The quest for an appropriate past in literature, art and architecture / Edited by Karl A.E. Enenkel and Konrad A. Ottenheym.

This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territo...

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Place / Publishing House:Leiden ;, Boston : : Brill,, [2018]
Year of Publication:2018
Edition:1st ed.
Language:English
Series:Intersections 60.
Physical Description:1 online resource.
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spelling Enenkel, Karl A.E. edt
The quest for an appropriate past in literature, art and architecture Edited by Karl A.E. Enenkel and Konrad A. Ottenheym.
1st ed.
Brill 2018
Leiden ; Boston : Brill, [2018]
1 online resource.
text txt rdacontent
computer n rdamedia
online resource rdacarrier
Intersections, 1568-1181 ; Volume 60
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
Includes bibliographical references and index.
Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- The Quest for an Appropriate Past: The Creation of National Identities in Early Modern Literature, Scholarship, Architecture, and Art / Karl Enenkel and Konrad Ottenheym -- The Mediterranean -- Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry / Christian Peters -- Architecture, Poetry and Law: The Amphitheatre of Capua and the New Works Sponsored by the Local Élite / Bianca de Divitiis -- A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modern Era / Hubertus Günther -- Tradition and Originality in Raphael: The Stanza della Segnatura, the Middle Ages and Local Traditions / David Rijser -- An Appropriate Past for Renaissance Portugal: André de Resende and the City of Évora / Nuno Senos -- France -- The Construction of a National Past in the Bella Britannica by Humbert of Montmoret (d. circa 1525) / Thomas Haye -- Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532) / Paul J. Smith -- Antiquity and Modernity: Sixteenth- to Eighteenth-Century French Architecture / Frédérique Lemerle -- The Roots of Philibert De l’Orme: Antiquity, Medieval Art, and Early Christian Architecture / Yves Pauwels -- The Low Countries -- From Chivalric Family Tree to “National” Gallery: The Portrait Series of the Counts of Holland, circa 1490–1650 / Karl Enenkel -- Dousa’s Medieval Tournaments: Chivalry Enters the Age of Humanism? / Coen Maas -- Living as Befits a Knight: New Castles in Seventeenth-Century Holland / Konrad Ottenheym -- ‘Non erubescat Hollandia’: Classical Embarrassment of Riches and the Construction of Local History in Hadrianus Junius’ Batavia / Coen Maas -- Epigraphy and Blurring Senses of the Past in Early Modern Travelling Men of Letters: The Case of Arnoldus Buchelius / Harald Hendrix -- ‘Sine amore, sine odio partium’: Nicolaus Burgundius’ Historia Belgica (1629) and his Tacitean Quest for an Appropriate Past / Marc Laureys -- The Mediaeval Prestige of Dutch Cities / Konrad Ottenheym -- An Appropriated History: The Case of the Amsterdam Town Hall (1648–1667) / Pieter Vlaardingerbroek -- The Holy Roman Empire -- Germany’s Glory, Past and Present: Konrad Peutinger’s Sermones convivales de mirandis Germanie antiquitatibus and Antiquarian Philology / Christoph Pieper -- Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation / Stephan Hoppe -- The Babylonian Origins of Trier / Hubertus Günther -- Poland and Sweden -- History and Architecture in Pursuit of a Gothic Heritage / Kristoffer Neville -- Early Modern Conceptualizations of Medieval History and Their Impact on Residential Architecture in the Polish-Lithuanian Commonwealth / Barbara Arciszewska -- Britain, Scotland, and Ireland -- Writing about Romano-British Architecture in the Late Seventeenth Century / Matthew Walker -- Preserving the Nation’s Zeal: Church Buildings and English Christian History in Stuart England / Anne-Françoise Morel.
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English
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International CC BY-NC-ND 4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
History.
Arts and history.
Early modern history: c 1450/1500 to c 1700
Enenkel, K. A. E., editor.
Ottenheym, Koen, editor.
90-04-37768-9
Intersections 60.
language English
format eBook
author2 Enenkel, K. A. E.,
Ottenheym, Koen,
author_facet Enenkel, K. A. E.,
Ottenheym, Koen,
author2_variant k a e ka kae
k a e e kae kaee
k o ko
author2_role TeilnehmendeR
TeilnehmendeR
author_additional Karl Enenkel and Konrad Ottenheym --
Christian Peters --
Bianca de Divitiis --
Hubertus Günther --
David Rijser --
Nuno Senos --
Thomas Haye --
Paul J. Smith --
Frédérique Lemerle --
Yves Pauwels --
Karl Enenkel --
Coen Maas --
Konrad Ottenheym --
Harald Hendrix --
Marc Laureys --
Pieter Vlaardingerbroek --
Christoph Pieper --
Stephan Hoppe --
Kristoffer Neville --
Barbara Arciszewska --
Matthew Walker --
Anne-Françoise Morel.
title The quest for an appropriate past in literature, art and architecture
spellingShingle The quest for an appropriate past in literature, art and architecture
Intersections,
Front Matter --
Copyright page --
Acknowledgements --
Illustrations --
Notes on the Editors --
Notes on the Contributors --
The Quest for an Appropriate Past: The Creation of National Identities in Early Modern Literature, Scholarship, Architecture, and Art /
The Mediterranean --
Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry /
Architecture, Poetry and Law: The Amphitheatre of Capua and the New Works Sponsored by the Local Élite /
A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modern Era /
Tradition and Originality in Raphael: The Stanza della Segnatura, the Middle Ages and Local Traditions /
An Appropriate Past for Renaissance Portugal: André de Resende and the City of Évora /
France --
The Construction of a National Past in the Bella Britannica by Humbert of Montmoret (d. circa 1525) /
Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532) /
Antiquity and Modernity: Sixteenth- to Eighteenth-Century French Architecture /
The Roots of Philibert De l’Orme: Antiquity, Medieval Art, and Early Christian Architecture /
The Low Countries --
From Chivalric Family Tree to “National” Gallery: The Portrait Series of the Counts of Holland, circa 1490–1650 /
Dousa’s Medieval Tournaments: Chivalry Enters the Age of Humanism? /
Living as Befits a Knight: New Castles in Seventeenth-Century Holland /
‘Non erubescat Hollandia’: Classical Embarrassment of Riches and the Construction of Local History in Hadrianus Junius’ Batavia /
Epigraphy and Blurring Senses of the Past in Early Modern Travelling Men of Letters: The Case of Arnoldus Buchelius /
‘Sine amore, sine odio partium’: Nicolaus Burgundius’ Historia Belgica (1629) and his Tacitean Quest for an Appropriate Past /
The Mediaeval Prestige of Dutch Cities /
An Appropriated History: The Case of the Amsterdam Town Hall (1648–1667) /
The Holy Roman Empire --
Germany’s Glory, Past and Present: Konrad Peutinger’s Sermones convivales de mirandis Germanie antiquitatibus and Antiquarian Philology /
Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation /
The Babylonian Origins of Trier /
Poland and Sweden --
History and Architecture in Pursuit of a Gothic Heritage /
Early Modern Conceptualizations of Medieval History and Their Impact on Residential Architecture in the Polish-Lithuanian Commonwealth /
Britain, Scotland, and Ireland --
Writing about Romano-British Architecture in the Late Seventeenth Century /
Preserving the Nation’s Zeal: Church Buildings and English Christian History in Stuart England /
title_full The quest for an appropriate past in literature, art and architecture Edited by Karl A.E. Enenkel and Konrad A. Ottenheym.
title_fullStr The quest for an appropriate past in literature, art and architecture Edited by Karl A.E. Enenkel and Konrad A. Ottenheym.
title_full_unstemmed The quest for an appropriate past in literature, art and architecture Edited by Karl A.E. Enenkel and Konrad A. Ottenheym.
title_auth The quest for an appropriate past in literature, art and architecture
title_alt Front Matter --
Copyright page --
Acknowledgements --
Illustrations --
Notes on the Editors --
Notes on the Contributors --
The Quest for an Appropriate Past: The Creation of National Identities in Early Modern Literature, Scholarship, Architecture, and Art /
The Mediterranean --
Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry /
Architecture, Poetry and Law: The Amphitheatre of Capua and the New Works Sponsored by the Local Élite /
A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modern Era /
Tradition and Originality in Raphael: The Stanza della Segnatura, the Middle Ages and Local Traditions /
An Appropriate Past for Renaissance Portugal: André de Resende and the City of Évora /
France --
The Construction of a National Past in the Bella Britannica by Humbert of Montmoret (d. circa 1525) /
Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532) /
Antiquity and Modernity: Sixteenth- to Eighteenth-Century French Architecture /
The Roots of Philibert De l’Orme: Antiquity, Medieval Art, and Early Christian Architecture /
The Low Countries --
From Chivalric Family Tree to “National” Gallery: The Portrait Series of the Counts of Holland, circa 1490–1650 /
Dousa’s Medieval Tournaments: Chivalry Enters the Age of Humanism? /
Living as Befits a Knight: New Castles in Seventeenth-Century Holland /
‘Non erubescat Hollandia’: Classical Embarrassment of Riches and the Construction of Local History in Hadrianus Junius’ Batavia /
Epigraphy and Blurring Senses of the Past in Early Modern Travelling Men of Letters: The Case of Arnoldus Buchelius /
‘Sine amore, sine odio partium’: Nicolaus Burgundius’ Historia Belgica (1629) and his Tacitean Quest for an Appropriate Past /
The Mediaeval Prestige of Dutch Cities /
An Appropriated History: The Case of the Amsterdam Town Hall (1648–1667) /
The Holy Roman Empire --
Germany’s Glory, Past and Present: Konrad Peutinger’s Sermones convivales de mirandis Germanie antiquitatibus and Antiquarian Philology /
Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation /
The Babylonian Origins of Trier /
Poland and Sweden --
History and Architecture in Pursuit of a Gothic Heritage /
Early Modern Conceptualizations of Medieval History and Their Impact on Residential Architecture in the Polish-Lithuanian Commonwealth /
Britain, Scotland, and Ireland --
Writing about Romano-British Architecture in the Late Seventeenth Century /
Preserving the Nation’s Zeal: Church Buildings and English Christian History in Stuart England /
title_new The quest for an appropriate past in literature, art and architecture
title_sort the quest for an appropriate past in literature, art and architecture
series Intersections,
series2 Intersections,
publisher Brill
Brill,
publishDate 2018
physical 1 online resource.
edition 1st ed.
contents Front Matter --
Copyright page --
Acknowledgements --
Illustrations --
Notes on the Editors --
Notes on the Contributors --
The Quest for an Appropriate Past: The Creation of National Identities in Early Modern Literature, Scholarship, Architecture, and Art /
The Mediterranean --
Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry /
Architecture, Poetry and Law: The Amphitheatre of Capua and the New Works Sponsored by the Local Élite /
A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modern Era /
Tradition and Originality in Raphael: The Stanza della Segnatura, the Middle Ages and Local Traditions /
An Appropriate Past for Renaissance Portugal: André de Resende and the City of Évora /
France --
The Construction of a National Past in the Bella Britannica by Humbert of Montmoret (d. circa 1525) /
Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532) /
Antiquity and Modernity: Sixteenth- to Eighteenth-Century French Architecture /
The Roots of Philibert De l’Orme: Antiquity, Medieval Art, and Early Christian Architecture /
The Low Countries --
From Chivalric Family Tree to “National” Gallery: The Portrait Series of the Counts of Holland, circa 1490–1650 /
Dousa’s Medieval Tournaments: Chivalry Enters the Age of Humanism? /
Living as Befits a Knight: New Castles in Seventeenth-Century Holland /
‘Non erubescat Hollandia’: Classical Embarrassment of Riches and the Construction of Local History in Hadrianus Junius’ Batavia /
Epigraphy and Blurring Senses of the Past in Early Modern Travelling Men of Letters: The Case of Arnoldus Buchelius /
‘Sine amore, sine odio partium’: Nicolaus Burgundius’ Historia Belgica (1629) and his Tacitean Quest for an Appropriate Past /
The Mediaeval Prestige of Dutch Cities /
An Appropriated History: The Case of the Amsterdam Town Hall (1648–1667) /
The Holy Roman Empire --
Germany’s Glory, Past and Present: Konrad Peutinger’s Sermones convivales de mirandis Germanie antiquitatibus and Antiquarian Philology /
Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation /
The Babylonian Origins of Trier /
Poland and Sweden --
History and Architecture in Pursuit of a Gothic Heritage /
Early Modern Conceptualizations of Medieval History and Their Impact on Residential Architecture in the Polish-Lithuanian Commonwealth /
Britain, Scotland, and Ireland --
Writing about Romano-British Architecture in the Late Seventeenth Century /
Preserving the Nation’s Zeal: Church Buildings and English Christian History in Stuart England /
isbn 90-04-37821-9
90-04-37768-9
issn 1568-1181 ;
callnumber-first D - World History
callnumber-subject D - General History
callnumber-label D24
callnumber-sort D 224
illustrated Not Illustrated
dewey-hundreds 900 - History & geography
dewey-tens 900 - History
dewey-ones 904 - Collected accounts of events
dewey-full 904/.7
dewey-sort 3904 17
dewey-raw 904/.7
dewey-search 904/.7
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Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front Matter --</subfield><subfield code="t">Copyright page --</subfield><subfield code="t">Acknowledgements --</subfield><subfield code="t">Illustrations --</subfield><subfield code="t">Notes on the Editors --</subfield><subfield code="t">Notes on the Contributors --</subfield><subfield code="t">The Quest for an Appropriate Past: The Creation of National Identities in Early Modern Literature, Scholarship, Architecture, and Art /</subfield><subfield code="r">Karl Enenkel and Konrad Ottenheym --</subfield><subfield code="t">The Mediterranean --</subfield><subfield code="t">Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry /</subfield><subfield code="r">Christian Peters --</subfield><subfield code="t">Architecture, Poetry and Law: The Amphitheatre of Capua and the New Works Sponsored by the Local Élite /</subfield><subfield code="r">Bianca de Divitiis --</subfield><subfield code="t">A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modern Era /</subfield><subfield code="r">Hubertus Günther --</subfield><subfield code="t">Tradition and Originality in Raphael: The Stanza della Segnatura, the Middle Ages and Local Traditions /</subfield><subfield code="r">David Rijser --</subfield><subfield code="t">An Appropriate Past for Renaissance Portugal: André de Resende and the City of Évora /</subfield><subfield code="r">Nuno Senos --</subfield><subfield code="t">France --</subfield><subfield code="t">The Construction of a National Past in the Bella Britannica by Humbert of Montmoret (d. circa 1525) /</subfield><subfield code="r">Thomas Haye --</subfield><subfield code="t">Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532) /</subfield><subfield code="r">Paul J. Smith --</subfield><subfield code="t">Antiquity and Modernity: Sixteenth- to Eighteenth-Century French Architecture /</subfield><subfield code="r">Frédérique Lemerle --</subfield><subfield code="t">The Roots of Philibert De l’Orme: Antiquity, Medieval Art, and Early Christian Architecture /</subfield><subfield code="r">Yves Pauwels --</subfield><subfield code="t">The Low Countries --</subfield><subfield code="t">From Chivalric Family Tree to “National” Gallery: The Portrait Series of the Counts of Holland, circa 1490–1650 /</subfield><subfield code="r">Karl Enenkel --</subfield><subfield code="t">Dousa’s Medieval Tournaments: Chivalry Enters the Age of Humanism? /</subfield><subfield code="r">Coen Maas --</subfield><subfield code="t">Living as Befits a Knight: New Castles in Seventeenth-Century Holland /</subfield><subfield code="r">Konrad Ottenheym --</subfield><subfield code="t">‘Non erubescat Hollandia’: Classical Embarrassment of Riches and the Construction of Local History in Hadrianus Junius’ Batavia /</subfield><subfield code="r">Coen Maas --</subfield><subfield code="t">Epigraphy and Blurring Senses of the Past in Early Modern Travelling Men of Letters: The Case of Arnoldus Buchelius /</subfield><subfield code="r">Harald Hendrix --</subfield><subfield code="t">‘Sine amore, sine odio partium’: Nicolaus Burgundius’ Historia Belgica (1629) and his Tacitean Quest for an Appropriate Past /</subfield><subfield code="r">Marc Laureys --</subfield><subfield code="t">The Mediaeval Prestige of Dutch Cities /</subfield><subfield code="r">Konrad Ottenheym --</subfield><subfield code="t">An Appropriated History: The Case of the Amsterdam Town Hall (1648–1667) /</subfield><subfield code="r">Pieter Vlaardingerbroek --</subfield><subfield code="t">The Holy Roman Empire --</subfield><subfield code="t">Germany’s Glory, Past and Present: Konrad Peutinger’s Sermones convivales de mirandis Germanie antiquitatibus and Antiquarian Philology /</subfield><subfield code="r">Christoph Pieper --</subfield><subfield code="t">Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation /</subfield><subfield code="r">Stephan Hoppe --</subfield><subfield code="t">The Babylonian Origins of Trier /</subfield><subfield code="r">Hubertus Günther --</subfield><subfield code="t">Poland and Sweden --</subfield><subfield code="t">History and Architecture in Pursuit of a Gothic Heritage /</subfield><subfield code="r">Kristoffer Neville --</subfield><subfield code="t">Early Modern Conceptualizations of Medieval History and Their Impact on Residential Architecture in the Polish-Lithuanian Commonwealth /</subfield><subfield code="r">Barbara Arciszewska --</subfield><subfield code="t">Britain, Scotland, and Ireland --</subfield><subfield code="t">Writing about Romano-British Architecture in the Late Seventeenth Century /</subfield><subfield code="r">Matthew Walker --</subfield><subfield code="t">Preserving the Nation’s Zeal: Church Buildings and English Christian History in Stuart England /</subfield><subfield code="r">Anne-Françoise Morel.</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record and CIP data provided by publisher; resource not viewed.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</subfield><subfield code="f">CC BY-NC-ND 4.0</subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts and history.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Early modern history: c 1450/1500 to c 1700</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Enenkel, K. 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