We used to wait : : music videos and creative literacy / / Rebecca Kinskey.

"Music videos were once something broadcast by MTV and received on our TV screens. Today, music videos are searched for, downloaded, and viewed on our computer screens -- or produced in our living rooms and uploaded to social media. In We Used to Wait, Rebecca Kinskey examines this shift. She i...

Full description

Saved in:
Bibliographic Details
Superior document:The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
VerfasserIn:
Place / Publishing House:Cambridge, Massachusetts : : The MIT Press,, [2014]
©2014
Year of Publication:2014
Language:English
Series:John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning
Physical Description:1 online resource (120 p.)
Notes:Description based upon print version of record.
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993547453204498
ctrlnum (CKB)3710000000274973
(EBL)3339884
(SSID)ssj0001370874
(PQKBManifestationID)12603767
(PQKBTitleCode)TC0001370874
(PQKBWorkID)11299920
(PQKB)10962885
(MiAaPQ)EBC3339884
(OCoLC)915032740
(OCoLC-P)915032740
(MaCbMITP)9601
(OCoLC)1053168063
(MdBmJHUP)muse70619
(oapen)https://directory.doabooks.org/handle/20.500.12854/78531
(EXLCZ)993710000000274973
collection bib_alma
record_format marc
spelling Kinskey, Rebecca, author.
We used to wait : music videos and creative literacy / Rebecca Kinskey.
Cambridge, Massachusetts : The MIT Press, [2014]
©2014
1 online resource (120 p.)
text txt
computer c
online resource cr
The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
Description based upon print version of record.
""Contents""; ""Series Foreword""; ""Introduction""; ""1 Form: A Short History of the Music Video""; ""2 Practice: Curiosity to Fluency in the Career of Hiro Murai""; ""3 Literacy: OMG! Cameras Everywhere""; ""4 Conclusion""; ""Notes""
English
Includes bibliographical references (pages 91-99).
"Music videos were once something broadcast by MTV and received on our TV screens. Today, music videos are searched for, downloaded, and viewed on our computer screens -- or produced in our living rooms and uploaded to social media. In We Used to Wait, Rebecca Kinskey examines this shift. She investigates music video as a form, originally a product created by professionals to be consumed by nonprofessionals; as a practice, increasingly taken up by amateurs; and as a literacy, to be experimented with and mastered. Kinskey offers a short history of the music video as a communicative, cultural form, describing the rise and fall of MTV's Total Request Live and the music video's resurgence on YouTube. She examines recent shifts in viewing and production practice, tracing the trajectory of music video director Hiro Murai from film student and dedicated amateur in the 1990s to music video professional in the 2000s. Investigating music video as a literacy, she looks at OMG! Cameras Everywhere, a nonprofit filmmaking summer camp run by a group of young music video directors. The OMG! campers and counselors provide a case study in how cultural producers across several generations have blurred the line between professional and amateur. Their everyday practices remake the notion of literacy, not only by their collaborative and often informal efforts to impart and achieve literacy but also by expanding the definition of what is considered a valuable activity, worthy of dedicated, pleasurable pursuit"--Provided by publisher.
OCLC-licensed vendor bibliographic record.
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International CC BY-NC-ND 4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
Unrestricted online access star
Music videos History and criticism.
Digital media Technological innovations.
EDUCATION/Digital Media & Learning
SOCIAL SCIENCES/Media Studies
EDUCATION/Literacies
0-262-32548-9
0-262-52692-1
John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning
language English
format eBook
author Kinskey, Rebecca,
spellingShingle Kinskey, Rebecca,
We used to wait : music videos and creative literacy /
The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
""Contents""; ""Series Foreword""; ""Introduction""; ""1 Form: A Short History of the Music Video""; ""2 Practice: Curiosity to Fluency in the Career of Hiro Murai""; ""3 Literacy: OMG! Cameras Everywhere""; ""4 Conclusion""; ""Notes""
author_facet Kinskey, Rebecca,
author_variant r k rk
author_role VerfasserIn
author_sort Kinskey, Rebecca,
title We used to wait : music videos and creative literacy /
title_sub music videos and creative literacy /
title_full We used to wait : music videos and creative literacy / Rebecca Kinskey.
title_fullStr We used to wait : music videos and creative literacy / Rebecca Kinskey.
title_full_unstemmed We used to wait : music videos and creative literacy / Rebecca Kinskey.
title_auth We used to wait : music videos and creative literacy /
title_new We used to wait :
title_sort we used to wait : music videos and creative literacy /
series The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
series2 The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
publisher The MIT Press,
publishDate 2014
physical 1 online resource (120 p.)
contents ""Contents""; ""Series Foreword""; ""Introduction""; ""1 Form: A Short History of the Music Video""; ""2 Practice: Curiosity to Fluency in the Career of Hiro Murai""; ""3 Literacy: OMG! Cameras Everywhere""; ""4 Conclusion""; ""Notes""
isbn 0-262-32547-0
0-262-32548-9
0-262-52692-1
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1992
callnumber-sort PN 41992.8 M87 K57 42014
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.45/6578
dewey-sort 3791.45 46578
dewey-raw 791.45/6578
dewey-search 791.45/6578
oclc_num 915032740
1053168063
work_keys_str_mv AT kinskeyrebecca weusedtowaitmusicvideosandcreativeliteracy
status_str c
ids_txt_mv (CKB)3710000000274973
(EBL)3339884
(SSID)ssj0001370874
(PQKBManifestationID)12603767
(PQKBTitleCode)TC0001370874
(PQKBWorkID)11299920
(PQKB)10962885
(MiAaPQ)EBC3339884
(OCoLC)915032740 (OCoLC)923252137 (OCoLC)958095849 (OCoLC)958392366 (OCoLC)1053168063 (OCoLC)1057432604 (OCoLC)1057437851
(OCoLC-P)915032740
(MaCbMITP)9601
(OCoLC)1053168063
(MdBmJHUP)muse70619
(oapen)https://directory.doabooks.org/handle/20.500.12854/78531
(EXLCZ)993710000000274973
carrierType_str_mv cr
hierarchy_parent_title The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
is_hierarchy_title We used to wait : music videos and creative literacy /
container_title The John D. and Catherine T. MacArthur Foundation reports on digital media and learning
_version_ 1797653556284620800
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04145cam a2200625Ii 4500</leader><controlfield tag="001">993547453204498</controlfield><controlfield tag="005">20240424230158.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr -n---------</controlfield><controlfield tag="008">150728t20142014maua ob 000 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0-262-32547-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)3710000000274973</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)3339884</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SSID)ssj0001370874</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBManifestationID)12603767</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBTitleCode)TC0001370874</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBWorkID)11299920</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKB)10962885</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC3339884</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)915032740</subfield><subfield code="z">(OCoLC)923252137</subfield><subfield code="z">(OCoLC)958095849</subfield><subfield code="z">(OCoLC)958392366</subfield><subfield code="z">(OCoLC)1053168063</subfield><subfield code="z">(OCoLC)1057432604</subfield><subfield code="z">(OCoLC)1057437851</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC-P)915032740</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MaCbMITP)9601</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1053168063</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MdBmJHUP)muse70619</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/78531</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)993710000000274973</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">OCoLC-P</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">OCoLC-P</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1992.8.M87</subfield><subfield code="b">K57 2014</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.45/6578</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kinskey, Rebecca,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">We used to wait :</subfield><subfield code="b">music videos and creative literacy /</subfield><subfield code="c">Rebecca Kinskey.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Massachusetts :</subfield><subfield code="b">The MIT Press,</subfield><subfield code="c">[2014]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (120 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">The John D. and Catherine T. MacArthur Foundation reports on digital media and learning</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">""Contents""; ""Series Foreword""; ""Introduction""; ""1 Form: A Short History of the Music Video""; ""2 Practice: Curiosity to Fluency in the Career of Hiro Murai""; ""3 Literacy: OMG! Cameras Everywhere""; ""4 Conclusion""; ""Notes""</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 91-99).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Music videos were once something broadcast by MTV and received on our TV screens. Today, music videos are searched for, downloaded, and viewed on our computer screens -- or produced in our living rooms and uploaded to social media. In We Used to Wait, Rebecca Kinskey examines this shift. She investigates music video as a form, originally a product created by professionals to be consumed by nonprofessionals; as a practice, increasingly taken up by amateurs; and as a literacy, to be experimented with and mastered. Kinskey offers a short history of the music video as a communicative, cultural form, describing the rise and fall of MTV's Total Request Live and the music video's resurgence on YouTube. She examines recent shifts in viewing and production practice, tracing the trajectory of music video director Hiro Murai from film student and dedicated amateur in the 1990s to music video professional in the 2000s. Investigating music video as a literacy, she looks at OMG! Cameras Everywhere, a nonprofit filmmaking summer camp run by a group of young music video directors. The OMG! campers and counselors provide a case study in how cultural producers across several generations have blurred the line between professional and amateur. Their everyday practices remake the notion of literacy, not only by their collaborative and often informal efforts to impart and achieve literacy but also by expanding the definition of what is considered a valuable activity, worthy of dedicated, pleasurable pursuit"--Provided by publisher.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">OCLC-licensed vendor bibliographic record.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</subfield><subfield code="f">CC BY-NC-ND 4.0</subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music videos</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Digital media</subfield><subfield code="x">Technological innovations.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">EDUCATION/Digital Media &amp; Learning</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">SOCIAL SCIENCES/Media Studies</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">EDUCATION/Literacies</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">0-262-32548-9</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">0-262-52692-1</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-04-26 03:09:41 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2014-11-02 01:20:10 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5338538500004498&amp;Force_direct=true</subfield><subfield code="Z">5338538500004498</subfield><subfield code="b">Available</subfield><subfield code="8">5338538500004498</subfield></datafield></record></collection>