Digital media and textuality : : from creation to archiving / / edited by Daniela Côrtes Maduro.

Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obs...

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Place / Publishing House:Bielefeld, Germany : : Transcript,, [2017]
©2017
Year of Publication:2017
Edition:1st ed.
Language:English
Series:Medienumbrüche ; Volume 45.
Physical Description:1 online resource (285 pages) :; illustrations, photographs.
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245 0 0 |a Digital media and textuality :  |b from creation to archiving /  |c edited by Daniela Côrtes Maduro. 
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264 1 |a Bielefeld, Germany :  |b Transcript,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (285 pages) :  |b illustrations, photographs. 
336 |a text  |2 rdacontent 
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490 0 |a Medienumbrüche  |v 45 
504 |a Includes bibliographical references at the end of each chapters. 
546 |a In English. 
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540 |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:   |u https://creativecommons.org/licenses/by-nc-nd/4.0   |u http://www.transcript-verlag.de/open-access-bei-transcript 
505 0 |a Frontmatter 1 Contents 7 Preface 9 Rhapsodic Textualities 15 Passing the Calvino Test? Writing Machines and Literary Ghosts 23 Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention 47 Pwning Gamers, One Text at a Time 57 Character: A Concept That Does Not Stand Still 75 Shelley Jackson's Grotesque Corpus Notes on my bodya Wunderkammer 87 Choice and Disbelief: Revisiting Immersion and Interactivity 107 Creative Process: Interweaving Methods, Content and Technology 133 Distilling the Elements of "Networked Narratives" with Digital Alchemy 151 The Creative Process as a "Dance of Agency" Shelley Jackson's Snow: Performing Literary Text with Elements 169 Narrative Across Media: Trans-Stories In-Betweeness 187 Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image 207 Curating "Shapeshifting Texts" 253 Postscript Loosely Connected Only to What it's Coming After 271 Contributors 279 
520 |a Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality. 
545 0 |8 1\u  |a Daniela Côrtes Maduro (PhD) is a BremenTRAC-Marie Sklodowska-Curie Actions fellow (University of Bremen). Her research interests include science fiction, media studies, experimental literature and curatorial work. 
588 |a Description based on print version record. 
650 0 |a Digital preservation. 
650 0 |a Information society. 
650 0 |a Digital media. 
653 |a Aesthetics. 
653 |a Cognition. 
653 |a Digital Media. 
653 |a Electronic Literature. 
653 |a Literature. 
653 |a Materiality. 
653 |a Media Aesthetics. 
653 |a Media Education. 
653 |a Media Studies. 
653 |a Textuality. 
653 |a Theory of Literature. 
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700 1 |a Maduro, Daniela Côrtes,  |e editor. 
830 0 |a Medienumbrüche ;  |v Volume 45. 
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