Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music / / Stephen Graham.
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from tradition...
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Place / Publishing House: | Ann Arbor : : University of Michigan Press,, [2016] ©[2016] |
Year of Publication: | 2016 |
Language: | English |
Series: | Tracking pop
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Physical Description: | 1 online resource (305 pages) :; illustrations. |
Notes: | Bibliographic Level Mode of Issuance: Monograph |
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100 | 1 | |a Graham, Stephen. | |
245 | 1 | 0 | |a Sounds of the Underground |b A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music / |c Stephen Graham. |
264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2016] | |
264 | 4 | |c ©[2016] | |
300 | |a 1 online resource (305 pages) : |b illustrations. | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
490 | 0 | |a Tracking pop | |
500 | |a Bibliographic Level Mode of Issuance: Monograph | ||
546 | |a English | ||
520 | |a In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy. | ||
505 | 0 | |a Intro -- Contents -- Preface -- Part I-What Is the Underground? -- 1. Introduction to the Underground and Its Fringes -- 2. The Music and Musicians -- 3. Global and Local Underground/Fringe Scenes -- Part II-The Political and Cultural Underground -- 4. Politics and Underground/Fringe Music -- 5. Cultural Policy and Underground/Fringe Music -- 6. Artists and Music, Improv and Noise -- 7. The Digital Economy and Labels -- 8. Festivals and Venues -- Part III-Listening to the Underground -- 9. Noise as Concept, History, and Scene -- 10. The Politics of Underground Music and Noise -- 11. The Sounds of Noise -- 12. Extreme Metal -- Conclusion -- List of Interviewees -- Notes -- Bibliography -- Index. | |
504 | |a Includes bibliographical references and index. | ||
588 | |a Description based on print version record. | ||
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
655 | 4 | |a Electronic books. | |
776 | |z 0-472-11975-3 | ||
710 | 2 | |a Michigan Publishing (University of Michigan) |e publisher. | |
830 | 0 | |a Tracking pop | |
906 | |a BOOK | ||
ADM | |b 2022-12-22 04:32:23 Europe/Vienna |f system |c marc21 |a 2016-05-07 17:36:22 Europe/Vienna |g false | ||
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