Meter in Music, 1600-1800 : Performance, Perception, and Notation / / George Houle.

While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace,...

Full description

Saved in:
Bibliographic Details
:
Place / Publishing House:Bloomington : : Indiana University Press,, 1987.
©1987.
Year of Publication:1987
Language:English
Series:Music--scholarship and performance
Physical Description:1 online resource (1 online resource ix, 174 pages) :; illustrations).
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993549320404498
ctrlnum (CKB)5600000000001684
(OCoLC)1259586846
(MdBmJHUP)muse92578
(oapen)https://directory.doabooks.org/handle/20.500.12854/88369
(EXLCZ)995600000000001684
collection bib_alma
record_format marc
spelling Houle, George.
Meter in Music, 1600-1800 Performance, Perception, and Notation / George Houle.
Indiana University Press 1987
Bloomington : Indiana University Press, 1987.
©1987.
1 online resource (1 online resource ix, 174 pages) : illustrations).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Music--scholarship and performance
Description based on print version record.
While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes iňgales, fingerings, bowings, and woodwind tonguings.
The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition.
English
Takt. swd
Metriek. gtt
Uitvoeringspraktijk. gtt
Takt. gnd
Performance practice (Music) fast (OCoLC)fst01057874
Musical notation. fast (OCoLC)fst01030779
Musical meter and rhythm. fast (OCoLC)fst01030774
Musique 18e siecle Interpretation.
Musique 17e siecle Interpretation.
Musique Notation.
Musique Mesure et rythme.
Performance practice (Music) 18th century.
Performance practice (Music) 17th century.
Musical notation.
Performance practice (Music) History 18th century.
Performance practice (Music) History 17th century.
Musical meter and rhythm.
History. (OCoLC)fst01411628
Electronic books.
Art music, orchestral & formal music
language English
format eBook
author Houle, George.
spellingShingle Houle, George.
Meter in Music, 1600-1800 Performance, Perception, and Notation /
Music--scholarship and performance
The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition.
author_facet Houle, George.
author_variant g h gh
author_sort Houle, George.
title Meter in Music, 1600-1800 Performance, Perception, and Notation /
title_sub Performance, Perception, and Notation /
title_full Meter in Music, 1600-1800 Performance, Perception, and Notation / George Houle.
title_fullStr Meter in Music, 1600-1800 Performance, Perception, and Notation / George Houle.
title_full_unstemmed Meter in Music, 1600-1800 Performance, Perception, and Notation / George Houle.
title_auth Meter in Music, 1600-1800 Performance, Perception, and Notation /
title_new Meter in Music, 1600-1800
title_sort meter in music, 1600-1800 performance, perception, and notation /
series Music--scholarship and performance
series2 Music--scholarship and performance
publisher Indiana University Press
Indiana University Press,
publishDate 1987
physical 1 online resource (1 online resource ix, 174 pages) : illustrations).
contents The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition.
isbn 0-253-05551-2
genre History. (OCoLC)fst01411628
Electronic books.
genre_facet History.
Electronic books.
era_facet 18e siecle
17e siecle
18th century.
17th century.
illustrated Not Illustrated
oclc_num 1259586846
work_keys_str_mv AT houlegeorge meterinmusic16001800performanceperceptionandnotation
status_str c
ids_txt_mv (CKB)5600000000001684
(OCoLC)1259586846
(MdBmJHUP)muse92578
(oapen)https://directory.doabooks.org/handle/20.500.12854/88369
(EXLCZ)995600000000001684
carrierType_str_mv cr
is_hierarchy_title Meter in Music, 1600-1800 Performance, Perception, and Notation /
_version_ 1796652167981957121
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03121cam a22006134a 4500</leader><controlfield tag="001">993549320404498</controlfield><controlfield tag="005">20230621135337.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr||||||||nn|n</controlfield><controlfield tag="008">861028s1987 inu o 00 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0-253-05551-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)5600000000001684</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1259586846</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MdBmJHUP)muse92578</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/88369</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)995600000000001684</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MdBmJHUP</subfield><subfield code="c">MdBmJHUP</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Houle, George.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Meter in Music, 1600-1800</subfield><subfield code="b">Performance, Perception, and Notation /</subfield><subfield code="c">George Houle.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="b">Indiana University Press</subfield><subfield code="c">1987</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington :</subfield><subfield code="b">Indiana University Press,</subfield><subfield code="c">1987.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1987.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (1 online resource ix, 174 pages) : </subfield><subfield code="b">illustrations).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music--scholarship and performance</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes iňgales, fingerings, bowings, and woodwind tonguings.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">The origins of the measure in the seventeenth century -- Time signatures in the eighteenth century -- Rhythmopoeia: quantitative meters in poetry and music -- Quantitas Intrinseca: the perception of meter -- Articulation of quantitative meter -- Accent as measure articulation and as measure definition.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="650" ind1="0" ind2="0"><subfield code="a">Takt.</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1="1" ind2="0"><subfield code="a">Metriek.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="0"><subfield code="a">Uitvoeringspraktijk.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Takt.</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance practice (Music)</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst01057874</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musical notation.</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst01030779</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musical meter and rhythm.</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst01030774</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musique</subfield><subfield code="y">18e siecle</subfield><subfield code="x">Interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musique</subfield><subfield code="y">17e siecle</subfield><subfield code="x">Interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musique</subfield><subfield code="x">Notation.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musique</subfield><subfield code="x">Mesure et rythme.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musique</subfield><subfield code="x">18e siecle</subfield><subfield code="x">Interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musique</subfield><subfield code="x">17e siecle</subfield><subfield code="x">Interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance practice (Music)</subfield><subfield code="y">18th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance practice (Music)</subfield><subfield code="y">17th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musical notation.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance practice (Music)</subfield><subfield code="x">History</subfield><subfield code="y">18th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance practice (Music)</subfield><subfield code="x">History</subfield><subfield code="y">17th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musical meter and rhythm.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">History.</subfield><subfield code="0">(OCoLC)fst01411628</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books. </subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Art music, orchestral &amp; formal music</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-08-29 04:43:59 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2021-07-31 22:11:52 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5338985890004498&amp;Force_direct=true</subfield><subfield code="Z">5338985890004498</subfield><subfield code="b">Available</subfield><subfield code="8">5338985890004498</subfield></datafield></record></collection>