Probing auditory scene analysis / / topic editors, Elyse S. Sussman, Susan Denham and Susann Deike.
In natural environments, the auditory system is typically confronted with a mixture of sounds originating from different sound sources. As sounds spread over time, the auditory system has to continuously decompose competing sounds into distinct meaningful auditory objects or “auditory streams” refer...
Saved in:
: | |
---|---|
TeilnehmendeR: | |
Place / Publishing House: | [Lausanne, Switzerland] : : Frontiers Media SA,, 2015. |
Year of Publication: | 2015 |
Language: | English |
Series: | Frontiers Research Topics,
|
Physical Description: | 1 online resource (151 pages). |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993547217404498 |
---|---|
ctrlnum |
(CKB)3710000000506268 (WaSeSS)IndRDA00057494 (oapen)https://directory.doabooks.org/handle/20.500.12854/57012 (EXLCZ)993710000000506268 |
collection |
bib_alma |
record_format |
marc |
spelling |
Susann Deike auth Probing auditory scene analysis / topic editors, Elyse S. Sussman, Susan Denham and Susann Deike. Frontiers Media SA 2015 [Lausanne, Switzerland] : Frontiers Media SA, 2015. 1 online resource (151 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Frontiers Research Topics, 1664-8714 Includes bibliographical references. Description based on: online resource; title from pdf title page (frontiers, viewed Jun. 9, 2016). In natural environments, the auditory system is typically confronted with a mixture of sounds originating from different sound sources. As sounds spread over time, the auditory system has to continuously decompose competing sounds into distinct meaningful auditory objects or “auditory streams” referring to certain sound sources. This decomposition work, which was termed by Albert Bregman as “Auditory scene analysis” (ASA), involves two kinds of grouping to be done. Grouping based on simultaneous cues, such as harmonicity and on sequential cues, such as similarity in acoustic features over time. Understanding how the brain solves these tasks is a fundamental challenge facing auditory scientist. In recent years, the topic of ASA was broadly investigated in different fields of auditory research, including a wide range of methods, studies in different species, and modeling. Despite the advance in understanding ASA, it still proves to be a major challenge for auditory research. This includes verifying whether experimental findings are transferable to more realistic auditory scenes. A central approach in understanding ASA is the use of certain stimulus parameters that produce an ambiguous percept. The advantage of such an approach is that different perceptual organizations can be studied without varying physical stimulus parameters. Additionally, the perception of ambiguous stimuli can be volitionally controlled by intention or task. By using this one can mirror real hearing situations where listeners intent to identify and to localize auditory sources. Recently it was also found that in classical auditory streaming sequences perceptual ambiguity was not restricted to but was observed over a broad range of stimulus parameters. The proposed Research Topic pursues to bring together scientist in the different fields of auditory research whose work addresses the issue of perceptual ambiguity. Researchers were welcome to contribute experimental reports, computational modeling, and reviews that consider auditory ambiguity in its modality specific characteristics as well as in comparison to visual ambiguous figures. The overall goal of contributions was to consider the experimental findings from the perspective of real auditory scenes. In a broader sense, the Research Topic was open for contributions which are related to the issue of active listening in complex scenes. English Hearing. Auditory pathways. Ear. ambiguity Multistable Perception auditory scene analysis realistic auditory scenes stream segregation 2-88919-371-3 Denham, Susan, editor. Deike, Susann, editor. Sussman, Elyse S., editor. |
language |
English |
format |
eBook |
author |
Susann Deike |
spellingShingle |
Susann Deike Probing auditory scene analysis / Frontiers Research Topics, |
author_facet |
Susann Deike Denham, Susan, Deike, Susann, Sussman, Elyse S., |
author_variant |
s d sd |
author2 |
Denham, Susan, Deike, Susann, Sussman, Elyse S., |
author2_variant |
s d sd s d sd e s s es ess |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_sort |
Susann Deike |
title |
Probing auditory scene analysis / |
title_full |
Probing auditory scene analysis / topic editors, Elyse S. Sussman, Susan Denham and Susann Deike. |
title_fullStr |
Probing auditory scene analysis / topic editors, Elyse S. Sussman, Susan Denham and Susann Deike. |
title_full_unstemmed |
Probing auditory scene analysis / topic editors, Elyse S. Sussman, Susan Denham and Susann Deike. |
title_auth |
Probing auditory scene analysis / |
title_new |
Probing auditory scene analysis / |
title_sort |
probing auditory scene analysis / |
series |
Frontiers Research Topics, |
series2 |
Frontiers Research Topics, |
publisher |
Frontiers Media SA Frontiers Media SA, |
publishDate |
2015 |
physical |
1 online resource (151 pages). |
isbn |
2-88919-371-3 |
issn |
1664-8714 |
callnumber-first |
Q - Science |
callnumber-subject |
QP - Physiology |
callnumber-label |
QP461 |
callnumber-sort |
QP 3461 |
illustrated |
Not Illustrated |
work_keys_str_mv |
AT susanndeike probingauditorysceneanalysis AT denhamsusan probingauditorysceneanalysis AT deikesusann probingauditorysceneanalysis AT sussmanelyses probingauditorysceneanalysis |
status_str |
n |
ids_txt_mv |
(CKB)3710000000506268 (WaSeSS)IndRDA00057494 (oapen)https://directory.doabooks.org/handle/20.500.12854/57012 (EXLCZ)993710000000506268 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Probing auditory scene analysis / |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField |
_version_ |
1796649024087916544 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01368nam a2200349 i 4500</leader><controlfield tag="001">993547217404498</controlfield><controlfield tag="005">20160609200244.0</controlfield><controlfield tag="006">m o u </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">160609s2015 sz |||||o|||||||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)3710000000506268</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(WaSeSS)IndRDA00057494</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/57012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)993710000000506268</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">WaSeSS</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">WaSeSS</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">QP461</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Susann Deike</subfield><subfield code="4">auth</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Probing auditory scene analysis /</subfield><subfield code="c">topic editors, Elyse S. Sussman, Susan Denham and Susann Deike.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="b">Frontiers Media SA</subfield><subfield code="c">2015</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Lausanne, Switzerland] :</subfield><subfield code="b">Frontiers Media SA,</subfield><subfield code="c">2015.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (151 pages).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Frontiers Research Topics,</subfield><subfield code="x">1664-8714</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on: online resource; title from pdf title page (frontiers, viewed Jun. 9, 2016).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In natural environments, the auditory system is typically confronted with a mixture of sounds originating from different sound sources. As sounds spread over time, the auditory system has to continuously decompose competing sounds into distinct meaningful auditory objects or “auditory streams” referring to certain sound sources. This decomposition work, which was termed by Albert Bregman as “Auditory scene analysis” (ASA), involves two kinds of grouping to be done. Grouping based on simultaneous cues, such as harmonicity and on sequential cues, such as similarity in acoustic features over time. Understanding how the brain solves these tasks is a fundamental challenge facing auditory scientist. In recent years, the topic of ASA was broadly investigated in different fields of auditory research, including a wide range of methods, studies in different species, and modeling. Despite the advance in understanding ASA, it still proves to be a major challenge for auditory research. This includes verifying whether experimental findings are transferable to more realistic auditory scenes. A central approach in understanding ASA is the use of certain stimulus parameters that produce an ambiguous percept. The advantage of such an approach is that different perceptual organizations can be studied without varying physical stimulus parameters. Additionally, the perception of ambiguous stimuli can be volitionally controlled by intention or task. By using this one can mirror real hearing situations where listeners intent to identify and to localize auditory sources. Recently it was also found that in classical auditory streaming sequences perceptual ambiguity was not restricted to but was observed over a broad range of stimulus parameters. The proposed Research Topic pursues to bring together scientist in the different fields of auditory research whose work addresses the issue of perceptual ambiguity. Researchers were welcome to contribute experimental reports, computational modeling, and reviews that consider auditory ambiguity in its modality specific characteristics as well as in comparison to visual ambiguous figures. The overall goal of contributions was to consider the experimental findings from the perspective of real auditory scenes. In a broader sense, the Research Topic was open for contributions which are related to the issue of active listening in complex scenes.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Hearing.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Auditory pathways.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Ear.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ambiguity</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Multistable Perception</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">auditory scene analysis</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">realistic auditory scenes</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">stream segregation</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">2-88919-371-3</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Denham, Susan,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Deike, Susann,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sussman, Elyse S.,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-02-22 20:35:02 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2015-11-22 13:16:40 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338487780004498&Force_direct=true</subfield><subfield code="Z">5338487780004498</subfield><subfield code="b">Available</subfield><subfield code="8">5338487780004498</subfield></datafield></record></collection> |