Poets, Patrons, and Printers : Crisis of Authority in Late Medieval France / / Cynthia J. Brown.

• Author: Brown, Cynthia Jane.
• Place / Publishing House: Ithaca, NY : : Cornell University Press,, 1995.; ©1995.
• Year of Publication: 2019; 1995
• Language: English
• Physical Description: 1 online resource (xii, 292 p. :); ill.
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Introduction --; Chapter 1. Late Medieval Writers as Owners and Protectors of Their Texts --; Chapter 2. Para textual Interaction between Poets and Book Producers --; Chapter 3. The Changing Image of the Poet --; Chapter 4. Changing Authorial Signatures in Late Medieval Books --; Chapter 5. Authorial and Narrative Voices in Late Medieval Vernacular Texts --; Afterword --; Appendix 1. Documentation of Andre de Ia Vigne's 1504 Lawsuit and Bibliographical Data --; Appendix 2. Bibliographical Data for Jean Lemaire de Belges --; Appendix 3. Bibliographical Data for Jean Bouchet --; Appendix 4. Bibliographical Data for Jean Molinet --; Appendix 5. Bibliographical Data for Pierre Gringore --; Bibliography --; Index
• Bibliography: Includes bibliographical references (p. [269]-283) and index.
• ISBN: 1501742531
• Hierarchical level: Monograph
• Statement of Responsibility: Cynthia J. Brown.

Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.