Improvising Cinema / Gilles Mouëllic.
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as ins...
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| Superior document: | Film culture in transition |
|---|---|
| : | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2013. ©2013. |
| Year of Publication: | 2013 |
| Edition: | 1st ed. |
| Language: | English French |
| Series: | Film culture in transition.
|
| Physical Description: | 1 online resource (205 p.) |
| Notes: | Description based upon print version of record. |
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| 100 | 1 | |a Mouëllic, Gilles. | |
| 240 | 1 | 0 | |a Improviser le cinema. |l French |
| 245 | 1 | 0 | |a Improvising Cinema |c Gilles Mouëllic. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2013. | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (205 p.) | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition | |
| 500 | |a Description based upon print version of record. | ||
| 546 | |a In English. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction -- |t 1. Writing and improvisation -- |t 2. Creation in action -- |t 3. The influence of Jean Rouch -- |t 4. Acting cinema -- |t 5. The temptation of theatre -- |t 6. The rules of the game -- |t 7. Filming jazz -- |t Conclusion -- |t Notes -- |t Bibliography -- |t Index of names -- |t Index of films |
| 540 | |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: |u https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access | ||
| 520 | |a This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance. | ||
| 504 | |a Includes bibliographical references (p. [187]-190) and indexes. | ||
| 588 | |a Description based on print version record. | ||
| 506 | 0 | |f Unrestricted online access |2 star | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 0 | |a Improvisation (Acting) | |
| 776 | |z 90-8964-551-9 | ||
| 776 | |z 90-8964-515-2 | ||
| 830 | 0 | |a Film culture in transition. | |
| 906 | |a BOOK | ||
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| AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338622910004498&Force_direct=true |Z 5338622910004498 |b Available |8 5338622910004498 | ||