des DHI Rom. |
language |
English |
format |
eBook |
author |
Klinkhammer, Lutz, Zimmermann, Clemens, |
spellingShingle |
Klinkhammer, Lutz, Zimmermann, Clemens, Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Online-Schriften des DHI Rom Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles. |
author_facet |
Klinkhammer, Lutz, Zimmermann, Clemens, Zimmermann, Clemens, |
author_variant |
l k lk c z cz |
author_role |
VerfasserIn VerfasserIn |
author2 |
Zimmermann, Clemens, |
author2_role |
TeilnehmendeR |
author_sort |
Klinkhammer, Lutz, |
title |
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / |
title_sub |
Germany and Italy Compared, 1945-1950s / |
title_full |
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann. |
title_fullStr |
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann. |
title_full_unstemmed |
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / Lutz Klinkhammer, Clemens Zimmermann. |
title_auth |
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / |
title_alt |
Cinema as a Political Media |
title_new |
Cinema as a Political Media : |
title_sort |
cinema as a political media : germany and italy compared, 1945-1950s / |
series |
Online-Schriften des DHI Rom |
series2 |
Online-Schriften des DHI Rom |
publisher |
Heidelberg University Publishing (heiUP), |
publishDate |
2021 |
physical |
1 online resource (vi, 231 pages) : illustrations. |
contents |
Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles. |
isbn |
3-96822-017-X |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1994 |
callnumber-sort |
PN 41994 K556 42021 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43 |
dewey-sort |
3791.43 |
dewey-raw |
791.43 |
dewey-search |
791.43 |
work_keys_str_mv |
AT klinkhammerlutz cinemaasapoliticalmediagermanyanditalycompared19451950s AT zimmermannclemens cinemaasapoliticalmediagermanyanditalycompared19451950s AT klinkhammerlutz cinemaasapoliticalmedia AT zimmermannclemens cinemaasapoliticalmedia |
status_str |
n |
ids_txt_mv |
(CKB)4920000001372457 (NjHacI)994920000001372457 (EXLCZ)994920000001372457 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Online-Schriften des DHI Rom |
is_hierarchy_title |
Cinema as a Political Media : Germany and Italy Compared, 1945-1950s / |
container_title |
Online-Schriften des DHI Rom |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1764990482674352128 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01804nam a2200337 i 4500</leader><controlfield tag="001">993562026304498</controlfield><controlfield tag="005">20230327095201.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">230327s2021 gw a o 000 0 eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.17885/heiup.651</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)4920000001372457</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(NjHacI)994920000001372457</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)994920000001372457</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NjHacI</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">NjHacl</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1994</subfield><subfield code="b">.K556 2021</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Klinkhammer, Lutz,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cinema as a Political Media :</subfield><subfield code="b">Germany and Italy Compared, 1945-1950s /</subfield><subfield code="c">Lutz Klinkhammer, Clemens Zimmermann.</subfield></datafield><datafield tag="246" ind1=" " ind2=" "><subfield code="a">Cinema as a Political Media </subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Heidelberg :</subfield><subfield code="b">Heidelberg University Publishing (heiUP),</subfield><subfield code="c">2021.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vi, 231 pages) :</subfield><subfield code="b">illustrations.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Online-Schriften des DHI Rom</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Aus einem vergleichenden, transnationalen Ansatz heraus nimmt die internationale Autorengruppe die jeweiligen nationalen Interpretationen der Vergangenheit in Deutschland und Italien, wie sie sich im Medium des Films zwischen 1945 und etwa 1955 darstellen, in den Blick und thematisiert auch die wechselseitige Wahrnehmung der Filme. In den 12 Beiträgen werden sowohl die filmischen Erzählmuster von wichtigen Einzelwerken analysiert als auch der zeitgenössische Kontext der Debatte über die Schrecken und Traumata der nationalsozialistischen wie faschistischen Vergangenheit in den beiden Ländern einbezogen.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Cinema as a Political Medium - Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume -- Film Policies and Cinema Audiences in Germany -- Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940-1950) -- Bodies of Evidence, Burdens of Proof. Reason before the Court of Cinema after the Third Reich -- Building Figurations of Contingent and Substantial Communities. Differences between Italian and German Post-war Cinema Aesthetics -- Politics, Moral and Cinema. Catholic Film Work in Post-war Germany -- European Critical Film Culture. Italian and Western German Film Magazines in an International Context -- Production, Myth and Misprision in Early Holocaust Cinema."L'ebreo errante" (Goffredo Alessandrini, 1948) -- "Italians and not Italians". Fascism and National Identity in Post-war Italian Cinema -- Images of Germans in Post-war Italian Cinema -- Where Do We Go from Here? The Moral and Material Reconstruction of Italian Cinema after World War II (1945-1955) -- Popular and Catholic Cinema in Italy, 1944-1954. What Kind of Lessons about the Past Did the "Morally Sane" and Educating Film Communicate to Italian Audiences? -- Index of Names -- Index of Film Titles.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Politics in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">3-96822-017-X</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zimmermann, Clemens,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Online-Schriften des DHI Rom.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-04-15 13:31:55 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2022-09-22 08:09:39 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337776650004498&Force_direct=true</subfield><subfield code="Z">5337776650004498</subfield><subfield code="8">5337776650004498</subfield></datafield></record></collection> |