Queering the Shakespeare film : : gender trouble, gay spectatorship, and male homoeroticism / / Anthony Guy Patricia.
"A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - br...
Saved in:
| Superior document: | Arden Shakespeare |
|---|---|
| : | |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Arden Shakespeare (Critical studies)
|
| Physical Description: | 1 online resource (315 p.) |
| Notes: | Description based upon print version of record. |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- FC ; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction: The presence of the queer in the Shakespeare film; 1 Max Reinhardt and William Dieterle's A Midsummer Night's Dream and the queer problematics of gender, sodomy, marriage and masculinity; 2 The queer director, gay spectatorship and three cinematic productions of Shakespeare's 'straightest' play - Romeo and Juliet
- 3 The visual poetics of gender trouble in Trevor Nunn's Twelfth Night, Baz Luhrmann's Romeo + Juliet and Michael Hoffman's William Shakespeare's A Midsummer Night's Dream4 Screening the male homoerotics of Shakespearean romantic comedy on film in Michael Radford's The Merchant of Venice and Trevor Nunn's Twelfth Night; 5 'I am your own forever': Iago, queer self-fashioning and the cinematic Othellos of Orson Welles and Oliver Parker; Conclusion: Queering the Shakespeare film in the early twenty-first century; Notes; Bibliography; Index