Genre, authorship and contemporary women filmmakers /

Genre, authorship and contemporary women filmmakers / / Katarzyna Paszkiewicz.

Examining the significance of women's work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard.

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Superior document:Edinburgh scholarship online
VerfasserIn:
Paszkiewicz, Katarzyna,
Place / Publishing House:Edinburgh : : Edinburgh University Press,, 2018.
Year of Publication:2018
Language:English
Series:Edinburgh scholarship online.
Physical Description:1 online resource (ix, 294 pages) :; digital, PDF file(s).
Notes:Title from publisher's bibliographic system (viewed on 07 May 2021).
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(DE-B1597)614825
(DE-B1597)9781474425278
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(OCoLC)1312726895
(EXLCZ)994100000007109331
collection bib_alma
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spelling Paszkiewicz, Katarzyna, author.
Genre, authorship and contemporary women filmmakers / Katarzyna Paszkiewicz.
Edinburgh : Edinburgh University Press, 2018.
1 online resource (ix, 294 pages) : digital, PDF file(s).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Edinburgh scholarship online
Includes bibliographical references and index.
Specialized.
CC BY-NC-ND
English
Knowledge Unlatched
Title from publisher's bibliographic system (viewed on 07 May 2021).
Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women.
Examining the significance of women's work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard.
Women motion picture producers and directors United States.
Motion pictures United States.
Film genres.
Motion picture authorship.
Motion pictures History.
1-4744-2526-7
Edinburgh scholarship online.
language English
format eBook
author Paszkiewicz, Katarzyna,
spellingShingle Paszkiewicz, Katarzyna,
Genre, authorship and contemporary women filmmakers /
Edinburgh scholarship online
Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women.
author_facet Paszkiewicz, Katarzyna,
author_variant k p kp
author_role VerfasserIn
author_sort Paszkiewicz, Katarzyna,
title Genre, authorship and contemporary women filmmakers /
title_full Genre, authorship and contemporary women filmmakers / Katarzyna Paszkiewicz.
title_fullStr Genre, authorship and contemporary women filmmakers / Katarzyna Paszkiewicz.
title_full_unstemmed Genre, authorship and contemporary women filmmakers / Katarzyna Paszkiewicz.
title_auth Genre, authorship and contemporary women filmmakers /
title_new Genre, authorship and contemporary women filmmakers /
title_sort genre, authorship and contemporary women filmmakers /
series Edinburgh scholarship online
series2 Edinburgh scholarship online
publisher Edinburgh University Press,
publishDate 2018
physical 1 online resource (ix, 294 pages) : digital, PDF file(s).
contents Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women.
isbn 1-4744-4963-8
1-4744-2528-3
1-4744-2527-5
1-4744-2526-7
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995.9 W6 P37 42018
geographic_facet United States.
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4302/33082
dewey-sort 3791.4302 533082
dewey-raw 791.4302/33082
dewey-search 791.4302/33082
oclc_num 1065398484
1312726895
work_keys_str_mv AT paszkiewiczkatarzyna genreauthorshipandcontemporarywomenfilmmakers
status_str n
ids_txt_mv (CKB)4100000007109331
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(EXLCZ)994100000007109331
carrierType_str_mv cr
hierarchy_parent_title Edinburgh scholarship online
is_hierarchy_title Genre, authorship and contemporary women filmmakers /
container_title Edinburgh scholarship online
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