The Study of Folk Music in the Modern World
Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective. His study espouses a more expansive view of folk music, a view stressing the vitality of folk music in non-Western cultures as well as Western, in the present as well as the past. A wide range of examples—e...
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| Year of Publication: | 1988 |
| Language: | English |
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| 100 | 1 | |a Bohlman, Philip V. |4 auth | |
| 245 | 1 | 0 | |a The Study of Folk Music in the Modern World |
| 260 | |b Indiana University Press |c 1988 | ||
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| 520 | |a Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective. His study espouses a more expansive view of folk music, a view stressing the vitality of folk music in non-Western cultures as well as Western, in the present as well as the past. A wide range of examples—especially from the Middle East and American ethnic communities—illustrates the sheer richness of folk music in the twentieth century. A reconsideration of the folk musician as an agent of creativity underscores the book's assertion that folk music is not a disappearing genre, but rather an expressive behavior intrinsically part of the modern world. | ||
| 546 | |a English | ||
| 650 | 7 | |a Folklore, myths & legends |2 bicssc | |
| 653 | |a Folklore, myths & legends | ||
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