Authoring the self : self-representation, authorship and the print market in British poetry from Pope through Wordsworth / / Scott Hess.
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for con...
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Superior document: | Literary criticism and cultural theory |
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Year of Publication: | 2005 |
Language: | English |
Series: | Literary criticism and cultural theory.
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Physical Description: | 1 online resource (325 p.) |
Notes: | Description based upon print version of record. |
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(CKB)1000000000248016 (EBL)201237 (OCoLC)475914151 (SSID)ssj0000107752 (PQKBManifestationID)11138528 (PQKBTitleCode)TC0000107752 (PQKBWorkID)10036534 (PQKB)11501412 (MiAaPQ)EBC201237 (oapen)https://directory.doabooks.org/handle/20.500.12854/38445 (EXLCZ)991000000000248016 |
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Hess, Scott. Authoring the self [electronic resource] : self-representation, authorship and the print market in British poetry from Pope through Wordsworth / Scott Hess. New York ; London : Routledge, 2005. 1 online resource (325 p.) text txt computer c online resource cr Literary criticism and cultural theory Description based upon print version of record. Book Cover; Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Eighteenth- and Early-Nineteeth- Century British Print Market, the Author, and Romantic Hermeneutics; 2 ""Books and the Man"": Alexander Pope, Print Culture, and Authorial Self-Making; 3 ""Approach and Read"" Gray's Elegy, Print Culture, and Authorial Identity; 4 James Beattie's Minstrel and the Progress of the Poet; 5 William Cowper: The Accidental Poet and the Emerging Self; 6 ""My Office Upon Earth"": William Wordsworth, Professionalism, and Poetic Identity 7 Pedlars, Poets, and the Print Market: Wordsworth's Poetic Self-RepresentationEpilogue: The Romantic Deep Self as Authorial Self; Notes; Bibliography; Index Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self. English Includes bibliographical references and index. English poetry 18th century History and criticism. Self in literature. Romanticism Great Britain. Popular literature Great Britain History and criticism. Literature publishing Great Britain History 18th century. market poetic identity self-representation culture authorial commercial literary property 0-415-76271-5 0-415-97128-4 Literary criticism and cultural theory. |
language |
English |
format |
Electronic eBook |
author |
Hess, Scott. |
spellingShingle |
Hess, Scott. Authoring the self self-representation, authorship and the print market in British poetry from Pope through Wordsworth / Literary criticism and cultural theory Book Cover; Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Eighteenth- and Early-Nineteeth- Century British Print Market, the Author, and Romantic Hermeneutics; 2 ""Books and the Man"": Alexander Pope, Print Culture, and Authorial Self-Making; 3 ""Approach and Read"" Gray's Elegy, Print Culture, and Authorial Identity; 4 James Beattie's Minstrel and the Progress of the Poet; 5 William Cowper: The Accidental Poet and the Emerging Self; 6 ""My Office Upon Earth"": William Wordsworth, Professionalism, and Poetic Identity 7 Pedlars, Poets, and the Print Market: Wordsworth's Poetic Self-RepresentationEpilogue: The Romantic Deep Self as Authorial Self; Notes; Bibliography; Index |
author_facet |
Hess, Scott. |
author_variant |
s h sh |
author_sort |
Hess, Scott. |
title |
Authoring the self self-representation, authorship and the print market in British poetry from Pope through Wordsworth / |
title_sub |
self-representation, authorship and the print market in British poetry from Pope through Wordsworth / |
title_full |
Authoring the self [electronic resource] : self-representation, authorship and the print market in British poetry from Pope through Wordsworth / Scott Hess. |
title_fullStr |
Authoring the self [electronic resource] : self-representation, authorship and the print market in British poetry from Pope through Wordsworth / Scott Hess. |
title_full_unstemmed |
Authoring the self [electronic resource] : self-representation, authorship and the print market in British poetry from Pope through Wordsworth / Scott Hess. |
title_auth |
Authoring the self self-representation, authorship and the print market in British poetry from Pope through Wordsworth / |
title_new |
Authoring the self |
title_sort |
authoring the self self-representation, authorship and the print market in british poetry from pope through wordsworth / |
series |
Literary criticism and cultural theory |
series2 |
Literary criticism and cultural theory |
publisher |
Routledge, |
publishDate |
2005 |
physical |
1 online resource (325 p.) |
contents |
Book Cover; Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Eighteenth- and Early-Nineteeth- Century British Print Market, the Author, and Romantic Hermeneutics; 2 ""Books and the Man"": Alexander Pope, Print Culture, and Authorial Self-Making; 3 ""Approach and Read"" Gray's Elegy, Print Culture, and Authorial Identity; 4 James Beattie's Minstrel and the Progress of the Poet; 5 William Cowper: The Accidental Poet and the Emerging Self; 6 ""My Office Upon Earth"": William Wordsworth, Professionalism, and Poetic Identity 7 Pedlars, Poets, and the Print Market: Wordsworth's Poetic Self-RepresentationEpilogue: The Romantic Deep Self as Authorial Self; Notes; Bibliography; Index |
isbn |
1-135-87515-4 1-282-32018-1 9786612320187 0-203-00500-7 0-415-76271-5 0-415-97128-4 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN56 |
callnumber-sort |
PN 256 S46 H47 42005 |
geographic_facet |
Great Britain. Great Britain |
era_facet |
18th century 18th century. |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
821 - English poetry |
dewey-full |
821.009 821.709384 |
dewey-sort |
3821.009 |
dewey-raw |
821.009 821.709384 |
dewey-search |
821.009 821.709384 |
oclc_num |
475914151 |
work_keys_str_mv |
AT hessscott authoringtheselfselfrepresentationauthorshipandtheprintmarketinbritishpoetryfrompopethroughwordsworth |
status_str |
n |
ids_txt_mv |
(CKB)1000000000248016 (EBL)201237 (OCoLC)475914151 (SSID)ssj0000107752 (PQKBManifestationID)11138528 (PQKBTitleCode)TC0000107752 (PQKBWorkID)10036534 (PQKB)11501412 (MiAaPQ)EBC201237 (oapen)https://directory.doabooks.org/handle/20.500.12854/38445 (EXLCZ)991000000000248016 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Literary criticism and cultural theory |
is_hierarchy_title |
Authoring the self self-representation, authorship and the print market in British poetry from Pope through Wordsworth / |
container_title |
Literary criticism and cultural theory |
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