Tactical Entanglements : : AI Art, Creative Agency, and the Limits of Intellectual Property / / Martin Zeilinger.
How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging i...
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Place / Publishing House: | Lüneburg : : meson press,, 2021. |
Year of Publication: | 2021 |
Language: | English |
Physical Description: | 1 online resource (186 pages) |
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100 | 1 | |a Zeilinger, Martin, |e author. | |
245 | 1 | 0 | |a Tactical Entanglements : |b AI Art, Creative Agency, and the Limits of Intellectual Property / |c Martin Zeilinger. |
246 | |a Tactical Entanglements | ||
264 | 1 | |a Lüneburg : |b meson press, |c 2021. | |
300 | |a 1 online resource (186 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
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588 | |a Description based on publisher supplied metadata and other sources. | ||
520 | |a How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. |c Provided by publisher. | ||
546 | |a English. | ||
505 | 0 | |a Acknowledgements -- [1]Introduction: From Agency to Property, from Al to IP -- Decentering Human Agency in Al Art -- Al and Creativity in the Intellectual Property Milieu -- Overview -- [2]What Does Al Hack? Scaffolding for a Critical Art of Al -- Redefining Al in and through Artistic Practice 36 Whence and Whither Agency? -- Tactical Al -- [3] (Dis)Locating Creativity, Agency, and Property in Al -- Al Authorship According to Hegel -- Can IP Law Accommodate Artistic Al? -- [4] Copies Without Originals? Al-Generated Artworks and All-Too-Human Ownership Claims -- [5]GAN "Creativity" -- "What matter who's speaking" -- Al Art and the Deniability of Human Creative Agency -- (In)validating Artfulness -- Litigating Al Art -- Copying and Human-Non-Readability -- [6] From Non-Human Agency to Human Non-Agency: Creative Expression in the Age of Algorithmic Copyright Enforcement -- Minimally Agential DRM and the Blackboxing of Copyright Adjudication -- [7] Toward a Becoming-Tactical of Al Art 135 Queering Al -- [8]New Vectors of Non-Brute Force Computation -- Al Art for a Posthumanist Cultural Commons -- GANS as "Generative Adversarial Copy Machines" -- Al Beyond the Public Domain -- Unownability in the Posthumanist Cultural Commons -- References. | |
650 | 0 | |a Artificial Intelligence. | |
650 | 0 | |a Intellectual property. | |
776 | |z 3-95796-184-X | ||
906 | |a BOOK | ||
ADM | |b 2023-04-15 13:50:42 Europe/Vienna |f system |c marc21 |a 2022-09-22 08:09:39 Europe/Vienna |g false | ||
AVE | |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337665210004498&Force_direct=true |Z 5337665210004498 |8 5337665210004498 |