Nazi soundscapes : : sound, technology and urban space in Germany, 1933-1945 / / Carolyn Birdsall.
Many images of Nazi propaganda are universally recognizable, and symbolize the ways that the National Socialist party manipulated German citizens. What might an examination of the party's various uses of sound reveal? In Nazi Soundscapes, Carolyn Birdsall offers an in-depth analysis of the cult...
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2012. |
| Year of Publication: | 2012 |
| Edition: | 1st ed. |
| Language: | English |
| Physical Description: | 1 online resource (272 pages) :; digital, PDF file(s). |
| Notes: | Title from publisher's bibliographic system (viewed on 29 Jan 2021). |
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| 100 | 1 | |a Birdsall, Carolyn, |e author. | |
| 245 | 1 | 0 | |a Nazi soundscapes : |b sound, technology and urban space in Germany, 1933-1945 / |c Carolyn Birdsall. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2012. | |
| 300 | |a 1 online resource (272 pages) : |b digital, PDF file(s). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 546 | |a English | ||
| 504 | |a Includes bibliographical references (p. 217-254) and indexes. | ||
| 505 | 0 | 0 | |t Front matter -- |t Content -- |t Acknowledgements -- |t Abbreviations -- |t Introduction -- |t 1. Affirmative Resonances In Urban Space -- |t 2. The Festivalisation Of The Everyday -- |t 3. Mobilising Sound For The Nation At War -- |t 4. Cinema As A Gesamtkunstwerk? -- |t Afterword: Echoes Of The Past -- |t Notes -- |t Bibliography -- |t Track List -- |t Index |
| 540 | |a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported |f CC BY-NC-ND 3.0 |u https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode | ||
| 506 | |f Unrestricted online access | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 29 Jan 2021). | ||
| 520 | |a Many images of Nazi propaganda are universally recognizable, and symbolize the ways that the National Socialist party manipulated German citizens. What might an examination of the party's various uses of sound reveal? In Nazi Soundscapes, Carolyn Birdsall offers an in-depth analysis of the cultural significance of sound and new technologies like radio and loudspeaker systems during the rise of the National Socialist party in the 1920s to the end of World War II. Focusing specifically on the urban soundscape of Düsseldorf, this study examines both the production and reception of sound-based propaganda in the public and private spheres. Birdsall provides a vivid account of sound as a key instrument of social control, exclusion, and violence during Nazi Germany, and she makes a persuasive case for the power of sound within modern urban history. | ||
| 650 | 0 | |a Propaganda |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Communication |x Psychological aspects. | |
| 650 | 0 | |a Social control |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Mass media and propaganda |z Germany |x History |y 20th century. | |
| 776 | 0 | |z 9789089644268 (paperback) | |
| 906 | |a BOOK | ||
| ADM | |b 2024-06-06 00:39:29 Europe/Vienna |d 00 |f system |c marc21 |a 2012-09-11 21:11:42 Europe/Vienna |g false | ||
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