Modernism in Russian Piano Music : Skriabin, Prokofiev, and Their Russian Contemporaries / / Peter Deane Roberts.

The purpose of this study is to review some of the techniques developed by Russian composers in the early part of the twentieth century, down to the active assertion of state control of the arts in the Soviet Union, which began in 1929. The study centers principally on music for the piano, with an e...

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Place / Publishing House:Bloomington, Ind. : : Indiana University Press,, 1993.
Year of Publication:1993
Language:English
Series:Russian music studies (Bloomington, Ind.)
Physical Description:1 online resource (2 v.)
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490 0 |a Russian music studies 
588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
520 |a The purpose of this study is to review some of the techniques developed by Russian composers in the early part of the twentieth century, down to the active assertion of state control of the arts in the Soviet Union, which began in 1929. The study centers principally on music for the piano, with an emphasis on harmony and both tonal and nontonal structures. 
546 |a English 
650 0 |a Modernism (Music)  |z Russia (Federation) 
650 0 |a Piano music  |z Russia (Federation)  |y 20th century  |x History and criticism. 
600 1 1 |a Prokofiev, Sergey,  |d 1891-1953. 
600 1 1 |a Scriabin, Aleksandr Nikolayevich,  |d 1872-1915. 
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653 |a History of specific lands 
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830 0 |a Russian music studies (Bloomington, Ind.) 
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