Productive fandom : : intermediality and affective reception in fan cultures / / Nicolle Lamerichs.

To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other...

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Bibliographic Details
Superior document:Transmedia : participatory culture and media convergence
VerfasserIn:
Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2018.
Year of Publication:2018
Edition:1st ed.
Language:English
Series:Transmedia (Amsterdam, Netherlands)
Physical Description:1 online resource (244 pages) :; digital, PDF file(s).
Notes:Title from publisher's bibliographic system (viewed on 14 Dec 2020).
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100 1 |a Lamerichs, Nicolle,  |e author. 
245 1 0 |a Productive fandom :  |b intermediality and affective reception in fan cultures /  |c Nicolle Lamerichs. 
250 |a 1st ed. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2018. 
300 |a 1 online resource (244 pages) :  |b digital, PDF file(s). 
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490 1 |a Transmedia : participatory culture and media convergence 
504 |a Includes bibliographical references and index. 
546 |a In English. 
540 |a Creative Commons NonCommercial-NoDerivs  |u https://creativecommons.org/licenses/http://www.oapen.org/download/?type=document&docid=1001770 
500 |a Title from publisher's bibliographic system (viewed on 14 Dec 2020). 
505 0 |a Shared narratives: intermediality in fandom -- Fan membership: traditional and digital fieldwork -- Naturalizing Sherlock: Dutch fans interpret the famous detective -- Queer teen drama: rewriting and narrative closure in Glee fan fiction -- Transmedia play: approaching the possible worlds of Firefly -- Embodied characters: the affective process of cosplay -- Conclusion: prospects for fan studies. 
520 |a To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other popular television-based franchises, the author appeals to fans and scholars alike in her empirically grounded methodology and insightful analysis of production hierarchies, gender, sexuality, play, and affect. 
650 0 |a Television viewers  |x Social aspects. 
650 0 |a Fans (Persons)  |x Social aspects. 
650 0 |a Television programs  |x Social aspects. 
776 |z 90-8964-938-7 
830 0 |a Transmedia (Amsterdam, Netherlands) 
906 |a BOOK 
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