Sirens of Modernity : : World Cinema via Bombay / / Samhita Sunya.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East,...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Berkeley, CA : : University of California Press,, [2022] ©2022 |
Year of Publication: | 2022 |
Edition: | 1st ed. |
Language: | English |
Series: | Cinema Cultures in Contact Series
|
Physical Description: | 1 online resource (270 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- “Akira Kurosawa” A Retrospective Prologue
- Introduction “Romance, Comedy, and Somewhat Jazzy Music”
- Part One. Establishing Shots: World Cinema in Tongues
- 1. Problems of Translation: World Cinema as Distribution History
- 2. Moving toward the “City of Love”: Hindustani Lyrical Genealogies
- Part Two. Star-Crossed Overtures: Cinephilia in Excess
- 3. Homosocialist Coproductions: Pardesi (1957) contra Singapore (1960)
- 4. Comedic Crossovers and Madras Money-Spinners: Padosan’s (1968) Audiovisual Apparatus
- 5. Foreign Exchanges: Transregional Trafficking through Subah-O-Sham (1972)
- Acknowledgments
- Notes
- Bibliography
- Index