Gathering Ecologies
What might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of object...
Saved in:
Superior document: | Immediations serie |
---|---|
VerfasserIn: | |
Year of Publication: | 2018 |
Language: | English |
Series: | Immediations serie
|
Physical Description: | 1 online resource (347) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 02088nam-a2200445z--4500 | ||
---|---|---|---|
001 | 993547065004498 | ||
005 | 20231214145448.0 | ||
006 | m o d | ||
007 | cu#uuu---auuuu | ||
008 | 180327||| xx o s 0 u 0|eng | ||
020 | |a 1-78542-053-4 | ||
024 | 7 | |2 doi | |
035 | |a (CKB)4100000002831259 | ||
035 | |a (OAPEN)646116 | ||
035 | |a (oapen)https://directory.doabooks.org/handle/20.500.12854/26263 | ||
035 | |a (EXLCZ)994100000002831259 | ||
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a PSAF |2 bicssc | |
100 | 1 | |a Goodman, Andrew |4 aut | |
245 | 1 | 0 | |a Gathering Ecologies |
246 | |a Gathering Ecologies | ||
246 | |a Immediations serie | ||
260 | |b Open Humanities Press |c 2018 | ||
300 | |a 1 online resource (347) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Immediations serie | |
520 | |a What might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of objects and subjects? Gathering Ecologies explores this ethical and political shift in thinking, examining the creative potential of differential relations through key concepts from the philosophies of A.N. Whitehead, Gilbert Simondon and Michel Serres. Utilising detailed examinations of work by artists such as Lygia Clark, Rafael Lozano-Hemmer, Nathaniel Stern and Joyce Hinterding, the book discusses the creative potential of movement, perception and sensation, interfacing, sound and generative algorithmic design to tune an event towards the conditions of its own ecological emergence. | ||
546 | |a English. | ||
650 | 7 | |a Ecological science, the Biosphere |2 bicssc | |
653 | |a interactivity | ||
653 | |a ecologies | ||
653 | |a Concrescence | ||
653 | |a Gilbert Simondon | ||
653 | |a Immanence | ||
653 | |a Individuation | ||
653 | |a Parasitism | ||
776 | |z 1-78542-052-6 | ||
906 | |a BOOK | ||
ADM | |b 2023-12-15 06:11:39 Europe/Vienna |f system |c marc21 |a 2018-04-07 19:23:49 Europe/Vienna |g false | ||
AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338452050004498&Force_direct=true |Z 5338452050004498 |b Available |8 5338452050004498 |