Local Portraiture : Through the Lens of the 19th Century Iranian Photographers / / Carmen Perez González.

Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in 19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians�...

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Year of Publication:2012
Edition:1st ed.
Language:English
Series:Iranian studies series (Leiden, Netherlands)
Physical Description:1 online resource (330 p.)
Notes:Description based upon print version of record.
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505 0 |a Visual literacy : the relationship between the direction of writing and composition -- The written image : text and photography -- Pose, gesture and objects held by the sitter -- Arrangement of space -- Interactions between Western and Iranian photography. 
520 8 |a Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in 19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians' realities. Through an in-depth comparative visual analysis of 19th-century Iranian portrait photography and Persian painting, the author arrives at the insight that aesthetic preferences correlate with socio-cultural habits and practices in writing, reading and looking. Subsequently, she advocates for a place in a global history of photography for those unknown, local photo histories (such as the Iranian one) and for the indigenous photographers who produced them. 
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