Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music / / Stephen Graham.

In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from tradition...

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Place / Publishing House:Ann Arbor : : University of Michigan Press,, [2016]
©[2016]
Year of Publication:2016
Language:English
Series:Tracking pop
Physical Description:1 online resource (305 pages) :; illustrations.
Notes:Bibliographic Level Mode of Issuance: Monograph
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520 |a In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy. 
505 0 |a Intro -- Contents -- Preface -- Part I-What Is the Underground? -- 1. Introduction to the Underground and Its Fringes -- 2. The Music and Musicians -- 3. Global and Local Underground/Fringe Scenes -- Part II-The Political and Cultural Underground -- 4. Politics and Underground/Fringe Music -- 5. Cultural Policy and Underground/Fringe Music -- 6. Artists and Music, Improv and Noise -- 7. The Digital Economy and Labels -- 8. Festivals and Venues -- Part III-Listening to the Underground -- 9. Noise as Concept, History, and Scene -- 10. The Politics of Underground Music and Noise -- 11. The Sounds of Noise -- 12. Extreme Metal -- Conclusion -- List of Interviewees -- Notes -- Bibliography -- Index. 
504 |a Includes bibliographical references and index. 
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