Investigations : : the expanded field of writing in the works of Robert Morris / / Katia Schneller and Noura Wedell (dir.).

• Author: Katia Schneller, Noura Wedell (dir.)
• TeilnehmendeR: Wedell, Noura; Schneller, Katia
• Place / Publishing House: France : : ENS éditions,, 2015
• Year of Publication: 2015
• Language: English
• Series: Collection Signes.
• Physical Description: 1 online resource (278 pages) :; illustrations; digital, PDF file(s).
• Notes: Bibliographic Level Mode of Issuance: Monograph
• Other title: Embedded writing --; Morris('s) Prints --; Continuous Project Altered Daily (1969): The Machinery of Art --; The lime of the Earthworks --; When Kitsch Becomes Form --; 'Like Laughter in a Ruin:"from Telegram to the Eighties --; A Theater of History --; The text/image problem under investigation --; Picturing Texts: Robert Morris'"Beetle in a Box" --; The Subject-Object Problem in"Aligned with Nazca": On Phenomenological Issues in Robert Morris'Artwork --; Triangulating Morris'Intention? Davidson on Morris Quoting Davidson --; Robert Morris and the Spaces of Writing --; Politics of Blindness: Robert Morris'Antivision --; A Parallel Unfuriing:The Problem of Description in the Work of Robert Morris --; Displacing genres --; Robert Morris and Allan Kaprow: Experience, from Theory to Performance Art --; Writing through Space: the Literai Practices of Robert Morris and Vito Acconci --; Role Play in the Writings of Robert Morris --; Addressing Oneself: On TELEGRAM by Robert Morris --; Exchanges: text to screen and back again --; From Text to Screen --; Script of the film Robert Morris: The Mind-Body Problem
• Bibliography: Includes bibliographical references.
• ISBN: 9782847887020 (ebook); 9782847884937 (paperback)
• Hierarchical level: Monograph
• Statement of Responsibility: Katia Schneller and Noura Wedell (dir.).

Yes, it looks like you've been anything but an iconophile in this business, where words stack up as much on one side as pictures on the other.Robert Morris, "Professional Rules"This collection of articles explores the work of Robert Morris through the prism of writing, thus offering a new reading of a central work of the visual arts since the sixties, in turn associated with minimalism, conceptualism or land art again.Although Morris is often called a theorist, his written work involves a wide variety of genres, from art criticism to fiction and autobiography. Apart from this practice of language, the written word inserted in his prints, sculptures, performances and installations weaves a tight network between text and plastic work. This book brings together contributions from art historians, literary scholars, philosophers, but also filmmakers and writers.