Theater and the sacred in the Middle Ages / / Andrzej Dąbrówka ; translated by Jan Burzyński and Mikołaj Golubiewski.
The book presents a theory of relationships between the forms of devotion and early drama genres. The historical background is the circumstances of the Church becoming independent of the Empire. A theological and philosophical aspect of the transformation of piety at the time was the specification o...
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Superior document: | Interdisciplinary studies in performance ; 20 |
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VerfasserIn: | |
TeilnehmendeR: | |
Place / Publishing House: | Berlin : : Peter Lang,, [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Interdisciplinary studies in performance ;
20. |
Physical Description: | 1 online resource (574 pages). |
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Table of Contents:
- Part I. Literature and history
- A philological exercise
- Language and history : the cognitive turn
- Pious spectacle
- The sacred
- Forms of devotion
- Part II. Changes in the ontology of the sacred
- The ontology of the sacred
- The sources of the spiritualization process
- The material symbol and the linguistic sign
- The stages of spiritualization
- The transcendentalization of the sacred as a civilizational transformation
- Part III. The profane : the human estate
- Lower tiers of sacrality
- The new place for people in nature
- From the universalism of obedience to the pluralism of predictability
- Confraternities as media in the civilizing process
- Part IV. The aesthetics of recapitulation : to inscribe into the living hearts
- Theatrica
- Spectator, participant, co-author
- The incarnational aesthetics of the theatrical performance
- The aesthetics of articulation and factuality
- Knowledge of the miracle
- Recapitulation and creativity
- Part V. Spirituality and subjectivity in drama
- The forms of devotion and drama
- The mystery play
- The miracle play
- The morality play
- The recapitulatory drama
- The farce
- Concluding remarks
- Bibliography
- Index.