Publishing blackness : : textual constructions of race since 1850 / / George Hutchinson and John K. Young, editiors.
" From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the...
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Superior document: | Editorial theory and literary criticism |
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Place / Publishing House: | Ann Arbor : : University of Michigan Press,, [2013] |
Year of Publication: | 2013 |
Language: | English |
Series: | Editorial theory and literary criticism.
|
Physical Description: | 1 online resource (245 p.) |
Notes: | Description based upon print version of record. |
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Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John K. Young, editiors. Ann Arbor : University of Michigan Press, [2013] 1 online resource (245 p.) text txt computer c online resource cr Editorial theory and literary criticism Description based upon print version of record. Introduction / George Hutchinson and John K. Young -- The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives / Ivy G. Wilson -- Representing African American Literature : or, Tradition against the Individual Talent / George Hutchinson -- Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy / John K. Young -- The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s / George Bornstein -- More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) / Ifeoma Kiddoe Nwankwo -- Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance / William J. Maxwell -- Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies / Gene Andrew Jarrett -- Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts / James W. Smethurst -- Textual Productions of Black Aesthetics Unbound / Margo Natalie Crawford -- Select Bibliography -- Contributors -- Index. English CC BY-NC-ND Includes bibliographical references (p. 211-214) and index. " From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"-- Provided by publisher. Description based on information from the publisher. Unrestricted online access star American literature African American authors History and criticism Theory, etc. Criticism, Textual. American literature African American authors Publishing History. Literature publishing Political aspects United States History. African Americans Intellectual life. African Americans in literature. Michigan Publishing (University of Michigan) publisher. 0-472-11863-3 Young, John K. (John Kevin), 1968- editor of compilation Hutchinson, George, 1953- editor of compilation. Editorial theory and literary criticism. |
language |
English |
format |
eBook |
author2 |
Young, John K. 1968- Hutchinson, George, 1953- Michigan Publishing (University of Michigan) |
author_facet |
Young, John K. 1968- Hutchinson, George, 1953- Michigan Publishing (University of Michigan) |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_additional |
George Hutchinson and John K. Young -- Ivy G. Wilson -- George Hutchinson -- John K. Young -- George Bornstein -- Ifeoma Kiddoe Nwankwo -- William J. Maxwell -- Gene Andrew Jarrett -- James W. Smethurst -- Margo Natalie Crawford -- |
title |
Publishing blackness : textual constructions of race since 1850 / |
spellingShingle |
Publishing blackness : textual constructions of race since 1850 / Editorial theory and literary criticism Introduction / The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives / Representing African American Literature : or, Tradition against the Individual Talent / Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy / The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s / More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) / Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance / Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies / Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts / Textual Productions of Black Aesthetics Unbound / Select Bibliography -- Contributors -- Index. |
title_sub |
textual constructions of race since 1850 / |
title_full |
Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John K. Young, editiors. |
title_fullStr |
Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John K. Young, editiors. |
title_full_unstemmed |
Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John K. Young, editiors. |
title_auth |
Publishing blackness : textual constructions of race since 1850 / |
title_alt |
Introduction / The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives / Representing African American Literature : or, Tradition against the Individual Talent / Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy / The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s / More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) / Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance / Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies / Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts / Textual Productions of Black Aesthetics Unbound / Select Bibliography -- Contributors -- Index. |
title_new |
Publishing blackness : |
title_sort |
publishing blackness : textual constructions of race since 1850 / |
series |
Editorial theory and literary criticism |
series2 |
Editorial theory and literary criticism |
publisher |
University of Michigan Press, |
publishDate |
2013 |
physical |
1 online resource (245 p.) |
contents |
Introduction / The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives / Representing African American Literature : or, Tradition against the Individual Talent / Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy / The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s / More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) / Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance / Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies / Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts / Textual Productions of Black Aesthetics Unbound / Select Bibliography -- Contributors -- Index. |
isbn |
0-472-90099-4 0-472-02892-8 1-299-15988-5 0-472-11863-3 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PS - American Literature |
callnumber-label |
PS153 |
callnumber-sort |
PS 3153 B53 P83 42012 |
geographic_facet |
United States |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
810 - American literature in English |
dewey-ones |
810 - American literature in English |
dewey-full |
810.9/896073 |
dewey-sort |
3810.9 6896073 |
dewey-raw |
810.9/896073 |
dewey-search |
810.9/896073 |
oclc_num |
829243628 |
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AT michiganpublishinguniversityofmichigan publishingblacknesstextualconstructionsofracesince1850 AT youngjohnk publishingblacknesstextualconstructionsofracesince1850 AT hutchinsongeorge publishingblacknesstextualconstructionsofracesince1850 |
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Publishing blackness : textual constructions of race since 1850 / |
container_title |
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