Itinerant Spectator/Itinerant Spectacle / P.A. Skantze.
Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in the late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel to meet performances that travel. Itinerant Spe...
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Place / Publishing House: | Baltimore, Maryland : : Project Muse,, 2020 ©2020 |
Year of Publication: | 2013 2020 |
Language: | English |
Physical Description: | 1 online resource (252 pages) :; illustrations; digital, PDF file(s). |
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(CKB)2670000000557893 (WaSeSS)IndRDA00059284 (OCoLC)1176455017 (MdBmJHUP)muse87132 (oapen)https://directory.doabooks.org/handle/20.500.12854/36325 (EXLCZ)992670000000557893 |
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Skantze, P. A., 1957- author. Itinerant Spectator/Itinerant Spectacle P.A. Skantze. Brooklyn, NY punctum books 2013 Baltimore, Maryland : Project Muse, 2020 ©2020 1 online resource (252 pages) : illustrations; digital, PDF file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rda Also available in print form. Includes bibliographical references (pages 249-252). Introduction : weathered thresholds -- Satisfaction -- Sound -- Structures -- Senses -- States -- Epilogue. Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in the late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel to meet performances that travel. Itinerant Spectator/Itinerant Spectacle suggests spectating is a practice -- an act of interpretation engaged in more than simply receiving the affects of a performance, a companion practice to the making of performance. The work forms a part of Skantze's ongoing explorations of what she terms the 'epistemology of practice as research.' IS/IS theorizes spectating as a practice that extends beyond the theatre, as a practice of writing as recollecting (and recollecting as writing) at the center of what has been called "criticism." The book grounds spectatorship in the subjective, embodied, differenced practice of spectating not from a fixed location or standpoint but from a ground that constantly shifts, that is, from the ground of the roving positionalities of the "itinerate spectator." Following Walter Benjamin, for example, Skantze importantly adopts the privileges of the flaneur as a feminist and rather queer project, one that refuses to be tied to the minor position, to that of the impossible "flaneuse." The methodology of the book takes inspiration from the writings of W.G. Sebald and his employment of something Skantze describes as "a staging of memory," a way to offer the reader an example of how memory works in the midst of a description of a particular recollection. This construction invites the reader/participant to 'discover,' to 'remember' alongside the writer. Further, this methodology invites the reader to incorporate her/his own ideas and memories of the practice of spectating through an openness in the language of remembering and description. Individual sections of the book demonstrate spectating as itinerant 'on the job training' in various modes of reception. Topics include: the idea of reparation in performance about nations, the past and injustice; the power of sound and the intricacies of seeing/hearing performance in many languages; the architectural information absorbed by the spectator and its role in fashioning story; the shifts made in spectating at festivals between theatre and dance; and the political consequences and traps of mobility and immobility. Description based on print version record. English Acting Psychological aspects. Acting Philosophy. Acting Study and teaching. Actors Study and teaching. Theater audiences Study and teaching. Theater Study and teaching. Electronic books. theater performance studies cultural studies drama Project Muse, distributor. Print version: 0615858961 |
language |
English |
format |
eBook |
author |
Skantze, P. A., 1957- |
spellingShingle |
Skantze, P. A., 1957- Itinerant Spectator/Itinerant Spectacle Introduction : weathered thresholds -- Satisfaction -- Sound -- Structures -- Senses -- States -- Epilogue. |
author_facet |
Skantze, P. A., 1957- Project Muse, |
author_variant |
p a s pa pas |
author_role |
VerfasserIn |
author2 |
Project Muse, |
author2_role |
TeilnehmendeR |
author_sort |
Skantze, P. A., 1957- |
title |
Itinerant Spectator/Itinerant Spectacle |
title_full |
Itinerant Spectator/Itinerant Spectacle P.A. Skantze. |
title_fullStr |
Itinerant Spectator/Itinerant Spectacle P.A. Skantze. |
title_full_unstemmed |
Itinerant Spectator/Itinerant Spectacle P.A. Skantze. |
title_auth |
Itinerant Spectator/Itinerant Spectacle |
title_new |
Itinerant Spectator/Itinerant Spectacle |
title_sort |
itinerant spectator/itinerant spectacle |
publisher |
punctum books Project Muse, |
publishDate |
2013 2020 |
physical |
1 online resource (252 pages) : illustrations; digital, PDF file(s). Also available in print form. |
contents |
Introduction : weathered thresholds -- Satisfaction -- Sound -- Structures -- Senses -- States -- Epilogue. |
isbn |
0615858961 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN2122 |
callnumber-sort |
PN 42122 S56 42013 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.02/8 |
dewey-sort |
3792.02 18 |
dewey-raw |
792.02/8 |
dewey-search |
792.02/8 |
oclc_num |
1176455017 |
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AT skantzepa itinerantspectatoritinerantspectacle AT projectmuse itinerantspectatoritinerantspectacle |
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(CKB)2670000000557893 (WaSeSS)IndRDA00059284 (OCoLC)1176455017 (MdBmJHUP)muse87132 (oapen)https://directory.doabooks.org/handle/20.500.12854/36325 (EXLCZ)992670000000557893 |
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