Material Cultures of Psychiatry / Monika Ankele, Benoît Majerus

In the past, our ideas of psychiatric hospitals and their history have been shaped by objects like straitjackets, cribs, and binding belts. These powerful objects were often used as a synonym for psychiatry and the way psychiatric patients were treated, yet very little is known about the agency of t...

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Year of Publication:2020
Edition:1st ed.
Language:English
Series:Histoire
Physical Description:1 online resource (416 p.)
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spelling Ankele, Monika edt
Material Cultures of Psychiatry Monika Ankele, Benoît Majerus
1st ed.
Bielefeld transcript Verlag 2020
1 online resource (416 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Histoire 155
This eBook is made available Open Access under a CC BY-NC 4.0 license: https://creativecommons.org/licenses/by-nc/4.0 http://www.transcript-verlag.de/open-access-bei-transcript
In English.
Frontmatter -- CONTENT -- Aktion #1246a -- Material Cultures of Psychiatry -- Pat. No. 25682 -- I. Scenography and Space -- Oil on Canvas: An Isolation Cell Constructed by the k.k. Hofoperntheater for the Asylum -- Silent “Night of Madness”? Light, Voice, Sounds, and Space in the Illenau Asylum in Baden between 1842 and 1910 -- “Le cabanon du fou”: Uses of the Shed As a Confinement Device for the Insane in French Rural Households in the 19th Century -- “Amongst the Most Important of the Agencies”: Materializing “Nature” at the American Lunatic Asylum -- Have a Seat!: Approaching the Object of the Chair at the Site of Psychiatry -- II. Transforming Practices -- Have a Seat -- The Fabric of Seclusion: Textiles As Media of (Spatial) Interaction in Isolation Cells of Mental Hospitals -- Theories of the “Savage”: The Material Varek (Seagrass) As a Bearer of Meaning in Psychiatry around 1900 -- Untitled -- The Uses and Misuses of Television in Long-Stay Psychiatric and “Mental Handicap” Wards, 1950s–1980s -- Buttons and Stimuli: The Material Basis of Electroconvulsive Therapy As a Place of Historical Change -- III. Agents of Healing -- Materiality -- “The Magical Device”: Temple Grandin’s Hug Machine -- The Piano in the Asylum and the Insanity of the Composer: Two Variations on a Theme (with Interlude) -- The Effectiveness of Symbols: Psychogeographic Explorations of the Body -- IV. Bodies, Senses, and the Self -- Loss of Identity -- Lives in Storage: Clothes and Other Personal Effects As a Way of Recovering Patients’ Histories in a Psychiatric Hospital -- A Corridor That Moves: Corporeal Encounters with Materiality in a Mental Hospital -- Psychographics and the Materials of Time Measurement in Modern French Psychiatry -- V. Teaching Projects -- Artistic Research on Things in/of Psychiatry: An Interdisciplinary Teaching Project -- Cover, Rip Up, Unwrap: Scenes with Material from the Mental Asylum. A Documentary Theater Based on Medical Records -- Notes on Contributors
In the past, our ideas of psychiatric hospitals and their history have been shaped by objects like straitjackets, cribs, and binding belts. These powerful objects were often used as a synonym for psychiatry and the way psychiatric patients were treated, yet very little is known about the agency of these objects and their appropriation by staff and patients. By focusing on material cultures, this book offers a new perspective on the history of psychiatry: it enables a narrative in which practicing psychiatry is part of a complex entanglement in which power is constantly negotiated. Scholars from different academic disciplines show how this material-based approach opens up new perspectives on the agency and imagination of men and women inside psychiatry.
O-Ton: »Krankenbetten und Dauerbäder« - Zeitsprung-Extra mit Monika Ankele über Psychiatriegeschichte am 13.10.2020. Besprochen in: https://histoiresante.blogspot.com, 21.10.2020 https://historypsychiatry.com, 21.10.2020
1\u Monika Ankele (Dr. phil.) is curator at the Museum for Medical History in Hamburg and scientific assistant at the Department for History and Ethics of Medicine at the University Clinic Hamburg-Eppendorf. Her research focuses on the history of psychiatry (patient's history, spatial, material and practice turn). She was awarded the Käthe-Leichter-Prize for Women's and Gender Studies (Austrian Ministry for Women and Public Services) and the Michael Mitterauer-Prize for Social, Cultural and Economic History (Austrian Ministry for Education, Science and Culture, City of Vienna, Institute for Social and Economic History).
2\u Benoît Majerus (Dr. phil.), born 1975, teaches European history at the University of Luxembourg. His research focuses on the history of psychiatry in the 19th and 20th centuries.
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Psychiatry; Material Cultures; Hospital; 19th/20th Century; Europe; North America; Cultural History; Psychoanalysis; Medicine; History of Medicine; Medical Ethics; History;
History of Medicine.
History.
Medical Ethics.
Medicine.
Psychoanalysis.
3-8376-4788-9
1\u Ankele, Monika editor edt
2\u Majerus, Benoît editor edt
Histoire
language English
format eBook
author2 Ankele, Monika
Majerus, Benoît
author_facet Ankele, Monika
Majerus, Benoît
author2_variant m a ma
m a ma
b m bm
author2_role HerausgeberIn
HerausgeberIn
title Material Cultures of Psychiatry
spellingShingle Material Cultures of Psychiatry
Histoire
Frontmatter --
CONTENT --
Aktion #1246a --
Material Cultures of Psychiatry --
Pat. No. 25682 --
I. Scenography and Space --
Oil on Canvas: An Isolation Cell Constructed by the k.k. Hofoperntheater for the Asylum --
Silent “Night of Madness”? Light, Voice, Sounds, and Space in the Illenau Asylum in Baden between 1842 and 1910 --
“Le cabanon du fou”: Uses of the Shed As a Confinement Device for the Insane in French Rural Households in the 19th Century --
“Amongst the Most Important of the Agencies”: Materializing “Nature” at the American Lunatic Asylum --
Have a Seat!: Approaching the Object of the Chair at the Site of Psychiatry --
II. Transforming Practices --
Have a Seat --
The Fabric of Seclusion: Textiles As Media of (Spatial) Interaction in Isolation Cells of Mental Hospitals --
Theories of the “Savage”: The Material Varek (Seagrass) As a Bearer of Meaning in Psychiatry around 1900 --
Untitled --
The Uses and Misuses of Television in Long-Stay Psychiatric and “Mental Handicap” Wards, 1950s–1980s --
Buttons and Stimuli: The Material Basis of Electroconvulsive Therapy As a Place of Historical Change --
III. Agents of Healing --
Materiality --
“The Magical Device”: Temple Grandin’s Hug Machine --
The Piano in the Asylum and the Insanity of the Composer: Two Variations on a Theme (with Interlude) --
The Effectiveness of Symbols: Psychogeographic Explorations of the Body --
IV. Bodies, Senses, and the Self --
Loss of Identity --
Lives in Storage: Clothes and Other Personal Effects As a Way of Recovering Patients’ Histories in a Psychiatric Hospital --
A Corridor That Moves: Corporeal Encounters with Materiality in a Mental Hospital --
Psychographics and the Materials of Time Measurement in Modern French Psychiatry --
V. Teaching Projects --
Artistic Research on Things in/of Psychiatry: An Interdisciplinary Teaching Project --
Cover, Rip Up, Unwrap: Scenes with Material from the Mental Asylum. A Documentary Theater Based on Medical Records --
Notes on Contributors
title_full Material Cultures of Psychiatry Monika Ankele, Benoît Majerus
title_fullStr Material Cultures of Psychiatry Monika Ankele, Benoît Majerus
title_full_unstemmed Material Cultures of Psychiatry Monika Ankele, Benoît Majerus
title_auth Material Cultures of Psychiatry
title_alt Frontmatter --
CONTENT --
Aktion #1246a --
Material Cultures of Psychiatry --
Pat. No. 25682 --
I. Scenography and Space --
Oil on Canvas: An Isolation Cell Constructed by the k.k. Hofoperntheater for the Asylum --
Silent “Night of Madness”? Light, Voice, Sounds, and Space in the Illenau Asylum in Baden between 1842 and 1910 --
“Le cabanon du fou”: Uses of the Shed As a Confinement Device for the Insane in French Rural Households in the 19th Century --
“Amongst the Most Important of the Agencies”: Materializing “Nature” at the American Lunatic Asylum --
Have a Seat!: Approaching the Object of the Chair at the Site of Psychiatry --
II. Transforming Practices --
Have a Seat --
The Fabric of Seclusion: Textiles As Media of (Spatial) Interaction in Isolation Cells of Mental Hospitals --
Theories of the “Savage”: The Material Varek (Seagrass) As a Bearer of Meaning in Psychiatry around 1900 --
Untitled --
The Uses and Misuses of Television in Long-Stay Psychiatric and “Mental Handicap” Wards, 1950s–1980s --
Buttons and Stimuli: The Material Basis of Electroconvulsive Therapy As a Place of Historical Change --
III. Agents of Healing --
Materiality --
“The Magical Device”: Temple Grandin’s Hug Machine --
The Piano in the Asylum and the Insanity of the Composer: Two Variations on a Theme (with Interlude) --
The Effectiveness of Symbols: Psychogeographic Explorations of the Body --
IV. Bodies, Senses, and the Self --
Loss of Identity --
Lives in Storage: Clothes and Other Personal Effects As a Way of Recovering Patients’ Histories in a Psychiatric Hospital --
A Corridor That Moves: Corporeal Encounters with Materiality in a Mental Hospital --
Psychographics and the Materials of Time Measurement in Modern French Psychiatry --
V. Teaching Projects --
Artistic Research on Things in/of Psychiatry: An Interdisciplinary Teaching Project --
Cover, Rip Up, Unwrap: Scenes with Material from the Mental Asylum. A Documentary Theater Based on Medical Records --
Notes on Contributors
title_new Material Cultures of Psychiatry
title_sort material cultures of psychiatry
series Histoire
series2 Histoire
publisher transcript Verlag
publishDate 2020
physical 1 online resource (416 p.)
edition 1st ed.
contents Frontmatter --
CONTENT --
Aktion #1246a --
Material Cultures of Psychiatry --
Pat. No. 25682 --
I. Scenography and Space --
Oil on Canvas: An Isolation Cell Constructed by the k.k. Hofoperntheater for the Asylum --
Silent “Night of Madness”? Light, Voice, Sounds, and Space in the Illenau Asylum in Baden between 1842 and 1910 --
“Le cabanon du fou”: Uses of the Shed As a Confinement Device for the Insane in French Rural Households in the 19th Century --
“Amongst the Most Important of the Agencies”: Materializing “Nature” at the American Lunatic Asylum --
Have a Seat!: Approaching the Object of the Chair at the Site of Psychiatry --
II. Transforming Practices --
Have a Seat --
The Fabric of Seclusion: Textiles As Media of (Spatial) Interaction in Isolation Cells of Mental Hospitals --
Theories of the “Savage”: The Material Varek (Seagrass) As a Bearer of Meaning in Psychiatry around 1900 --
Untitled --
The Uses and Misuses of Television in Long-Stay Psychiatric and “Mental Handicap” Wards, 1950s–1980s --
Buttons and Stimuli: The Material Basis of Electroconvulsive Therapy As a Place of Historical Change --
III. Agents of Healing --
Materiality --
“The Magical Device”: Temple Grandin’s Hug Machine --
The Piano in the Asylum and the Insanity of the Composer: Two Variations on a Theme (with Interlude) --
The Effectiveness of Symbols: Psychogeographic Explorations of the Body --
IV. Bodies, Senses, and the Self --
Loss of Identity --
Lives in Storage: Clothes and Other Personal Effects As a Way of Recovering Patients’ Histories in a Psychiatric Hospital --
A Corridor That Moves: Corporeal Encounters with Materiality in a Mental Hospital --
Psychographics and the Materials of Time Measurement in Modern French Psychiatry --
V. Teaching Projects --
Artistic Research on Things in/of Psychiatry: An Interdisciplinary Teaching Project --
Cover, Rip Up, Unwrap: Scenes with Material from the Mental Asylum. A Documentary Theater Based on Medical Records --
Notes on Contributors
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dewey-raw 616.89009
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Transforming Practices -- </subfield><subfield code="t">Have a Seat -- </subfield><subfield code="t">The Fabric of Seclusion: Textiles As Media of (Spatial) Interaction in Isolation Cells of Mental Hospitals -- </subfield><subfield code="t">Theories of the “Savage”: The Material Varek (Seagrass) As a Bearer of Meaning in Psychiatry around 1900 -- </subfield><subfield code="t">Untitled -- </subfield><subfield code="t">The Uses and Misuses of Television in Long-Stay Psychiatric and “Mental Handicap” Wards, 1950s–1980s -- </subfield><subfield code="t">Buttons and Stimuli: The Material Basis of Electroconvulsive Therapy As a Place of Historical Change -- </subfield><subfield code="t">III. Agents of Healing -- </subfield><subfield code="t">Materiality -- </subfield><subfield code="t">“The Magical Device”: Temple Grandin’s Hug Machine -- </subfield><subfield code="t">The Piano in the Asylum and the Insanity of the Composer: Two Variations on a Theme (with Interlude) -- </subfield><subfield code="t">The Effectiveness of Symbols: Psychogeographic Explorations of the Body -- </subfield><subfield code="t">IV. Bodies, Senses, and the Self -- </subfield><subfield code="t">Loss of Identity -- </subfield><subfield code="t">Lives in Storage: Clothes and Other Personal Effects As a Way of Recovering Patients’ Histories in a Psychiatric Hospital -- </subfield><subfield code="t">A Corridor That Moves: Corporeal Encounters with Materiality in a Mental Hospital -- </subfield><subfield code="t">Psychographics and the Materials of Time Measurement in Modern French Psychiatry -- </subfield><subfield code="t">V. 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