Creativity : : the actor in performance / / Helen Trenos; managing editor Monika Michalowicz.
Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything...
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| Place / Publishing House: | Warsaw, [Poland] ;, Berlin, [Germany] : : De Gruyter Open,, 2014. ©2014 |
| Year of Publication: | 2014 |
| Edition: | 1st ed. |
| Language: | English |
| Physical Description: | 1 online resource (93 pages) |
| Notes: | Bibliographic Level Mode of Issuance: Monograph |
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| 100 | 1 | |a Trenos, Helen, |e author. | |
| 245 | 1 | 0 | |a Creativity : |b the actor in performance / |c Helen Trenos; managing editor Monika Michalowicz. |
| 250 | |a 1st ed. | ||
| 260 | |b De Gruyter |c 2014 | ||
| 264 | 1 | |a Warsaw, [Poland] ; |a Berlin, [Germany] : |b De Gruyter Open, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (93 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |2 rda | ||
| 500 | |a Bibliographic Level Mode of Issuance: Monograph | ||
| 530 | |a Also available in print form. | ||
| 520 | |a Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence. | ||
| 540 | |a This eBook is made available Open Access. Unless otherwise specified individually in the content, the work is licensed under the Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) license: |u https://creativecommons.org/licenses/by-nc-nd/3.0 |u https://www.degruyter.com/dg/page/open-access-policy | ||
| 546 | |a In English. | ||
| 505 | 0 | 0 | |t Front matter -- |t Contents -- |t List of CREATICS Exercises -- |t Introduction -- |t 1 Creativity and Acting -- |t 2 What is Acting? -- |t 3 Stanislavsky: Guru and Villain -- |t 4 CREATICS: Performance-Oriented Training -- |t References -- |t Index |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on online resource; title from PDF title page (ebrary, viewed May 25, 2015). | ||
| 650 | 0 | |a Creation (Literary, artistic, etc.) | |
| 650 | 0 | |a Creative ability. | |
| 653 | |a Stage-acting, creativity, performing. | ||
| 700 | 1 | |a Michalowicz, Monika, |e editor. | |
| 776 | |z 3-11-040196-7 | ||
| 906 | |a BOOK | ||
| ADM | |b 2024-04-06 05:14:25 Europe/Vienna |f system |c marc21 |a 2015-02-07 21:23:20 Europe/Vienna |g false | ||
| AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338489820004498&Force_direct=true |Z 5338489820004498 |b Available |8 5338489820004498 | ||