Campus Medius: Digital Mapping in Cultural and Media Studies / / Simon Ganahl.

Digital cartography offers new opportunities for research in cultural and media studies. Simon Ganahl documents the development of a project from a historical case study to a mapping platform. Based on the question what a media experience is, the concepts of the apparatus (dispositif) and the actor-...

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Place / Publishing House:Bielefeld : : transcript Verlag, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Digital Humanities ; 4
Physical Description:1 online resource (356 p.)
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520 |a Digital cartography offers new opportunities for research in cultural and media studies. Simon Ganahl documents the development of a project from a historical case study to a mapping platform. Based on the question what a media experience is, the concepts of the apparatus (dispositif) and the actor-network are translated into a data model. A time-space of 24 hours in Vienna in May 1933, marked by a so-called »Turks Deliverance Celebration« (Türkenbefreiungsfeier), serves as an empirical laboratory. This Austrofascist rally is mapped from multiple perspectives and weaved into media-historical networks, spanning from the seventeenth century up to the present day. 
546 |a In English. 
505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t I. Overview --   |t 1. Topography: Campus Medius 1.0 --   |t 2. Topology: Campus Medius 2.0 --   |t 3. Data Model and Infrastructure --   |t 4. Mapping Modern Media --   |t II. Topography --   |t 1. Aspern Airfield --   |t 2. Lion of Aspern --   |t 3. Lassalle Hof --   |t 4. Adolf Hitler House --   |t 5. UFA Ton Kino --   |t 6. Burgtheater --   |t 7. Engelmann Arena --   |t 8. Friedensbrücken Kino --   |t 9. Neue Freie Presse --   |t 10. Schönbrunn Palace Gardens --   |t 11. Tonkino Fischer --   |t 12. Karl Marx Hof --   |t 13. Radio Wien --   |t 14. German Embassy --   |t 15. Schwarzenbergplatz --   |t III. Topology --   |t 1. How to Use Reason: Sovereign Signs --   |t 2. How to Capture Life: Examining Gazes --   |t 3. How to Speak Up: Governed Transmissions --   |t IV. Appendix --   |t 1. List of Figures --   |t 2. List of Sources --   |t 3. Project Team 
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