Storytelling and ethics : : literature, visual arts, and the power of narrative / / edited by Hanna Meretoja and Colin Davis.

"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actio...

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Superior document:Routledge Interdisciplinary Perspectives on Literature ; 80
VerfasserIn:
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Place / Publishing House:New York ;, London : : Routledge,, 2017.
Year of Publication:2017
Edition:First edition.
Language:English
Series:Routledge interdisciplinary perspectives on literature ; 80.
Physical Description:1 online resource (325 pages) :; illustrations.
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ctrlnum (CKB)4340000000203706
(MiAaPQ)EBC5049727
(OCoLC)994599894
(EXLCZ)994340000000203706
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spelling Storytelling and ethics : literature, visual arts, and the power of narrative / edited by Hanna Meretoja and Colin Davis.
Literature, visual arts, and the power of narrative
First edition.
New York ; London : Routledge, 2017.
1 online resource (325 pages) : illustrations.
text rdacontent
computer rdamedia
online resource rdacarrier
Routledge Interdisciplinary Perspectives on Literature ; 80
Includes bibliographical references at the end of each chapters and index.
Description based on print version record.
chapter 1 Introduction: Intersections of Storytelling and Ethics HAN NA M ER ETOJA AND COL I N DAV IS -- part PART I The Ethical Potential and Limits of Narrative -- chapter 2 Truth, Ethics, Fiction: Responding to Plato’s Challenge COL I N DAV IS -- chapter 3 Is There an Ethics to Story-Telling? -- chapter 4 Forms of Ordering: Trauma, Narrative and Ethics / ROBERT E AGL E STON E -- chapter 5 The Decline of Narrative and the Rise of the Archive ER NST VA NAL PH E N -- chapter 6 The Story of the “Anthropos”: Writing Humans and Other Primates DA N I ELL E SA N DS -- chapter 7 From Appropriation to Dialogic Exploration: A Non-subsumptive Model of Storytelling HAN NA M ER ETOJA -- part PART II Narrative Temporalities: Imagining an Other Life -- chapter 8 Alexander Kluge’s “Saturday in Utopia”: Making Time for Other Lives with German Critical Theory and Heliotropic Narration L E SL IEA. A DEL SON -- chapter 9 Melancholy and the Narration of Transnational Trauma in W. G. Sebald and Teju Cole K A ISA KAAKINEN -- chapter 10 Memory as Imagination in Elina Hirvonen’s When I Forgot RIIT TA JYTILÄ -- chapter 11 Popular Representation of East Germany: Whose History Is It? MOLLY A N DR EWS -- chapter 12 Realities in the Making: The Ethics of Fabulation in Observational Documentary Cinema / I LONA HONGISTO -- part PART III Narrative Engagements with Violence and Trauma -- chapter 13 The Empathetic Listener and the Ethics of Storytelling ALEI DA A SSM ANN -- chapter 14 Transformative Tales: Theater Storytelling, Ethics and Restitution A N NA REA DI NG -- chapter 15 Towards an Intercultural Aesthetics: Shaping the Memory of Political Violence and Historical Trauma in Eija-Liisa Ahtila’s Artwork Where is Where? MIAHANNULA -- chapter 16 Reading Terror: Imagining Violent Acts through the Rational or Narrative Sublime -- chapter 17 War and Storytelling After 9/11: A Photojournalist’s Perspective -- part PART IV: Concluding Reeflctions -- chapter 18 Narrative in Dark Times.
"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always, inevitably, lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history (traumatic histories of violence, cultural history). The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. While discussing the ethical aspects of storytelling, it also reflects on the relevance of artistic storytelling practices for our understanding of ethics. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling. "--Provided by publisher.
Storytelling.
Narration (Rhetoric) Moral and ethical aspects.
1-138-24406-6
Davis, Colin, 1960- editor., author.
Meretoja, Hanna, 1977- editor., author.
Routledge interdisciplinary perspectives on literature ; 80.
language English
format eBook
author Davis, Colin, 1960-
Meretoja, Hanna, 1977-
spellingShingle Davis, Colin, 1960-
Meretoja, Hanna, 1977-
Storytelling and ethics : literature, visual arts, and the power of narrative /
Routledge Interdisciplinary Perspectives on Literature ;
chapter 1 Introduction: Intersections of Storytelling and Ethics HAN NA M ER ETOJA AND COL I N DAV IS --
part PART I The Ethical Potential and Limits of Narrative --
chapter 2 Truth, Ethics, Fiction: Responding to Plato’s Challenge COL I N DAV IS --
chapter 3 Is There an Ethics to Story-Telling? --
chapter 4 Forms of Ordering: Trauma, Narrative and Ethics /
chapter 5 The Decline of Narrative and the Rise of the Archive ER NST VA NAL PH E N --
chapter 6 The Story of the “Anthropos”: Writing Humans and Other Primates DA N I ELL E SA N DS --
chapter 7 From Appropriation to Dialogic Exploration: A Non-subsumptive Model of Storytelling HAN NA M ER ETOJA --
part PART II Narrative Temporalities: Imagining an Other Life --
chapter 8 Alexander Kluge’s “Saturday in Utopia”: Making Time for Other Lives with German Critical Theory and Heliotropic Narration L E SL IEA. A DEL SON --
chapter 9 Melancholy and the Narration of Transnational Trauma in W. G. Sebald and Teju Cole K A ISA KAAKINEN --
chapter 10 Memory as Imagination in Elina Hirvonen’s When I Forgot RIIT TA JYTILÄ --
chapter 11 Popular Representation of East Germany: Whose History Is It? MOLLY A N DR EWS --
chapter 12 Realities in the Making: The Ethics of Fabulation in Observational Documentary Cinema /
part PART III Narrative Engagements with Violence and Trauma --
chapter 13 The Empathetic Listener and the Ethics of Storytelling ALEI DA A SSM ANN --
chapter 14 Transformative Tales: Theater Storytelling, Ethics and Restitution A N NA REA DI NG --
chapter 15 Towards an Intercultural Aesthetics: Shaping the Memory of Political Violence and Historical Trauma in Eija-Liisa Ahtila’s Artwork Where is Where? MIAHANNULA --
chapter 16 Reading Terror: Imagining Violent Acts through the Rational or Narrative Sublime --
chapter 17 War and Storytelling After 9/11: A Photojournalist’s Perspective --
part PART IV: Concluding Reeflctions --
chapter 18 Narrative in Dark Times.
author_facet Davis, Colin, 1960-
Meretoja, Hanna, 1977-
Davis, Colin, 1960-
Meretoja, Hanna, 1977-
author_variant c d cd
h m hm
author_role VerfasserIn
VerfasserIn
author2 Davis, Colin, 1960-
Meretoja, Hanna, 1977-
author2_variant c d cd
h m hm
author2_role TeilnehmendeR
TeilnehmendeR
author_sort Davis, Colin, 1960-
author_additional ROBERT E AGL E STON E --
I LONA HONGISTO --
title Storytelling and ethics : literature, visual arts, and the power of narrative /
title_sub literature, visual arts, and the power of narrative /
title_full Storytelling and ethics : literature, visual arts, and the power of narrative / edited by Hanna Meretoja and Colin Davis.
title_fullStr Storytelling and ethics : literature, visual arts, and the power of narrative / edited by Hanna Meretoja and Colin Davis.
title_full_unstemmed Storytelling and ethics : literature, visual arts, and the power of narrative / edited by Hanna Meretoja and Colin Davis.
title_auth Storytelling and ethics : literature, visual arts, and the power of narrative /
title_alt Literature, visual arts, and the power of narrative
chapter 1 Introduction: Intersections of Storytelling and Ethics HAN NA M ER ETOJA AND COL I N DAV IS --
part PART I The Ethical Potential and Limits of Narrative --
chapter 2 Truth, Ethics, Fiction: Responding to Plato’s Challenge COL I N DAV IS --
chapter 3 Is There an Ethics to Story-Telling? --
chapter 4 Forms of Ordering: Trauma, Narrative and Ethics /
chapter 5 The Decline of Narrative and the Rise of the Archive ER NST VA NAL PH E N --
chapter 6 The Story of the “Anthropos”: Writing Humans and Other Primates DA N I ELL E SA N DS --
chapter 7 From Appropriation to Dialogic Exploration: A Non-subsumptive Model of Storytelling HAN NA M ER ETOJA --
part PART II Narrative Temporalities: Imagining an Other Life --
chapter 8 Alexander Kluge’s “Saturday in Utopia”: Making Time for Other Lives with German Critical Theory and Heliotropic Narration L E SL IEA. A DEL SON --
chapter 9 Melancholy and the Narration of Transnational Trauma in W. G. Sebald and Teju Cole K A ISA KAAKINEN --
chapter 10 Memory as Imagination in Elina Hirvonen’s When I Forgot RIIT TA JYTILÄ --
chapter 11 Popular Representation of East Germany: Whose History Is It? MOLLY A N DR EWS --
chapter 12 Realities in the Making: The Ethics of Fabulation in Observational Documentary Cinema /
part PART III Narrative Engagements with Violence and Trauma --
chapter 13 The Empathetic Listener and the Ethics of Storytelling ALEI DA A SSM ANN --
chapter 14 Transformative Tales: Theater Storytelling, Ethics and Restitution A N NA REA DI NG --
chapter 15 Towards an Intercultural Aesthetics: Shaping the Memory of Political Violence and Historical Trauma in Eija-Liisa Ahtila’s Artwork Where is Where? MIAHANNULA --
chapter 16 Reading Terror: Imagining Violent Acts through the Rational or Narrative Sublime --
chapter 17 War and Storytelling After 9/11: A Photojournalist’s Perspective --
part PART IV: Concluding Reeflctions --
chapter 18 Narrative in Dark Times.
title_new Storytelling and ethics :
title_sort storytelling and ethics : literature, visual arts, and the power of narrative /
series Routledge Interdisciplinary Perspectives on Literature ;
series2 Routledge Interdisciplinary Perspectives on Literature ;
publisher Routledge,
publishDate 2017
physical 1 online resource (325 pages) : illustrations.
edition First edition.
contents chapter 1 Introduction: Intersections of Storytelling and Ethics HAN NA M ER ETOJA AND COL I N DAV IS --
part PART I The Ethical Potential and Limits of Narrative --
chapter 2 Truth, Ethics, Fiction: Responding to Plato’s Challenge COL I N DAV IS --
chapter 3 Is There an Ethics to Story-Telling? --
chapter 4 Forms of Ordering: Trauma, Narrative and Ethics /
chapter 5 The Decline of Narrative and the Rise of the Archive ER NST VA NAL PH E N --
chapter 6 The Story of the “Anthropos”: Writing Humans and Other Primates DA N I ELL E SA N DS --
chapter 7 From Appropriation to Dialogic Exploration: A Non-subsumptive Model of Storytelling HAN NA M ER ETOJA --
part PART II Narrative Temporalities: Imagining an Other Life --
chapter 8 Alexander Kluge’s “Saturday in Utopia”: Making Time for Other Lives with German Critical Theory and Heliotropic Narration L E SL IEA. A DEL SON --
chapter 9 Melancholy and the Narration of Transnational Trauma in W. G. Sebald and Teju Cole K A ISA KAAKINEN --
chapter 10 Memory as Imagination in Elina Hirvonen’s When I Forgot RIIT TA JYTILÄ --
chapter 11 Popular Representation of East Germany: Whose History Is It? MOLLY A N DR EWS --
chapter 12 Realities in the Making: The Ethics of Fabulation in Observational Documentary Cinema /
part PART III Narrative Engagements with Violence and Trauma --
chapter 13 The Empathetic Listener and the Ethics of Storytelling ALEI DA A SSM ANN --
chapter 14 Transformative Tales: Theater Storytelling, Ethics and Restitution A N NA REA DI NG --
chapter 15 Towards an Intercultural Aesthetics: Shaping the Memory of Political Violence and Historical Trauma in Eija-Liisa Ahtila’s Artwork Where is Where? MIAHANNULA --
chapter 16 Reading Terror: Imagining Violent Acts through the Rational or Narrative Sublime --
chapter 17 War and Storytelling After 9/11: A Photojournalist’s Perspective --
part PART IV: Concluding Reeflctions --
chapter 18 Narrative in Dark Times.
isbn 1-351-96577-8
1-315-26501-X
1-351-96578-6
1-138-24406-6
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN56
callnumber-sort PN 256 S7357 S763 42017
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 800 - Literature, rhetoric & criticism
dewey-ones 808 - Rhetoric & collections of literature
dewey-full 808/.036
dewey-sort 3808 236
dewey-raw 808/.036
dewey-search 808/.036
oclc_num 994599894
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