Making and unmaking in early modern English drama : : spectators, aesthetics and incompletion / / Chloe Porter.
Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English dram...
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Place / Publishing House: | Manchester, UK : : Manchester University Press,, 2015. ©2014 |
Year of Publication: | 2015 |
Language: | English |
Series: | Manchester Shakespeare collection
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Physical Description: | 1 online resource (viii, 230 pages) :; illustrations; digital, PDF file(s). |
Notes: | Bibliographic Level Mode of Issuance: Monograph. |
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Porter, Chloe, author. Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / Chloe Porter. Manchester, UK : Manchester University Press, 2015. ©2014 1 online resource (viii, 230 pages) : illustrations; digital, PDF file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier Manchester Shakespeare collection Bibliographic Level Mode of Issuance: Monograph. Also available in print form. Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history. CC BY Includes bibliographical references and index. In English. Description based on print record. Academics and students of early modern history, literature and religious studies. literature plays and playwrights Apelles Brazen head Early Modern English Early modern period England Iconoclasm Visual arts Visual culture William Shakespeare English drama Early modern and Elizabethan, 1500-1600 History and criticism. English drama 17th century History and criticism. Art and literature England History 16th century. Art and literature England History 17th century. Material culture in literature History 16th century. Material culture in literature History 17th century. Visual perception in literature. Art in literature. Unfinished works of art. Iconoclasm in literature. Literature and literary studies bicssc. Literature: history and criticism / Literary studies: plays and playwrights. bicssc. LITERARY CRITICISM Drama. bisach. Biography, Literature & Literary studies Literary studies: plays & playwrights. thema Print version: 9780719084973 0719084970 Frost, Matthew, other. |
language |
English |
format |
eBook |
author |
Porter, Chloe, |
spellingShingle |
Porter, Chloe, Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / Manchester Shakespeare collection Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. |
author_facet |
Porter, Chloe, Frost, Matthew, |
author_variant |
c p cp |
author_role |
VerfasserIn |
author2 |
Frost, Matthew, |
author2_role |
TeilnehmendeR |
author_sort |
Porter, Chloe, |
title |
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / |
title_sub |
spectators, aesthetics and incompletion / |
title_full |
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / Chloe Porter. |
title_fullStr |
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / Chloe Porter. |
title_full_unstemmed |
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / Chloe Porter. |
title_auth |
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / |
title_new |
Making and unmaking in early modern English drama : |
title_sort |
making and unmaking in early modern english drama : spectators, aesthetics and incompletion / |
series |
Manchester Shakespeare collection |
series2 |
Manchester Shakespeare collection |
publisher |
Manchester University Press, |
publishDate |
2015 |
physical |
1 online resource (viii, 230 pages) : illustrations; digital, PDF file(s). Also available in print form. |
contents |
Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. |
isbn |
1-5261-0328-1 1-5261-0327-3 1-84779-891-8 9780719084973 0719084970 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR651 |
callnumber-sort |
PR 3651 |
geographic_facet |
England |
era_facet |
Early modern and Elizabethan, 1500-1600 17th century 16th century. 17th century. |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
822 - English drama |
dewey-full |
822.309 |
dewey-sort |
3822.309 |
dewey-raw |
822.309 |
dewey-search |
822.309 |
oclc_num |
1112235833 1048663185 |
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