Keep It Moving? : Conserving Kinetic Art / / Rachel Rivenc and Reinhard Bek, editors.

Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light,...

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Language:English
Physical Description:1 online resource (xi, 175 pages) :; color illustrations ;
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245 0 0 |a Keep It Moving?  |b Conserving Kinetic Art /  |c Rachel Rivenc and Reinhard Bek, editors. 
260 |b Getty Publications 
300 |a 1 online resource (xi, 175 pages) :   |b color illustrations ; 
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504 |a Includes bibliographical references. 
520 |a Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. 
546 |a English 
540 |a Creative Commons Attribution 4.0 International.  |f CC BY 4.0  |u https://creativecommons.org/licenses/by/4.0/legalcode 
650 0 |a Kinetic art  |x Conservation and restoration  |v Congresses. 
655 4 |a Electronic books.  
653 |a Visual arts 
776 |z 1-60606-537-8 
700 1 |a Bek, Reinhard,  |e editor. 
700 1 |a Rivenc, Rachel,  |e editor. 
710 2 |a Palazzo reale di Milano,  |e host institution. 
710 2 |a Museo del Novecento (Milan, Italy),  |e organizer. 
710 2 |a ICOM Committee for Conservation.  |b Working Group Modern Materials and Contemporary Art,  |e organizer. 
710 2 |a Getty Conservation Institute,  |e issuing body,  |e organizer. 
906 |a BOOK 
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