Works for Works, Book 1 : Useless Beauty

Works for Works, Book 1: Useless Beauty tackles “legacy” issues of intellectual property rights (IPR) in artistic production and academic scholarship and proposes a category or class of works that has no relation to IPR nor to proprietary regimes of copyright and academic privilege. Keeney’s book is...

Full description

Saved in:
Bibliographic Details
:
Year of Publication:2022
Language:English
Physical Description:1 electronic resource (274 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02336nam-a2200325z--4500
001 993552346104498
005 20231214133147.0
006 m o d
007 cr|mn|---annan
008 202208s2022 xx |||||o ||| 0|eng d
020 |a 1-68571-033-6 
035 |a (CKB)5680000000066540 
035 |a (oapen)https://directory.doabooks.org/handle/20.500.12854/90473 
035 |a (EXLCZ)995680000000066540 
041 0 |a eng 
100 1 |a Keeney, Gavin  |4 auth 
245 1 0 |a Works for Works, Book 1  |b Useless Beauty 
246 |a Works for Works, Book 1  
260 |b punctum books  |c 2022 
300 |a 1 electronic resource (274 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
520 |a Works for Works, Book 1: Useless Beauty tackles “legacy” issues of intellectual property rights (IPR) in artistic production and academic scholarship and proposes a category or class of works that has no relation to IPR nor to proprietary regimes of copyright and academic privilege. Keeney’s book is a structuralist argument for establishing new forms of artistic scholarship that operate in direct opposition to established norms in both the art world and neoliberal academia, and is also rigorously contextualized within past and present-day arguments for and against patrimonial and paternalistic, avant-garde and normative, forms of censure and conformity across cultural production. Works for Works, Book 1: Useless Beauty privileges an iterative, generative, and aleatory methodology for artistic scholarship, with transmedia proposed as a “tutelary form” of editioning works against the dictates of the art-academic complex. This focus on generativity also invokes the dialectical operations historically associated with past avant-gardes as they have negotiated an elective nihilism as an avenue for exiting established and authorized forms of conceptual and intellectual inquiry in the Arts and Humanities. 
546 |a English 
650 7 |a Art: financial aspects  |2 bicssc 
650 7 |a Political economy  |2 bicssc 
650 7 |a Intellectual property law  |2 bicssc 
653 |a academic freedom;copyright;intellectual property;legal studies;moral rights;political economy;preposterous presentism 
776 |z 1-68571-032-8 
906 |a BOOK 
ADM |b 2023-12-15 05:44:46 Europe/Vienna  |f system  |c marc21  |a 2022-08-07 00:20:11 Europe/Vienna  |g false 
AVE |i DOAB Directory of Open Access Books  |P DOAB Directory of Open Access Books  |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5339343640004498&Force_direct=true  |Z 5339343640004498  |b Available  |8 5339343640004498