Borrowed forms : : the music and ethics of transnational fiction / / Kathryn Lachman.
Borrowed Forms examines the use of music by contemporary novelists and critics from across the Francophone, Anglophone, and Hispanophone worlds. Through readings of Nancy Huston, Maryse Condé, J. M. Coetzee, Assia Djebar, Julio Cortázar, and other late twentieth-century novelists, the book shows h...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Liverpool : : Liverpool University Press,, 2014. |
Year of Publication: | 2014 |
Edition: | 1st ed. |
Language: | English |
Physical Description: | 1 online resource (viii, 206 pages) :; digital, PDF file(s). |
Notes: | Title from publisher's bibliographic system (viewed on 07 Jul 2017). |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993547581004498 |
---|---|
ctrlnum |
(CKB)3710000000340260 (StDuBDS)EDZ0000982857 (UkCbUP)CR9781781385968 (OCoLC)900208002 (MdBmJHUP)muse82841 (Au-PeEL)EBL4792827 (CaPaEBR)ebr11333998 (CaONFJC)MIL990008 (ScCtBLL)920ce27f-a770-4dcf-b110-b9b271c9feff (Au-PeEL)EBL6898683 (MiAaPQ)EBC4792827 (MiAaPQ)EBC6898683 (PPN)266626629 (EXLCZ)993710000000340260 |
collection |
bib_alma |
record_format |
marc |
spelling |
Lachman, Kathryn, author. Borrowed forms : the music and ethics of transnational fiction / Kathryn Lachman. 1st ed. Liverpool : Liverpool University Press, 2014. 1 online resource (viii, 206 pages) : digital, PDF file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 175-206) and index. CC BY-NC-ND Unrestricted online access star Cover -- Half-title -- Title page -- Copyright page -- Contents -- Acknowledgements -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Conclusion -- Notes -- Works Cited -- Index. Title from publisher's bibliographic system (viewed on 07 Jul 2017). Borrowed Forms examines the use of music by contemporary novelists and critics from across the Francophone, Anglophone, and Hispanophone worlds. Through readings of Nancy Huston, Maryse Condé, J. M. Coetzee, Assia Djebar, Julio Cortázar, and other late twentieth-century novelists, the book shows how writers deploy musical strategies to expand the possibilities of the novel in response to the demands of transnational citizenship. The book transcends disciplinary boundaries, to reveal the entanglement of musical and narrative forms in ethical, historical, and political questions.Critics from Mikhail Bakhtin to Edward Said established musical forms as an indispensable framework for understanding the novel. This study argues that the turn to music in late twentieth century fiction is linked to new questions of authority and representation, as writers seek to democratize the novel, to bring marginalized voices into fiction, to articulate increasingly hybrid subjectivities, and to negotiate the conflicting histories of the diverse groups that make up today's multicultural societies. The book traces the influence of four musical concepts on theory and the contemporary novel: polyphony, or the art of combining multiple, equal voices; counterpoint, the carefully regulated setting of one voice against another; variations, the virtuosic exploration of a given theme; and opera, the dramatic setting of a story to a musical score. Borrowed Forms is both a vital reference for all those seeking to understand the influence of music on 20th-century literary theory, and a rigorous and interdisciplinary framework for considering the transnational novel. Fiction 20th century History and criticism Theory, etc. Music and literature History 20th century. Literature and transnationalism. Music and transnationalism. 1-78138-030-9 |
language |
English |
format |
eBook |
author |
Lachman, Kathryn, |
spellingShingle |
Lachman, Kathryn, Borrowed forms : the music and ethics of transnational fiction / Cover -- Half-title -- Title page -- Copyright page -- Contents -- Acknowledgements -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Conclusion -- Notes -- Works Cited -- Index. |
author_facet |
Lachman, Kathryn, |
author_variant |
k l kl |
author_role |
VerfasserIn |
author_sort |
Lachman, Kathryn, |
title |
Borrowed forms : the music and ethics of transnational fiction / |
title_sub |
the music and ethics of transnational fiction / |
title_full |
Borrowed forms : the music and ethics of transnational fiction / Kathryn Lachman. |
title_fullStr |
Borrowed forms : the music and ethics of transnational fiction / Kathryn Lachman. |
title_full_unstemmed |
Borrowed forms : the music and ethics of transnational fiction / Kathryn Lachman. |
title_auth |
Borrowed forms : the music and ethics of transnational fiction / |
title_new |
Borrowed forms : |
title_sort |
borrowed forms : the music and ethics of transnational fiction / |
publisher |
Liverpool University Press, |
publishDate |
2014 |
physical |
1 online resource (viii, 206 pages) : digital, PDF file(s). |
edition |
1st ed. |
contents |
Cover -- Half-title -- Title page -- Copyright page -- Contents -- Acknowledgements -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Conclusion -- Notes -- Works Cited -- Index. |
isbn |
1-78138-596-3 1-78138-729-X 1-78138-030-9 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN3503 |
callnumber-sort |
PN 43503 L33 42014 |
era_facet |
20th century 20th century. |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809.304 |
dewey-sort |
3809.304 |
dewey-raw |
809.304 |
dewey-search |
809.304 |
oclc_num |
900208002 |
work_keys_str_mv |
AT lachmankathryn borrowedformsthemusicandethicsoftransnationalfiction |
status_str |
n |
ids_txt_mv |
(CKB)3710000000340260 (StDuBDS)EDZ0000982857 (UkCbUP)CR9781781385968 (OCoLC)900208002 (MdBmJHUP)muse82841 (Au-PeEL)EBL4792827 (CaPaEBR)ebr11333998 (CaONFJC)MIL990008 (ScCtBLL)920ce27f-a770-4dcf-b110-b9b271c9feff (Au-PeEL)EBL6898683 (MiAaPQ)EBC4792827 (MiAaPQ)EBC6898683 (PPN)266626629 (EXLCZ)993710000000340260 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Borrowed forms : the music and ethics of transnational fiction / |
_version_ |
1801340748773195776 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02936nam a2200337 i 4500</leader><controlfield tag="001">993547581004498</controlfield><controlfield tag="005">20170707034008.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr||||||||||||</controlfield><controlfield tag="008">170307s2014||||enk o ||1 0|eng|d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-78138-596-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-78138-729-X</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3828/9781781380307</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)3710000000340260</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(StDuBDS)EDZ0000982857</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(UkCbUP)CR9781781385968</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)900208002</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MdBmJHUP)muse82841</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL4792827</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr11333998</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL990008</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ScCtBLL)920ce27f-a770-4dcf-b110-b9b271c9feff</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL6898683</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC4792827</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC6898683</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PPN)266626629</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)993710000000340260</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">UkCbUP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">UkCbUP</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN3503</subfield><subfield code="b">.L33 2014</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">809.304</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lachman, Kathryn,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Borrowed forms :</subfield><subfield code="b">the music and ethics of transnational fiction /</subfield><subfield code="c">Kathryn Lachman.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Liverpool :</subfield><subfield code="b">Liverpool University Press,</subfield><subfield code="c">2014.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 206 pages) :</subfield><subfield code="b">digital, PDF file(s).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 175-206) and index.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="f">CC BY-NC-ND</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Half-title -- Title page -- Copyright page -- Contents -- Acknowledgements -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Conclusion -- Notes -- Works Cited -- Index.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 07 Jul 2017).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Borrowed Forms examines the use of music by contemporary novelists and critics from across the Francophone, Anglophone, and Hispanophone worlds. Through readings of Nancy Huston, Maryse Condé, J. M. Coetzee, Assia Djebar, Julio Cortázar, and other late twentieth-century novelists, the book shows how writers deploy musical strategies to expand the possibilities of the novel in response to the demands of transnational citizenship. The book transcends disciplinary boundaries, to reveal the entanglement of musical and narrative forms in ethical, historical, and political questions.Critics from Mikhail Bakhtin to Edward Said established musical forms as an indispensable framework for understanding the novel. This study argues that the turn to music in late twentieth century fiction is linked to new questions of authority and representation, as writers seek to democratize the novel, to bring marginalized voices into fiction, to articulate increasingly hybrid subjectivities, and to negotiate the conflicting histories of the diverse groups that make up today's multicultural societies. The book traces the influence of four musical concepts on theory and the contemporary novel: polyphony, or the art of combining multiple, equal voices; counterpoint, the carefully regulated setting of one voice against another; variations, the virtuosic exploration of a given theme; and opera, the dramatic setting of a story to a musical score. Borrowed Forms is both a vital reference for all those seeking to understand the influence of music on 20th-century literary theory, and a rigorous and interdisciplinary framework for considering the transnational novel.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Fiction</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield><subfield code="x">Theory, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and literature</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Literature and transnationalism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and transnationalism.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">1-78138-030-9</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-06-09 00:43:42 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2015-01-31 21:58:14 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338566860004498&Force_direct=true</subfield><subfield code="Z">5338566860004498</subfield><subfield code="b">Available</subfield><subfield code="8">5338566860004498</subfield></datafield></record></collection> |