Indiscretions : : avant-garde film, video & feminism / / Patricia Mellencamp.
Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and...
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| Place / Publishing House: | Bloomington : : Indiana University Press,, [1990] ©1990 |
| Year of Publication: | 1990 |
| Language: | English |
| Physical Description: | 1 online resource (xix, 234 pages) |
| Notes: | Includes index. |
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| 100 | 1 | |a Mellencamp, Patricia, |e author. | |
| 245 | 1 | 0 | |a Indiscretions : |b avant-garde film, video & feminism / |c Patricia Mellencamp. |
| 246 | |a Indiscretions | ||
| 260 | |b Indiana University Press |c 1990 | ||
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [1990] | |
| 264 | 4 | |c ©1990 | |
| 300 | |a 1 online resource (xix, 234 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | |a Description based on: online resource; title from PDF information screen (Project muse, viewed December 22, 2022). | ||
| 500 | |a Includes index. | ||
| 520 | |a Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit. | ||
| 546 | |a English | ||
| 650 | 0 | |a Experimental films. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 653 | |a Film history, theory & criticism | ||
| 906 | |a BOOK | ||
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